Showing posts with label Shadowcasting. Show all posts
Showing posts with label Shadowcasting. Show all posts

Sunday, May 4, 2014

Free Comic Book Day 2014 And Texas Frightmare Weekend 2014.

Saturday, May 3rd, 2014 was a busy day for your intrepid author. Not only did I plan to traipse hither and yon to visit as many comic shops as possible for National Free Comic Book Day but I also had to attend Texas Frightmare Weekend - the biggest horror convention in the southwestern United States.

I didn't get much chance to take pictures but here are some of the pics I got over the course of the day.



Supergirl, Zatanna, Queen Amidala and The Green Ranger, camping it up at Keith's Comics.



Your author with Zatanna and Supergirl 
(AKA Taffeta Darling and Natalie Green of The Fangirls Of The Round Table podcast.)



The Ninth Doctor


Zombies!


Rotti Largo, Blind Mag and Shilo Wallac from REPO! The Genetic Opera.


Ash from Army of Darkness.


Another Blind Mag from REPO! The Genetic Opera.


Pyramid Head vs. Predator.


My pal Michael Ryan vs. Jack from The Shining.

Tuesday, May 7, 2013

Free Comic Book Day 2013 and Texas Frightmare Weekend 2013.

It was a busy weekend, to put it mildly.

Friday night, I went to a party at Texas Frightmare Weekend - the American Southwest's largest Horror-themed convention.  My theater troupe, Amber Does Dallas, had been hired to perform The Rocky Horror Picture Show there - dance the Time Warp at the party on Friday, present the whole live show on Saturday.  As a technician and head riffer for the troupe, I wasn't strictly needed but it never hurts to have a free hand to help organize things, especially at a Con show.  Besides, I figured it might be a good chance to take some interesting cosplay pictures.

Sadly, I didn't get much chance to take pictures.  But I did get a chance to join an entourage of our actors sent to meet with Patricia Quinn - the actress who originally played Magenta in both the stage play The Rocky Horror Show and in the film The Rocky Horror Picture Show. We welcomed her to Dallas and confirmed that she would be in attendance for our show the next night.


When it came time to perform The Time Warp, I was tasked with trying to film it.  Sadly, the stage we had wasn't very well lit and a small mob of people wound up crowding the dance floor between the stage and where I'd been set up to film.  So I didn't have any video footage of our performance.  I did get video of some very enthusiastic drunks cheering quite loudly - good for the ego, but bad for promotion purposes.  Still, I did manage manage to snag one picture on the way out - an apocalypse survivor, whom I had a lovely conversation with before leaving for the evening.


Saturday, I went to see Iron Man 3.  After returning home and writing a spoiler-free review, I headed out to Keith's Comics to get my subscription as well as some free comics.  More, I hoped to take part in the annual costume contest.  I didn't win anything but I did run into some friends, including Roy Buckingham of Sassycast, cosplay model and geek girl icon Taffeta Darling and Reese of Reese's Pieces, whom you might remember as the awesome Kitty Pryde from my Dallas SciFi Expo pictures.  If you don't remember her from that, check out these pictures from The Dallas Morning News.  You can't miss her.  Naturally, she won the kid's costume contest and I was lucky enough to be caught in the background as everyone was taking pictures of her awesome costume. 

It was late when I got to Texas Frightmare Weekend.  I found out after the fact that I missed a lot of friends who had gone there earlier in the day!  And by the time I got there most of the cosplayers had already left.  Double sadness.  Still, I did get one impressive picture of this Left 4 Dead Witch.


I also was lucky enough to get an autographed picture and personalized photo with Patricia Quinn before they closed the dealer's room for the day.  She's lucky!  I'm lucky!  We're all lucky!  Ha-ha-ha!  (I'm sorry.  I had to say it!)

 
 
Lady Stephens was kind enough to MC our preshow later that evening.  You can see the video evidence of it below and hear the crowd that packed the room.  We had to turn people away for fear of drawing the wrath of the fire marshal, it was so crowded!  A most awesome conclusion to an awesome day.

Thursday, July 5, 2012

Cult Film Fanatics: Mystery Science Theater 3000

SOURCE: Cult Film Fanatics: A Tribute to Mystery Science Theater 3000!

I was part of the expert panel for the most recent episode of Cult Film Fanatics (sponsored by United States of Geekdom), devoted to my favorite TV show of all time - Mystery Science Theater 3000!

Join us!

Friday, April 20, 2012

The Devil's Carnival Road Tour- A Review







 
 
 
It is said that a great creative work should inspire creativity in those who see it.  If that is so then The Devil's Carnival is a great work, for it inspired me to began writing about it almost immediately after having seen it.  And yet, it has taken me several days to write this column as I struggled to find the right words to describe it properly.  There are many ways I could go about it, for The Devils Carnival is a tricky beast to define.

Perhaps I'll stick to my roots as a comic book historian and focus on the film's thematic roots as a spiritual successor to the classic EC Comics Tales From The Crypt books?  I could approach it as a scholar of theater, talking about the influence of the Commedia dell'arte and medieval passion plays on both the film The Devil's Carnival and the road tour promoting the film.  I might take on the role of a film buff and speak on the show as a modern revival of the classic horror films of Lon Chaney and Tod Browning and compare The Devil's Carnival Road Tour to the road tours MGM founder Irving Thalberg organized where actors were sent around the country to stage their films as plays, allowing the actors a chance to try different things in front of an audience before filming. 

I could do all these things.  But I think it best that I put on my traveling reporter's hat and tell you simply and truly about everything that I saw as I joined The Devil's Carnival.






I journeyed to The Lakewood Theater of Dallas, arriving about an hour before they were to begin seating the VIP ticket-holders.  I was clad in suitable raiment for the affair - basic black, as is my habit.  Not having the time, money or talent to dress as one of the characters from the show, I opted to dress as a gothic ringmaster.  Black Renn Fest garb with a black jacket over it, black shoes underneath and a riding crop in my hand.  I was dressed for trouble and knew where to find it.





 
 

Waiting in line, I got spotted by some of my fellow malcontents from the Amber Does Dallas shadowcast.  Most of them were working crowd control, camera crew and all the other various duties you need on a theater's house team.  Me?  I employed myself as a marker of the start of the VIP line and a dispenser of helpful advice.  My main piece of advice?  "Ask someone else!  I don't work here!"  Such is the curse of wearing all black and carrying an instrument of torture.  Everyone just assumes you are in charge and know what you are doing.

While I was waiting, I did flag down a merch girl and lay down hard cash for a copy of The Devil's Carnival Soundtrack.  Being one of those old-fashioned types who likes to buy an album rather than download it, I probably would have done this even before learning that the physical discs the tour is selling are part of a limited autographed collector's edition run.  I'd hold out for one of these babies if you can.  And if you can't, well that's what the Amazon link up above is for.





 
 

After being let into the theater and some slight confusion over where the VIPs were meant to sit that I did nothing to alleviate (Ask someone else!  I don't work here!), we were herded up into the balcony like so many gothic cattle.  I joined up with several of my cast mates and we were joined shortly thereafter by Director Darren Lynn Bousman, Author/Actor Terrance Zdunich  and Actress/YouTube Japanese Instructor Miss Hannah Minx.  Their objective?  Provide the VIPs with a shorter, specialer Q&A session than the one that would be open to the masses later on.

Rather than recall all the questions that were asked, I will attempt to answer some of the questions that I've heard at every single Q&A involving anyone involved in Repo! The Genetic Opera I have ever attended. 

Yes, Paris Hilton is a nice person.  No, she was not a diva.  No, she did not have an entourage.  Yes, they would like to give Anthony Stewart Head more work but plane tickets from England are expensive.  Yes, they have heard about that Jude Law movie and anything they had to say about it has already been said on their blogs. No, Terrance will not shout "GRAAAAAVES!" for you.







The most interesting and inspiring thing to come out of the Q&A was Bousman's answering a young man's question regarding why they chose to promote The Devil's Carnival with a traveling concert show rather than the more traditional methods used to take a film to the masses.  Bousman spoke movingly on how TDC was a labor of love, forged in opposition to the usual Hollywood studio style.  They did not go through agents or casting directors to bring in the actors they wanted - they asked them directly, bringing in old friends and new talent alike.  Bousman's enthusiasm was clear and infectious and the message he hoped to give the audience - that nothing should stop you from attempting to create art on your own terms - was received loud and clear.

It was at this time that the VIPs were escorted downstairs into the main part of the theater and allowed to choose their seats before the teeming masses were allowed in.  After milling around the front where there were reserved seats for the VIPs, I took a seat in the middle-right side of the house.  This allowed me a clear view of the stage and a relatively clear shot at the emergency exit if needed.  It is my firm belief after two decades on stage that theaters are like airplanes - you should always know where the exits are in case of a water landing.




 
 

Pre-show entertainment was provided by The Braggart Family Side Circus and Circus Freaks.  The former is a Houston-based troupe of circus performers.  The latter is a Dallas-based group that is pretty self-explanatory, given the name of their organization.  In deference to more sensitive readers, I will not go into extensive detail of their acts.  Footage is freely available on YouTube for those with the drive to look for it.  Suffice it to say I was amused by their antics and it does my dark heart good to know that it is still possible in this day and age for a man to make an honest living by dancing on hot coals while playing The Star Spangled Banner on a kazoo while smacking himself in the balls with a rubber mallet.

After that, the crowd was given a rather vigorous warm-up by the leggy redhead MC, whose name I'm afraid I never caught.  And then came the magic moment - when Darren and Terrance emerged to speak to the crowd, dodge the moist undergarments and keys being thrown their way and introduce a brief film of behind-the-scenes footage from the shooting of Repo! The Genetic Opera.  The film displayed a mix of footage - alternative filming angles, test shots taken during rehearsal and the occasional footage of people being recorded singing their songs in the booth.  Damn entertaining stuff if you're a Repo! fan.  But the moment that really got the crowd worked up and bothered came when several of my fellow ADD members began to dance down the aisle as the song We Started This Opera Sh*t (aka Testify!) began to play. 




 
 

After that there was a costume contest, which was won by some manner of fantastic fairy-bat creature.






Immediately after that came the announcement of the winners of a singing YouTube contest where fans covered the TDC song In All My Dreams, I Drown.  And then  we finally came to the main event!  The Devil's Carnival itself!




 
The Devil's Carnival begins as three people find themselves standing before the titular traveling show.  Ms. Merrywood (Briana Evigan) is a magpie, always looking for more and more shiny baubles to decorate herself.  Tamara (Jessica Lowndes) is a young lady whose taste for dangerous men always gets her into trouble.  And John (Sean Patrick Flannery) is a frantic father, desperately seeking the son that he has lost. 


Organized by the rules-minded Ticket-Keeper (Dayton Callie) and overseen by the big man downstairs himself (Terrance Zdunich, under a most impressive make-up design), the denizens of the carnival promise their guests much for the price of a ticket.  But what will these three lost souls find among the carnival's attractions?  A chance for redemption... or their just deserts?


I regret to report that Repo! fans expecting more of the same may be sorely disappointed. While many of the usual suspects like Alexa Vega, Bill Moseley and Ogre are in attendance, The Devil's Carnival is more of an ensemble piece than Repo! The Genetic Opera, so there are far more full-cast numbers than there are solos and duets. Thankfully, these ensemble numbers shine and TDC boasts a greatly varied soundtrack.

From the divine doo-wop ditty Heaven's All Around (performed by
Paul Sorvino, who plays the part of God) to the cheerfully childish Off To Hell We Go, no two songs in this film sound at all alike stylistically.  In All My Dreams I Drown sounds like a lost track from a collection of classic sailor shanties.  Prick! Goes The Scorpion's Tale owes much to the suggestive innuendo-filled folk songs of yore.  And A Penny For A Tale as sung by The Hobo Clown (Ivan Moody of Five Finger Death Punch, who for my money steals the show) is a classic comedic vaudeville song.

While this may seem jarring to some after the smooth unity of all the songs in The Genetic Opera, I found the variety fitting given the anthology style of the stories told here.  We are not told one story by the all-seeing Graverobber.  Here we bear witness to three different tales within a series.  Yes, you read that right – series!  This show is intended to be the first volume in a series of frightening fables for overgrown children and arrested adolescents of all ages.  This tidbit of information came out during the final event of the evening – a full-audience Q&A session for Darren, Terrance and Hannah.  








Once that was done, the masses were assembled once again in a great line that stretched all the way around the side of the Lakewood Theater.  Those who had not yet bought merchandise were given a chance to do so and those who braved the long lines were granted a brief audience with the guests of honor, as swag was signed and photos were snapped.  And that is how your humble author wound up with this picture, flanked by Miss Nako Sweet of Amber Does Dallas on one side and Miss Hannah Minx on the other, looking far more awesome than he has any right to ever appear.







To my astonishment, Mr. Zdunich remembered me from a meeting of the minds some eight months previous.  What is more, Mr. Zdunich had read my review of The Molting and had been pleased by it.  Talk about an ego boost!




 
 
I had a wonderful time at The Devil's Carnival and believe you will have much the same yourself.  If you can, catch a future show.  If you cannot, get the soundtrack and await another chance in the future.  I assure you it will be worth the wait.  

ALL IMAGES AND VIDEOS ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS AND ARE USED WITH THE PRESUMPTION THAT IF THEY DIDN'T WANT THEM TO BE SHARED WITH THE REST OF THE INTERNET, THEY WOULDN'T HAVE BEEN PUBLICLY POSTED ON THE DEVIL'S CARNIVAL FACEBOOK GROUP OR ON YOUTUBE WHERE ANYONE COULD SEE THEM AND LINK THEM.

  

Friday, March 23, 2012

All-Con: Day Two, Part Two. A Pictoral Report

Upon returning from dinner, our eyes were greeted by a glorious sight. The time-traveling Delorean from the Back To The Future movies (or a reasonable replica) was out in the parking lot, courtesy of Bob's Prop Shop.






You want to talk attention to detail? They even had the Mr. Fusion unit glued to the back AND a pink hoverboard in the front seat. Sadly, the hoverboard did not work and none of my pictures of it came out. But it was there!




I had to part ways with Chrispy to go grab my equipment and set up for my class on American Comic history. Of course - as frequently happens at All-Con - I ran into somebody I knew and got delayed. In this case, the line for the costume contest was already forming and I ran into one of my castmates from Amber Does Dallas. From there, I wound up snapping pictures of several other eye-catching convention goers.



This is my friend Karla, cosplaying the part of Merida from the upcoming Pixar movie Brave.




Raven from Teen Titans Go!




A heavily tattooed Slave Leia. She had a lightsaber on one side and the Millennium Falcon on the other. I oped for a picture of the lightsaber side.




I caught up with this couple after my class on Comics History, which they attended along with another good size crowd - a minor miracle given I was competing with the costume contest. Though I unfortunately blanked on their names, I did remember seeing them at some of my shadowcast shows in the past and they were quite surprised to know that I was a blogger. Hopefully they'll see this and I can start doing a better job of remembering their names. :)



My other friend Carla as Idris from the sixth series Doctor Who episode, The Doctor's Wife.





Mace Windu from Star Wars Episodes 1-3




What time is it? Adventure Time!




Starbuck from Battlestar Galactica. The cigar isn't real but the costume is otherwise flawless. I ran into this lady a few times over the course of the day, as she was working the Half Price Books booth in the dealer's room. I took this photo as I was flyering my show.

And what show would that be? Why Repo, The Genetic Opera! of course. But it wasn't enough for Amber Does Dallas to once again present the hottest cult film in a generation to the teaming masses! No! Because even at a Con that was devoted to the end of all things, we were still looking to the future. Specifically, the spiritual sequel to REPO! created by director Darren Lynn Bousman and writer/actor Terrance Zdunich - The Devil's Carnival. The trailer for this fine little film premiered the same weekend as All-Con and we were fortunate enough to be granted permission to premiere it at our show. And I can show it to you all here now...



Should you be interested in seeing more, know that TPTB are hitting the road and going on tour to preview the film in several selected venues over the coming months. Visit http://www.thedevilscarnival.com/roadtour.html for more details and ticket sales!

Wednesday, March 21, 2012

All-Con: Day One, Part Two. A Pictoral Report

The history of Anime & Manga class proved to be not nearly as popular as I'd hoped. Granting that All-Con isn't as heavily devoted to Anime as many other local cons (Dallas has three regular Anime conventions of note), I had hoped to fill the larger room they'd given me for my second class. Still, it was a fun time.

After grabbing some dinner, I hit the Dealer's Room to browse around and check out some more cosplay costumes. Thankfully, everyone was polite even though I had to explain that I was practically broke. And by practically I meant completely. Though what I lack in riches, I can more than make up for in press. So here's some websites you should all consider checking out.

Steampunk Stitchery - though their website is still under construction, their wears looked quite well made to my admittedly untrained eye. If you're into Steampunk but can't sew yourself, give them a look see.

Henry Melton -A local science fiction writer and a heck of a nice guy, I'll be checking his work out sometime soon.

DreamHats.com - They were kind enough to try and help me find the right floppy brown hat for my Fourth Doctor costume.

Ties That Bind
- an interesting web-comic I have yet to get into that far.

Neither Noir - the best professional cosplay photographers in the business, bar none.





Supergirl, of course.





Scott Pilgrim and Ramona Flowers from Scott Pilgrim vs. The World





Not sure what character she is, but it's a nice looking costume.
Apparently she works for a local events site called Samaze.com






"This book is crap. They make me look like Hitler and sound like an idiot.

Find out who created this, hire them, then fire them!"

Yes, J. Jonah Jameson, in all his glory.





I don't think she's any particular character. But there's something about a blood-soaked school girl that just demands that you take pictures. Perhaps it is the bloody bat?



I closed the night out with an MCing gig. My acting troupe, Amber Does Dallas, was co-sponsoring a screening of Dr. Horrible's Sing-A-Long Blog along with The United States of Geekdom. While we weren't able to shadowcast the show legally (something we've been wanting to do for a long time) we did prepare a special pre-show based on a song by Felicia Day from The Guild.






The show itself went well, save for one jackass who kept standing up in front of the projector. It's rare that I riff on a show I actually like but if Mike Nelson can take on Casablanca I can take on Doctor Horrible. The show was over at 11 but I decided to head to bed early and skip the room parties. I had a long day ahead of me tomorrow.

Wednesday, November 2, 2011

The Long Halloween of Starman

My apologies for not having updated in a few days. Between National Teen Read Week and our hosting the Overdrive Digital Bookmobile at work and my troupe, Amber Does Dallas (the professional, premiere Rocky Horror & Repo! The Genetic Opera cast of Dallas, Fort Worth & all DFW) doing three shows in 26 hours last weekend... I've been a bit swamped.

Comic reviews coming Friday. Promise!

Sunday, October 2, 2011

Cult Film Fanatics - Episode 1 - Plan 9 From Outer Space & The Rocky Horror Picture Show

SOURCE: CULT FILM FANATICS -Episode 1: DR FRANKENFURTER MEETS ED WOOD

WARNING: This podcast does contain a lot of adult language and content.

Due to my extensive experience as a RHPS riffer and scholar of bad movie history, I was invited to be a guest panelist for the first episode of a new podcast devoted to cult cinema. So if you ever wanted to hear me discuss the work of Ed Wood through a really tinny speaker, here is your chance!

Wednesday, October 27, 2010

My Apologies For My Absence And A Shameless Plug For My Show

Sorry I haven't posted any reviews in two weeks. Most of my spare time has been going to working promotions for the upcoming Science Fiction Double Feature: REPO! The Genetic Opera and The Rocky Horror Picture Show.

Visit http://www.lakewoodtheater.com for tickets, if you live in the Dallas area and want to check it out.

Thursday, March 23, 2006

Looking To The Stars - Prose And Cons



There is an old saying that if one cannot say something nice, one should not say anything at all. But if I were to follow that advice, I would have nothing to say about the previous weekends' All Con. And as I have a column to write, it is time to break out the poison pen.

Granting that this is a second-year convention and that I was not present for the fiasco that was the New York Comic Con, I can still easily declare this – within the realm of my own personal experience –

*slight pause as he gets ready to do the Comic Book Guy voice from The Simpsons*

WORST CONVENTION EVER!

In all fairness, I do believe that the organizers did have good intentions that far outweighed their ability to put on a good show. As I said last week, I was there as part of Los Bastardos; an acting troupe I am part of that performs (among other things) The Rocky Horror Picture Show. To say that we had a rough time of it would be an understatement. From the Thursday night press junket (where apparently the professional press came and went before any convention personnel showed up), to our Friday night performance (during which we had power problems due to a rock concert in the room next door) to our after-show party Saturday morning, nothing was as it was promised by the convention staff.

As I said, I choose to believe and hope this was due to unexpected complications rather than outright lying. We had a rather good after-party planned only to have it shut down after 20 minutes. It seems that we were misinformed when we were told that the floor was secured for the convention and that security was advised to ignore any complaints from that floor not involving fire, rape, murder or cattle stampedes.

Apart from that, the staff was nothing but polite to me and mine as were most of the vendors. Even the ones I outright told that I didn't have any cash and was just looking and dreaming of that which I could not have. (Conan #12 – it will be mine some day!)

This is, I might mention, my test for any vendor at a convention. Tell them you don't have money now. If they become rude or are anything but polite when faced with naught but the hope that you might have money later, they aren't worth your trouble.

And I should make mention of Ethan Nahte – a rather cool bloke who was kind enough to give me a free preview copy of his Robert Howard inspired novella Buckeye Morris of Timber Ridge for free. He's got a few articles of his own up at herorealm.com which are well worth reading. And he's currently at work on a documentary about that master author which, from the preview I saw, looks like it will be something special. So thanks to Nate and his compatriot for not being at all insulting when I stuck my foot in my mouth and revealed that everything I knew about Robert Howard's historical novels was wrong.

Anyway, the biggest problem with this convention is that it tries to do too much. As the name suggests, it tries to have something for ALL geeky interests. The problem brings to mind another truism of the same school of "if you can't say something nice" – "You can't please everybody." Indeed, by trying to please everybody you are almost guaranteed to make something that nobody enjoys.

Here then is the problem – I am a collector of comics, a table-top role-player and a very occasional collector of some very specialized action figures; three rather diverse interests, three different camps of geekiness. So what did this convention have to offer me?

Apart from one vendor selling some D&D books, a few comic book and AF dealers and a signing by James O'Barr of The Crow… all of which I went through in one hour, not much.

And I never did find that Starman variant figure I was looking for…

Other bases of fandom will be equally ill-served. Star Wars fans can meet one Jedi actress, get their picture taken with the local Storm Trooper platoon and shop for action figures – but that's it. Star Trek fans can meet an actor who has the honor of having guest stared in nearly every Star Trek TV show there is, get their picture taken with the local Klingon platoon and shop for action figures – and that's it. There is nothing to support any individual branch of fandom for more than an hour at the most.

And even with their efforts to acknowledge all aspects of fandom, some were given the short end of the stick in favor of some rather questionable events. Why was there no open gaming area? No tables where gamers might meet and play Magic or get a pick-up game of D&D together?


The answer to this may lay with the fact that the hotel picked to host the event was far too small to hold so lofty a convention. Everything was contained upon the third floor with some events being held inside hotel rooms. Yes. Actual hotel rooms.

Given this fact, I can't be too upset that there was no place for me to try and get together a group to run the latest Conan RPG module. Not when the DFW Alias Fan Club is having to hold their marathon viewing session inside a hotel room.

Ultimately, the best symbol of All-Con is the one pictured above. When I first got there, I saw the Darth Vader balloon they had set up in the lobby breakfast bar. I knew something was off about it, but could not put my finger on exactly what it was. It was my friend Animal (who takes his nickname from the Muppet, as I take mine from Jack Knight) who figured out why the back flaps of Darth Vader's helmet stuck out so badly.


"They repainted a Bozo the clown balloon! It's Darth Bozo!"

Look at the picture and judge things for yourself.

And speaking of judging things for yourself, I believe that I did promise you all an appraisal of the new V For Vendetta film last week, didn't I?


Let us address one thing right of the bat, which I did mention in passing last week. Namely, that Alan Moore has come out as being not just opposed but DAMNED opposed to this movie. Quite honestly, I cannot blame him given that the producers of said film were more than just a tad disingenuous in mentioning invoking Moore's name in order to garner early public support for the film.

I believe Moore has the right to boycott the movie for this reason. I believe he has every right to ask that his name be removed from his work in future editions of the works that DC Comics owns. After all, if a writer has the right to claim credit for a work, surely the right to refuse credit is logically implied? Directors have been refusing to take credit for movies they had no control over, opting to go as Alan Smithee for years – why not allow writers the same right?

That being said, I cannot help but note the irony that Moore's biggest complaint about the film itself, according to a recent interview, was his concern that the pro-Anarchism message and the idea of encouraging people to think independently had been completely lost in translation, when the most intelligent defense I have heard as to why not to see the movie coming from the mouths of Alan Moore devotes is "Because Alan Said It's Total Bollocks."


You may as well go form an Anarchy Club at your school, if you're going to take that route toward subversive behavior.


And while we're on the subject of subversive behavior, I should probably mention that yes, this film does contain a rather unsubtle indictment of the American War in Iraq. Specific reference is made to things going wrong shortly after the American war. From there, fascism becomes the new ruling order and reference is made to a government orchestrating an attack on its' own people in order to make people scared and more willing to give up their freedoms in the name of security. Secret wire-tapping is conducted in a most decidedly not secretive manner and the whole-sale torture and slaughter of Muslims is encouraged.

And yet, this is all done in the fashion of a parable or a cautionary tale. While it is unsubtle, it is not meant to be subtle in the same way that sledgehammers are not meant to be subtle. The film is meant to pack a punch and to hit hard. And on that front, it succeeds. And while some of the political statements are less subtle than in the book, the movie succeeds in being more subtle in some respects. For instance, the book outright states that all the non-White Anglo-Saxon Straight Protestant were exterminated by the Norsefire Party in their rise to power. In the film, mention is made of efforts to control Muslims, liberals and homosexuals but if there was a single African, Asian, Latino or non-White face in the whole film that wasn't in the death-camp scenes, I didn't see it.

I put it then to my conservative readers, and I know that I do have some, that if you are offended by this film – if you think a parallel can be drawn between your government or your politicians and people you honestly think have your best interests at heart – that the problem likes not in the film. The problem lies with you and the fact that there's some part of you that thinks that what your government is doing CAN be compared the politicians in the world of V For Vendetta.

That being said, you probably want to ask, ignoring all the politics and the fanboy squabbling... how is the film?

If we must have a bastardized Alan Moore epic on screen, then this is by far the best we could have hoped for. It is not nearly as redundant as League of Extraordinary Gentlemen nor as insipid as Constantine. It is as well-acted as From Hell and much better plotted than any of the three. In short, I enjoyed it. I think most of you will enjoy it too.

In closing, I would ask you to take what I have said with a grain of salt. Remember that my thoughts are my own and in no way an indication of what you should think. Experience is the best teacher and I encourage all of you, especially you devotees of Mr. Moore, to go and give this movie a chance in the interest of forming your own individual opinions. For if you are content to sit on your laurels and let the word of any man, even an esteemed author like Alan Moore, dictate your actions... well, then I think you could stand at least one more rereading of the book you profess to honor so much with your protest.

Just an idea.

Tune in next week. Same Matt time. Same Matt website.