Showing posts with label Dr. Strange. Show all posts
Showing posts with label Dr. Strange. Show all posts

Friday, November 4, 2016

Doctor Strange - A Review


Generally, I liked it.

Was it great? No.

Was it good?  Yes.

The visuals were stunning and they did a fantastic job of emulating the classic Steve Ditko style in the backgrounds. Unfortunately, most of the best moments were shown in the trailers. The same is true of the jokes. There is a lot of humor in this movie and sometimes the movie goes for jokes at times it would have been better to play the drama straight.

The script does a good job of retelling Stephen Strange's origins from the comics. As some have noted, Strange seems a lot like a magical Tony Stark and in terms of backstory that's a fair comparison - an arrogant jerk is humbled by an injury and unwittingly becomes a hero while trying to save himself. The difference in the comics came later, with Strange attaining true humility and Stark being... well, Stark. Time will tell if the same thing happens in the films.

The cast is excellent, though I think Rachel McAdams is completely wasted here as the love interest. Nobody is really challenging themselves as an actor or breaking any new ground, with Benedict Cumberbatch playing an American Sherlock Holmes (see the above comment on arrogant jerks) and Chiwetel Ejiofor basically playing Baron Mordo as the order-minded Operative from Serenity. Benedict Wong steals every scene he is in as bad-ass librarian Wong and Tilda Swinton has the appropriate gravitas for The Ancient One.

One thing that did occur to me regarding Swinton's casting as The Ancient One and the resulting outcry over Hollywood white-washing Asian characters. Acknowledging that the "white man goes to the East and becomes The Chosen One" trope is highly overdone and that there is a case to be made for trying to eliminate the equally cliched stereotype of The Wise Old Master by casting a woman in that role, I wonder why I haven't heard any similar complaints about Baron Mordo - Doctor Strange's arch-enemy, who was Transylvanian in the comics - being cast with a black actor?

All controversy aside, I would recommend seeing this movie on the big screen. And be sure to stick around through the credits for two special sequences.

Wednesday, October 12, 2016

Howard The Duck #11 - A Review

Howard The Duck is dead but the chaos he attracted lives on. Now, as a group of intergalactic content-creators who manipulate the heroes of the universe for their own ends attempt to take control of the situation, Howard moves on to his final rest.

Oh, if only it were that simple...



There is little I can say about this series at this point beyond this: Chip Zdarsky and Joe Quinones have done the legacy of Steve Gerber and Val Mayerik proud.

This Howard the Duck run - too good for one volume - did not try to ape the style of the classic series but it did what the original series did in the 1970's - examine the comic industry and the world at large through the lens of The Marvel Universe and everything that makes them all so gloriously insane. This was no small thing in a year in which Howard The Duck running for President might be seen as the best of all possible options even to those who only know him for "that crappy George Lucas movie" and Marvel Comics became hopelessly devoted to promoting special event after special event.

Yet this book remained free and true to its vision to the very end. More, it proved what wonders can be created when writers and artists are free to create and not beholden to the whims of an editorial team devoted to crafting the next big spectacle, so that they may build audience interest for the next big spectacle to follow.  It is a lesson that will surely be lost upon The House of Ideas but, for a time, at least, the sanity of the everyduck prevailed.

Saturday, January 16, 2016

All New Wolverine #4 - A Review

Wolverine needs a safe place to hide herself and her three "sisters".  And there's few places safer than the home of Doctor Strange, at least when it comes to mundane menaces. But opening the wrong doors can unleash terrible things...
Despite one of my favorite comics mini-series of all time being the Giffen/DeMatties/MacGuire Defenders, I still don't think of Doctor Strange being a comedic character. Then again, I never really thought about Wolverine - Logan or Laura - being funny characters until Tom Taylor got his hands on them. This may be the most uproariously funny issue of this series so far yet it is also the most touching and the most action-packed. This book has the perfect balance of ethos, pathos and hilarity as well as ax-wielding berserk young women killing monsters.

Taylor is backed by an excellent art team. David Lopez and David Navarrot deliver their usual stellar work on the pencils and inks. And Nathan Fairbaim finishes things beautifully with his color art.

Saturday, June 27, 2015

Howard The Duck #4 - A Review

The good news is that Howard The Duck recovered the necklace he'd been hired to retrieve. The bad news is that his client turned out to be a Skrull and he stiffed Howard on his bill. The printed statement regarding payment for services rendered kind of bill.  Not the duck-bill kind of bill.

But the worse news is that the necklace contained something called an Abundant Gem that could give its barer reasonable cosmic power.  Looks like Howard needs a Doctor. And since that British guy isn't published by Marvel UK anymore, that means Doctor Strange!


Howard The Duck has quickly become one of my favorite titles and this issue is a good example of why. This issue revels in the inherent silliness of classic Marvel Comics, depicting a vapid Johnny Storm who can't be bothered with worrying about having lost a cosmic artifact 10 years earlier and a Doctor Strange who plays poker with cosmic entities. And through it all Howard plays the straight-man to everyone else's insanity.

Chip Zdarsky's scripts are a riot and after this issue I want to see him writing a Doctor Strange series.  Joe Quinones' artwork is brilliant and he does a fine job of parodying Steve Ditko's style in the sequence where Howard steps between worlds. And the colors by Rico Renzi and Rachelle Rosenberg are perfectly chosen.


As usual, the back-up story is also an enjoyable treat. The plot centers on Howard being recruited to steal the secrets of Pym Particles for The White Rabbit. It is to Chip Zdarsky's credit that he managed to get through this story without making a Trix joke. And the artwork by Katie Cook and Heather Breckel is adorably hilarious.

For my money, there's no funnier, finer book to spend your four bucks American on.  And best of all, it's one of the few Marvel titles out right now that isn't part of a crossover!  So if you haven't given Howard The Duck a shot yet, do so!

Friday, May 23, 2014

Dallas Comic Con 2014 - ALL THE PICTURES! - Part One

Usually when I write a con report, I talk about the lay out, the experience, the things I did and the people I met.  Given the sheer number of pictures I took this time around, that isn't going to be very practical and I said everything I wanted to say about the con experience already in my first article about DCC 2014.

So what I'm going to do is go through all the pictures and tag as many I can per update.  I'll do five such postings per day until I get through them all.  Whenever possible, I'll link the websites of the cosplayers and other people who are involved.  Please feel free to speak up if I miss something or someone and I'll correct it ASAP.

Clear?  Good.  Now, my journey through DCC... in pictures!



A family of Browncoats as Wash, Kaylee, River and Jayne.



Green Arrow and Black Canary. 



War Machine in his Iron Patriot rig. This little hero chased me down & returned my bow when, in my haste to get through registration, I set it down and forgot it.  And they say there's no heroes...



"FEED ME!" - Seymour and Audrey II from Little Shop of Horrors. 



Black Widow and Doctor Strange.


Another Black Canary and Green Arrow.  You'd think there was a convention of them...



Deadpool: You know, everyone keeps confusing me with you?
Deathstroke: Ditto.




Female Scruffy from the Futurama episode Neutopia.



Wayne and Garth?  Excellent! 



Batgirl



Dr. Henry Jones Sr. was handing out discount passes for the Indiana Jones And The Adventure Of Archaeology exhibit currently at the Fort Worth Museum of Science & History until August 10th.



All the kids love Deathstroke.  It's kind of disturbing...



Yet another Black Canary and Green Arrow.  In this case, it's me with Chelphie Cosplay.

Sunday, January 7, 2007

Looking To The Stars: The Fifth Annual Starry Awards




The Golden Globes. Mr. Blackwell’s Best & Worst Dressed List. And now (once again), it is time for The Starry Awards. Because it’s just not the start of a new year, without us yammering about the best and worst of last year.

In any case, welcome to what has become a yearly staple of the Comics Nexus: The Starry Awards for Excellence and Disgrace in Comics Writing.


Hey everyone. Tim Stevens here, once again. I just wanted to remind you all that, apart from making sure this wasn’t one big libelous rant about why Judd Winick is the Anti-Christ, the editorial team of Comics Nexus had nothing whatsoever to do with these awards.

As such, we do not endorse or believe in “Starman” Matt Morrison or anything he writes. In fact, we’re not sure just how his work keeps getting published here. So, we apologize in advance for… everything.



Of course it has been pointed out that the comic industry already has the Eisners, the Harveys, the Eagles and the Wizard Awards. Why on Earth 2 then, these alleged people ask, do we need another damned award?


Because it was this or a follow-up interview with Monkey Woman?


The Starry Awards were started so that I, the ever humble author of this column, might dispense awards to those I felt were most worthy of praise or damnation based on their works in the past year.


Which would be great except, and Mathan asked me to point this out, he hasn’t actually read any comics from the last year.


The Starries name ten stories in total. Stories, for the purpose of this award, can be single or multiple issues of one book or multiple books relating to one plot-line. The Starries are based solely upon the personal opinions of Matt “Starman” Morrison and do not necessarily reflect the opinions of anyone else.


That’s the truth, for once! Send all complaints to starmarnmatt@comicsnexus.com. We don’t want to hear it!


Five Staries are awarded to stories which, more than any other stories this year, made me stand up and cheer, burst into tears or just stopped me in the middle of reading to say “This is damn good stuff.” Five Staries are awarded (if you can call it that) to stories that, for some reason, I found disappointing. Stories that left me feeling that a mark had been missed and missed badly. Some of them are stories that, in fact, I think are just plain terrible.


That said: Here are the winners and losers!


The Best of 2006




Best Moment All Year: The Thin Green Line
(As taken from Infinite Crisis #7)

Infinite Crisis offered a lot for the die-hard DC Comics fan to be excited about. There were many “geek-out” moments – things that happen that just make you pause and think about how sometimes, a comic book can do something cool that just wouldn’t work in any other media. And when you get right down to it, that’s what Infinite Crisis ultimately was – a love letter to the genre in all of its’ goofy coolness.

But for my money, nothing matched the sheer coolness of the sight of all 7200 (give or take a few) Green Lanterns, under the command of Guy Gardner, making a green wall hundreds of miles thick in order to slow down the out of control Superboy Prime and the ensuing battle as three Supermen of three generations dog fight through a Kryptonite asteroid belt before plunging into the heart of a red sun before falling onto Mogo, The Living Planet.

Perhaps some filmmaker could replicate that image, but I doubt it.


Funniest Read All Year:The Thing #1

I may have to start giving this book to whichever book Dan Slott is writing on any given year, because a trend does seem to be establishing itself in these awards. Regardless, no one can argue that whatever else can be said about this far-too short-lived series, is that it always delivered the laughs.

Case in point; in the very first issue, we are given the summary of where Ben Grimm’s life stands through the oldest of clichĂ©s – a man reading the newspaper out-loud. We are told of how, thanks to the events in Fantastic Four, Ben has wound up becoming filthy, stinking rich, has his own penthouse apartment and is dating a supermodel/actress.

And who is it that is telling us this? Peter Parker, reading the newspaper and mumbling about how unbelievable it is that a common man – an ordinary guy like Ben Grimm - should be living in an ivory tower with a gorgeous woman attached to him...

... as Mary Jane asks him what’s wrong with supermodel/actresses and Jarvis – Iron Man’s butler (for Peter and family were living with Tony Stark at this time) - asks Master Parker if breakfast is satisfactory.

In that moment, Slott lets we the fans know that he is one of us and that he is well aware of the silliness of not just his book, but of Marvel Comics itself. And that as much as the likes of Warren Ellis and Mark Millar may preen about serious art and making a statement, it’s all about having fun. At least, it should be.


Best Team-Up:Green Arrow/Green Lantern

2005 saw the return of Hal Jordan to the DC Universe. And, not surprisingly, 2006 saw the return of the original Emerald Allies to active duty alongside one another.

While there was no major storyline or mini-series that united these two old comrades, apart from a two-part story in Green Lantern where the two joined forces to fight Mongul and thwart his plot to harvest enough of the dreaded Black Mercy planet to disable all of Earth’s superheroes, they still managed to pair up quite a few times.

As the universe teetered on the brink of destruction in Infinite Crisis, the two quipped about the upcoming baseball season and made plans for the next week – so confident were they that this wasn’t really ‘The End of The World’.

As One Year Later opened, the two met – now mayor and ex-POW respectively, to talk of how the world had changed and themselves with it.

In 52 they teamed with their other allies to take on a strange cult obsessed with the resurrection of dead superheroes.

And in Justice League of America, a torch was passed as Hal and Ollie met briefly... as Hal came to pick up his semi-nephew Roy Harper for a mission while leaving his best friend at home to babysit in a moment that was both comedic and touching.

Of course none of their pairings came close to equaling their original glorious team-up, back in the olden days of the O’Neil/Adams Green Lantern/Green Arrow book. But then again, what could? It was still a treat, however briefly, to see two best friends united again in fighting the good fight across several titles..


Best Make Over: The Green Lantern Corps.

I came into comics at a time not too long after The Corps had died, but I still remembered, vaguely of one comic book – one of the few my mother had ever allowed me to have – that we bought while in the middle of moving when I was five. It was a Green Lantern book – and I got to see all of these weird and unusual alien Lanterns. And while I couldn’t make out all the words, I still thought the sight of all those creatures was very cool.

This year saw The Green Lantern Corps restored after a decade of absence in the DC Universe. They had a successful mini-series, followed by the start of their own title and numerous cameos both in the Hal Jordan centered Green Lantern title as well as the mini-series Ion and Guy Gardner: Collateral Damage, to say nothing of their universe-shaking appearance in Infinite Crisis. I am glad to note that time has not hurt the concept at all, and while most of these new Lanterns are rookies, the concept is still just as cool to me as when I was the five-year old boy who still thought Green Lantern was just some smiling guy with brown curly hair.



Best Retro Tale: Doctor Strange: Blood Oath

There have been very few stories coming out of Marvel Comics of late that haven’t been tied in, in some fashion, to their big Civil War storyline. There are fewer still that evoke the classic Marvel feel and have not required an encyclopedic amount of knowledge regarding some fairly obscure characters.

Trust Brian K. Vaughn to write a series that manages the neat trick of being both a wonderful introduction and a treat for the seasoned Marvel Comics aficionado. Though incomplete at the time of this writing, Blood Oath has been a splendid, no-fuss introduction to a Dr. Strange; a character who, despite a number of recent cameos, seems little used in the modern Marvel Universe. It has also been a masterful Doctor Strange tale in and of itself and proof that a regular and engaging Dr. Strange series is not only possible, but necessary.



The Worst of 2006




Most Likely To Cause Continuity Robots Heads To Explode:Civil War and All Its’ Tie-Ins

I haven’t followed ever single book that is a part of Civil War but it would be inaccurate to say that creating a timeline of the events of Civil War is difficult. It is in fact, impossible.

I’m sure the boys over at Marvel News and Views could give you a complete list, but my personal “What the-“ moment came when I realized that we have two different incidents that show Sue Richards leaving her husband under entirely different circumstances.

In Civil War, we see her quietly leaving in the middle of the night after fulfilling her wifely duties (i.e cooking a big dinner and giving her husband a good shagging). In Fantastic Four, she leaves in an explosion of psychokinetic force-field power after trying and failing to talk with her husband about her concerns with his plans and effectively saying “Screw this. Screw you. I’m gone.”

Now, I don’t think that either of these portrayals really fits the character of Sue Richards. I think it’s unlikely that under any circumstance, much less the two depicted in the comics, that she would leave her children in the care of the man that she is leaving for being, to quote Eddie Izzard, “a fascist dickhead”. Regardless, I think it can be agreed that this kind of continuity conflict would not happen were the editorial team not asleep at the wheel. Or at the very least making sure that stories make sense instead of delivering edicts about how this story is Important Art on The Colbert Report.


The “What The Hell Just Happened?” Award: New Avengers


I tried to keep reading this book. Really, I did. But sometime during the end of the Sentry reintroduction and sometimes before they brought in Warbird it just became harder to keep track of what was going on. Or, at the very least, it became harder for me to care what was going on.


The “I Waited For This?!?!” Award:Civil War


I was going to give this award to All-Star Batman and Robin until I realized that they didn’t actually have an issue come out in the last year, making it ineligible.

So instead, we dishonor Civil War, whose delays slowed not only its’ own story, but the entire Marvel Comics line as they refused to release certain books – which might otherwise have spoiled the Civil War story-line – in a timely manner.


Worst Makeover of the Year: Spider-Man

This award is not just for the much-hated Iron Spider costume, but for the general change in Peter Parker’s character in the last year. Once he was one of the smartest and most independent of heroes in the Marvel Universe. But Peter was transformed into a jabbering idiot line-walker in the wake of Civil War, with his new suit apparently also suppressing his common sense.

Does it seem at all likely to anyone out there that Peter Parker – the man who has, because of his powers, endured more pain, suffering and general aggravation from the general public because of who he is and what he does would ever willingly reveal his identity on national television?

Given how much his life has been screwed with by the few villains who DO know who he really is, does anyone really think Peter would out himself to the public knowing that now he’d have to worry about every single punk in a costume with a grudge or something to prove going after his family?

Do you really think that Peter would honestly NOT think about the consequences and worry himself to the point of developing another ulcer about it?

Do you really think that Peter would ever go along with the crowd and become a yes-man for Tony Stark for as long as he did? The same man who eschewed numerous team memberships over the years for the simple reason that he worried about being tied down to a group and not being able to pick and choose his battles?

Do you really think that Peter, even after getting smacked down by Iron Man, could be taken out by the likes of Jester and Jack O’Lantern?

Like Mark Millar’s 12-part Spider-Man series from a few years ago, the character of Peter Parker as depicted in Civil War only works if you accept that Peter Parker is - at best - incompetent and overly naive or - at worst – stupid but incredibly lucky.

This portrayal of the character flies in the face of years or character development and tradition. And while this kind of paradigm shift can, at times, create a compelling and interesting story, all this has managed to create is one big unreadable mess.


The Worst Comic Of the Year Award: How to Make Money Like a Porn Star

Pornography seemed to be on the mind of many an irate comics fan this year. But while feminist and conservative comic-fans alike groused over Alan Moore’s attempt at intellectual pornography with his book Lost Girls, this book seems to have fallen under the radar of many comic book critics. Thank Heaven for small favors.

Having read this book at my local Barnes and Noble (my local comic book shop refused to carry it), I find myself reluctant to give it any press - even bad press. Still, I can say in all honest that this was not only the worst book I have read this year – it is the worst comic I have ever read.

To call this graphic novel terrible is to deny myself the chance to use words such as “misogynistic”, “putrid” and “unfunny”. It is, to quote Dorothy Parker, “not a book to be set aside lightly… It should be thrown with great force.”

Written by Neil Strauss, who is perhaps best known for assisting rock stars such as Tommy Lee and Marilyn Manson in penning their autobiographies, How to Make Money Like a Porn Star is reportedly meant to be a satire. Specifically, it is a satire of Strauss’ recent work with Jenna Jameson - How to Make Love Like A Porn Star: A Cautionary Tale.

Now, I have not read any of Strauss’ previous work but two things are apparent to me regarding Strauss’s training as a writer. First, he was never told that self-parody is not something attempted lightly. Secondly, he was never taught that satire is meant to be funny.

The story as told here is depicted in far too cartoonish a manner to be taken seriously as an indictment of the porn industry and is far too violent to be taken as a dark comedy. While there is probably a very funny, twisted story to be told about the dark side of the porn industry, this is not that story. So take Unca Starman’s advice – do not give in to curiosity and allow yourself to read this book. Because unlike your average Jenna Jameson video, this book has nothing of interest and no educational value whatsoever.



Tune in next week. Same Matt time. Same Matt website.

Thursday, October 12, 2006

Looking To The Stars - Stan Lee Meets Dr. Strange - A Review








How is it that a story can be three things at the same time?

I ask this because I read the new Stan Lee Meets Dr. Strange book this week and I find myself puzzled by the second story in that collection. Written by Brian Michael Bendis with art by Mark Bagley, the story is both a commentary on modern Marvel, a tribute to the old Stan Lee Tales of the Marvel Bullpen stories and a big upraised middle-finger to every Marvel Critic everywhere.

The plot focuses on The Impossible Man – the weird little green alien with reality altering powers who made life interesting for The Fantastic Four every once in a while. He shows up at the Baxter Building ready to cause mischief, only to find a laid-up Johnny Storm. Johnny explains that the rest of the team is gone – Ben has fled to Europe because of the Civil War between the superheroes in America.

Still looking for someone to play with, The Impossible Man teleports to the Avengers Mansion. Or rather, what WAS the Avengers Mansion. A helpful T-shirt vendor (selling “Not Like This!” memorial Hawkeye shirts) fills IM on what happened to The Mighty Avengers – namely that Scarlet Witch went crazy, blew up the mansion and killed Hawkeye. “And Ant-Man, but nobody seems to care about him,” the vendor notes sheepishly. After a quick glance at the top of the eyesore of a New Avengers base, The Impossible Man moves on to Xavier’s School.

The Impossible Man then spends a goodly while conversing with a random Asian female student. “Who cares?” she says when IM asks who she is. “I’ll be dead in six issues anyway!” IM is filled in on why exactly Sentinels are patrolling the grounds, why there are so few students and indeed, why there are a lot less mutants. Disgusted, The Impossible Man continues on to the Marvel Comics offices, where he is bumped from editor’s assistant to editor’s assistant.

If the idea of Tom Brevoort begging Mark Millar to turn in his Civil War script on time or Joe Quesada showing everyone the clip of him on The Colbert Report for the hundredth time is funny to you, then you’ll love this little section. (Tom Brevoort’s To-Do list includes “Listen to Ed Brubaker babble” and “Take It All Out on Dan Slott”) Not much happens concerning the plot, save that The Impossible Man cares only about talking to Stan Lee himself. And eventually, one of the aides tells him that Stan no longer works in New York – he’s out in Hollywood.

One quick trip later and IM is at the back of a line of other Marvel Comics characters who have complaints about how the company is being run without Stan Lee’s influence. Eventually, after a small fight scene, IM gets to speak to the Man himself. And Stan assures his creation that change is a part of life and comics and that people are always going to complain about change and life and by extension, comics. He notes how much hate mail he got over changing the team make-up of The Mighty Avengers when all of the original team left, leaving Captain America to lead a team of three reforming criminals in Avengers #16. He also notes slyly that he got more than a few complaints about a certain character being a rip-off of Mr. Myxlplyx.

Now, don’t get me wrong. This story is very funny in parts. The scenes in Marvel Comics offices are a nice tribute to the old stories Stan Lee wrote about what was going on in the Marvel bullpen. And this story does articulate most of the complaints that many critics of New Marvel quite well – ironic given that this story was written by the man responsible for so many of the big changes (and arguably, big problems) with the modern Marvel Universe.

At first, that was enough. I was amused by the story and I was glad to see that Bendis could poke fun at himself a little bit. His writing is hit or miss with me most of the time but even if I don’t like a writer’s writing I can usually at least respect them if they can laugh at themselves. And then I reread it to see if I missed any sly in-jokes in the panels – and that’s when it hit me.

There’s not a negative word to be said about any of the writing itself! Just the changes.

Now believe me, I understand the need for change and drama in comics as much as anyone, I’m a Kyle Rayner fan, for crying out loud! But there is a world of difference between the fanboy belly-aching about how all change is bad and the fanboy who says “Well, I think there could be a good story told about Peter Parker revealing his real identity to the world – I just don’t think THIS is a good story.”

Reed and Sue having marital strife? Ben leaving the Fantastic Four? The Avengers having a bunch of new misfit members? All of those stories have happened before and things turned out fine! So yes, people DO need to stop whining about that. But when remodeling a home, there is a world of difference in complaining about the new color of the kitchen and in complaining about the termites destroying the foundation.

Those of us who have questioned Tony Stark’s fall to the dark side, Reed Richards’ apparent indifference to Sue’s leaving him and killing off a no-name hero (and an Black hero at that) just to prove a point – those people, who are respectful in their questions, deserve answers.

What Bendis has done in this story is attempted to equate reasonable criticism with whiny trolling in an effort to dismiss both. In short, the story is a metaphor with Impossible Man playing all critics everywhere and Stan Lee as the voice of reason, according to Brian Michael Bendis.

And that is the most insulting part of this tribute book. For all his faults, Stan Lee has never tried to silence or dismiss his critics. Whenever talking about his past and some of the more questionable elements of how he has done business, he has always told his side and his side alone and left it for people to decide for themselves. In every print and tape interview I’ve seen, I have never seen him say a bad word about Kirby, Ditko or any of the other creators who felt they had been cheated by “The Man”.

When Stan Lee kids himself, there is something sincere in it. Consider the stories he wrote in the two “Stan Lee Meets-“ books so far. In the first, he promoted merchandising in order to get Peter Parker to stay Spider-Man, pointing out all the people – t-shirt makers, toy-makers and such- whose livelihood would be ruined without Spider-Man, not mentioning himself though he certainly did think about it. In the second, Stan Lee derides merchandising as he goes to visit Stephen Strange and finds out that the Sorcerer Supreme has taken to selling t-shirts and guided tours of his home in order to make ends meet.

Anyone here remember the musical Music Man? Stan Lee is our Harold Hill. Yes, he has an aura of questionable integrity barely concealed by a slick smile and a “trust me” wink. But when Stan tells a story or even just introduces a story, not only do you believe that the band and the instruments are real - they actually WERE real. He may have been a con-man but he his heart was in the right place when you got right down to it.

Stan mocked himself and his friends in his writing but never with any malice. The hobbyist themselves were rarely a target. And even on the rare occasions he has made fun of some of the scarier sects of Fandom, it has always been in a concerned and dare I say loving way, like his famous cameo in Mallrats.

Any hint of that love is absent from this tribute story. It is skillful, yes. It parodies the tone of Stan’s older works quite well, yes. But the wink to the camera isn’t there. The “don’t worry – it’s all a gag” smile is absent. The man who was once the heart and soul of Marvel Comics is truly gone.

Tune in next week. Same Matt time. Same Matt website.

Thursday, October 5, 2006

Looking To The Stars - Heroes, Civil War and More!







It’s official. I am addicted to Heroes. This is partly due to the execution and in part because I really DON’T know what to expect next. With the comic industry and a better part of comics fandom right now being so obsessed with previews and nearly every geek out there being eager to know more than all the other geeks out there like that makes them “better” somehow, it is welcome change to see something relating to superheroes that actually maintains the mystique and wonder of the genre.

So if you haven’t caught Heroes yet, do so. You won’t regret it. You should also give a look-see to the official on-line comic. It’s a pretty good read, particularly the most recent installment centering upon Hiro – the Japanese office worker who seems to have developed the ability to alter his position in time and space at will.

And speaking of comics, I believe I have a few – very few, since this was a light week – titles to review.


52 Week #22
Company Name: DC Comics
Writers: Geoff Johns, Grant Morrison, Greg Rucka and Mark Waid
Art: Various

Give this one props for having a great parody title (if you don’t get the joke, ask your parents – assuming one of them read the old Gold Key comics in the 60s) but not much else. I am pleased to note that they finally explained away the 1990’s series where the Metal Men were retconned into being real people in robot bodies – especially if the explanation makes Doc Magnus into a somewhat more interesting, if troubled, character. Then again, that may be redundant for a man who created a nominally female robot who is madly in love with him.

Grade: B




Detective Comics #824
Company Name: DC Comics
Writer: Paul Dini
Artists: Don Kramer and Wayne Faucher


I may sound like a broken record, but Paul Dini is doing wonders on this title. He’s found the perfect blend of humor and mystery that made so many of his Batman: The Animated Series stories sparkle and, in doing so, he has made this the best Batman title in a long time. On the humor side, we have Bruce Wayne stuck with a nightmare date that only bares a slight resemblance to Paris Hilton and a new villain, Mr. Zzz – a narcoleptic who is an amazing fighter when he is asleep. On the mystery side, we have Penguin attempting to go legit as a nightclub/casino owner and someone attempting to the bank on his casino on opening night. All this and a Lois Lane cameo.

Grade: A



Doctor Strange: Oath #1
Company Name: Marvel Comics
Writer: Brian K. Vaughn
Artist: Marcos Martin

I’ve given up my general disregard for all things Marvel at the moment in regards to this comic for two reasons. First, I’ve always had a weak spot for Dr. Strange and wish SOMEONE would do a monthly title for him. Second, this was written by Brian K. Vaughn. Brian K. Vaughn CAN’T write a bad comic. It’s impossible. Seriously. Beyond that, you really don’t need to know much about this going in. It’s a fairly standard plot – hero risks all to save a friend only to have things get more complicated. But it’s Brian Vaughn so it’s far from standard in execution.

Grade: A



Fantastic Four #540
Company Name: Marvel Comics
Writers: J. Michael Straczynski
Artist: Mike McKone and Andy Lanning

Whoever is in quality control at Marvel needs to be fired. Now.

Seriously, you’d think it would be an easy matter to coordinate between TWO writers and get them to agree as to just exactly how and when Sue Richards left Reed Richards. But noooooooo.

(This last paragraph brought to you by Sarcasm Awareness Month.)

Mind you, I have a hard time believing that Sue would ever abandon her children and leave them with the man she’s leaving for being a fascist scumbag totally different than the man she loves and had children with. Still, I will give props to Straczynski for handling Sue in a slightly more believable manner here than the way Millar handled it in Civil War #4. Telling off Reed while holding back the tears (“Do you think I need you to protect me?”) vs. A ‘Dear John’ letter and disappearing into the night after honoring National Steak and a Blowjob day?

Grade: C

And speaking of Civil War, you can’t miss the best art-based parody of Civil War yet.

Tune in next week. Same Matt time. Same Matt website.

Sunday, April 10, 2005

Strange #5 - A Review

Written by: J. Michael Straczynski & Sara Barnes
Penciled by: Brandon Peterson
Inked by: Brandon Peterson
Colored by: Justin Ponsor
Lettered by: Randy Gentile
Editor: Axel Alonso
Publisher: Marvel Comics

Dr. Stephen Strange has been having a rough time of it. Crippled by an accident that made him unable to continue his career as a plastic surgeon, he went searching the world for a cure to his condition. Since then, he has been on a whirlwind trip, chased by beings who want to kill him, found out his best friend is a servant of the dark forces that call for his blood and that he is the believed to be the next person who will stand as the guardian between our world and the other realms, where dwell evil things that make the creatures in the writings of Lovecraft look like Scooby Doo villains.

It is in this issue that Stephen truly begins his training under The Ancient One- a mystic of some power who he first encountered as a beginning med student in the first issue of this mini-series. He proves to be the slowest student in the class alongside Wong, Cleo and Baron Mordo. This last student, a familiar name to long-time Strange fans, is introduced only to quickly betray The Ancient One and summon forth one of the most dreaded of the outer-wordly beings; Dormammu.

It is funny how an issue can be so slow-paced and feel rushed at the same time. And yet, this issue actually manages the feat. We are introduced to Baron Mordo for the first time and his subsequent betrayal of his teacher and summoning of what amounts to a Deep Old One are crammed into half an issue. The other half is devoted to long conversations about the nature of responsibility and the use of magic powers that even the most long-winded lecture about The Force from Episode II was exciting. It is, in short, your typical penultimate chapter of any story. All set-up, no action.

Thankfully, while the contents of the story aren’t very riveting, Petersen’s artwork is able to disguise this fact. His revival of all the characters is well-done. And even in the lackluster action scenes (such as Mordo’s “no-contest” battle with The Ancient One)the artwork is vibrant and gorgeous. As an old construction teacher of mine once said, pretty paint cannot disguise rotten wood. Well, the wood of the story is far from rotten but neither is it freshly cut.

Wednesday, November 3, 2004

Strange #2 - A Review

Written by: J. Michael Straczynski & Sara Barnes
Penciled by: Brandon Peterson
Inked by: Brandon Peterson
Colored by: Justin Ponsor
Lettered by: Randy Gentile
Editor: Axel Alonso
Publisher: Marvel Comics

With all the bru-hah-hah over J. Michael Straczynski’s work on Amazing Spider-Man of late, I’m amazed that the same purists aren’t all a tizzy over his other title with Marvel. The fact is that this new book, which is currently retelling the origins of Doctor Stephen Strange, master magician and sorcerer supreme, has made some changes on par with those regarding the past of Gwen Stacy.

Straczynski has expanded upon the specifics of Strange’s background, which has been vague in some respects. While we’ve always known that he was something of an arrogant jerk and a respected surgeon before a serious accident, we’ve seen very little of his formative years. And while some of the fine details of his history are changed here, the changes either change little or make a good deal of sense. For instance, it matters very little whether Dr. Strange was a neurosurgeon or a plastic surgeon… but given his old money-grubbing ways, being a plastic surgeon makes a good deal more sense. Likewise, the accident (which we see the aftermath of at the start of this issue) is changed from a car-crash to a skiing accident, but the end result is the same: Stephen Strange’s hands are damaged to the point that he will never be able to hold a scalpel again.

Refusing to accept that he will never be able to work in his chosen field again, Strange travels the world seeking second, third and ninth opinions from the greatest experts in the world. Eventually, he makes his way back to Tibet, where he interned for a summer, seeking a young man named Wong. Wong, whose arm he fixed during his internship, has apparently been inspired by Strange’s example during his more idealistic days and gone on to become an alternative medicine man as well as the greatest hand expert in the field…

These changes further ground the idea that a respected surgeon would turn to a magical healer in Tibet for help as well as expanding upon the character of Stephen Wong (yes, he has a first name!), who started out as little more than a poor man’s Kato. I can’t wait to see how the rest of this series reworks Strange’s cluttered past.

About the artwork, I have only the kindest words. Brandon Peterson has an eye for showing great detail without cluttering up a single panel. His style is like that of Ultimate Spider-Man’s Mark Bagley, but with a much darker edge that is perfect for the world of this title. All of the characters, even the nurses and bar patrons in the background, have an individual and distinct look that marks every individual as just that.