Showing posts with label Cinderella. Show all posts
Showing posts with label Cinderella. Show all posts

Wednesday, February 9, 2011

One Good Thing And One Bad Thing About Cinderella: Fables Are Forever #1



BAD THING: The central conceit of this story is that Cinderella - now a secret super-spy for the Powers That Be behind Fabletown - is forced to confront another secret agent she thought was dead, her equal and opposite member who used to work for the Russians. This is a great idea but I had thought they would have played with this a little bit before the big reveal, which comes near the end of this first issue. I think a little more build might have benefited the story a bit.





GOOD THING: That being said, the reveal itself is brilliant and the enemy in question is PERFECT, given the circumstances hinted at in the previews and the story itself leading up to that moment.





This... is perfect.

Both heroines have a slipper motif to their stories (Glass vs. Silver). Both are working-class girls that were elevated to a heightened position (maid/slave vs. farm girl) through magic.

Now I know what you're thinking - why is Dorothy Gale, an American heroine, working for the Russians/The Adversary? Well, I think it makes an odd sense given what we know of the nature of Fables.

It's fairly well accepted at this point that the popularity of a Fable with the public at large gives them a degree of power, the least of which is invulnerability and near immortality. It has also been established, by Jack Horner masquerading as a human movie executive so he could make a fortune making movies about himself, that movies and other electronic medium in the modern mundane world are more powerful than simple books and that they tend to shape the Fable to fit how most people view that character. That's why any Fable who has been turned into a Disney Princess is functionally invincible whereas more obscure characters aren't.

So let's consider Dorothy Gale, who is almost certainly better well known for the movie The Wizard of Oz than the original books. Hence why she looks kind of like a twisted Judy Garland here. And then let us consider what we know of Dorothy from the movies.

Well, if you go by the movies, The Wizard of Oz is a tragedy.

Think about it. Dorothy goes from a poor dirt farm in Kansas and is whisked away to a magical realm over the rainbow. Where not only are the concerns of the gray, dull world she left behind not an issue - she's an honest to goodness hero who slays two witches, frees numerous enslaved peoples and becomes beloved by everyone.

And then... she goes home. Back to where she is not a hero and her talk of a magical land is dismissed as the rantings of a lunatic. Back where the rich lady who owns the town is just waiting to have Toto put to sleep under threat of kicking Auntie Em and the rest of the family out on the street. Back where, rural Kansas being what it was back then, her best hope is getting married off to some rich townie before her looks fade.

But you aren't supposed to think about that, because "there's no place like home" and the whole thing was probably a dream anyway. Right?

Now, I can easily see Dorothy falling in with the Communist movement during the whole fiasco in the Dust Bowl and the many incidents that later inspired the writings of John Steinbeck. Which, in turn, could lead to her becoming a Russian spy as their belief in equality for all would have been more in keeping with the ideal societies in Oz.

And this is totally ignoring whatever influence Wicked might be having on Dorothy. I think more people today sympathize with The Wicked Witch than they do Dorothy.



The Final Verdict: Great book. That's all I can say without spoilers. If you haven't read it already, go grab the recently released trade paperback of Cinderella: From Fabletown With Love.

Wednesday, November 10, 2010

Good News! JMS Off Superman and Wonder Woman. Bad News! His storylineswill continue.

SOURCE:You'll Believe a Man Can Take a Sabbatical: J. Michael Straczynski Leaves Monthly Comics

Cheers to Chris Roberson (who deserved a high profile gig after his amazing Fables: Cinderella mini-series) and Phil Hester, who are going to be in charge of Superman and Wonder Woman respectively after this. They both deserve the high profile gigs.

Shame they won't be getting to write their own stories, but hey... wake me when we have the real Wonder Woman back, okay?

Tuesday, April 13, 2010

One Good Thing And One Bad Thing About Cinderella: From Fabletown With Love #6


GOOD THING: A great action scene in which Cinderella confronts her fairy godmother - who turns out to be the villain of the piece.






BAD THING: The subplot involving the shoemaker is rushed to a conclusion. A funny conclusion, true, but it seems like something of an afterthought compared to the rest of the story.





The Final Verdict: A solid mini-series that shows the greatness of the core concept of Fables. Pity it shows more creativity and action than the current series. Here's hoping this leads to Chris Roberson getting more work at Vertigo doing his own original projects as writing Sandman spin-offs got Bill Willingham a shot at doing Fables.

Thursday, March 18, 2010

One Good Thing And One Bad Thing About Cinderella: From Fabletown With Love #5



BAD THING: The subplot with The Shoemaker really didn't add a lot this time around and provided an unwelcome distraction from the main story.





GOOD THING: The main story, centering upon Cinderella: Super Spy, is as good as ever. And the twist at the end is actually worthy of the term "twist ending".







The Final Verdict: A gleeful reminder of how good Fables used to be. A shame it will be ending in one issue and that this creative team won't be taking over the main title.

Sunday, February 14, 2010

Fast Thoughts On The Comics Released The Week of 02/03/2010



CINDERELLA: FROM FABLETOWN WITH LOVE #4 - I love this mini-series SO much. It reminds me of why I loved Fables so much before Bill Willingham began phoning it in. And I especially loved this one - even though the shoe-making subplot has been brought to it's obvious and inevitable conclusion - because it let me see the Fables take on one of my favorite characters as a kid - Puss N'Boots.





It may be too late to catch the early issues at a reasonable price, but you should all definitely consider ordering the trade-paperback.



CONAN THE CIMMERIAN #18 - More flashbacks as we learn how Conan lost one command only to gain another, much more to his liking as a leader of fighters rather than as a leader of men.





One touch I did like here was how the cliche of Conan's boorishness and/or a princess's fickleness leading to violent conflict is avoided. Despite an undignified dismissal at the hands of his rival and Conan's angry response, Conan is still allowed to leave the kingdom unmolested and actual parts ways in relatively good circumstances.



DOCTOR WHO #8 - A stirring conclusion to last issue's cliff-hanger, with the Doctor and his new companions weathering an assault that leaves the TARDIS coming apart at the seams and The Doctor struggling to find a path back to the control room.

We do start to get a sense of The Doctor's new companions (Emily Winter and Matthew Finnegan) here, as our villain attempts to sow dissension in the ranks. Indeed, the villain offers a rather insidious explanation for why it is The Doctor seems to take on more female companions than male ones and why he only ever seems to take male companions on under duress. It's frightening but it does make a rather odd sense given most of the women The Doctor has adopted, so to speak. And it sets Matthew to questioning everything about just why he is traveling with The Doctor. Emily doesn't get quite as much development, being sort of a Rose Lite here, but at least she is presented as being spirited and competent, even if her main accomplishment here is persuading a group of aliens to take her where she needs to go.

Not a bad issue by any means but I can't help be feel sort of nonplussed at the ending. Not two issues into a story where The Doctor picks up some new companions and is getting ready to move on to new and better things... he's getting called by Martha, begging for help.

If this comic really is going to fill in some stories in the gap between Season Four and The Specials, I think it would be best if it did it free of most of the trappings of the regular series. If we are to enjoy the new companions, let us enjoy the new companions for a bit before dragging Martha back into the mix.



KNIGHTS OF THE DINNER TABLE #158 - We go back to basics with most of the comics this time around, getting several short, funny slice-of-life comics depicting the various games and events involving the gamers of Muncie, Indiana. They're all pretty funny but my favorite is Bob's understandable confusion to Weird Pete's return to a dark and illegal business that he swore off in college even as he now swears to keep it out of his turf and out of the hands of kids.

What? He means weighted dice. What did you think he was talking about?

The Gaming The Movies column continues to be a waste of paper and a sad replacement for the gamer movie reviews of Spoony from The Spoony Expriment. This month, they discuss the Underworld movies and how you can use them and other resources for your Vampire/Werewolf themed role-playing games. (sarcasm) I'm sure this is wonderful news for all of you numerous White Wolf players who had NO IDEA that these movies were here. (/sarcasm)

They even talk about other movies and book series you can use for your game. Because we really need a three-page column to tell us how you can steal ideas from Blade and Dresden Files for an RPG.


WARLORD #11 - A few more flashbacks this time around but we finally get some action toward the end and a little bit better idea of what Grell has been building us towards for the past few months as well as an explanation regarding just how the magic/science of big bad Demios has caused some of the series events to occur.

It's a must read for any fan of good fantasy.

Saturday, January 16, 2010

One Good Thing And One Bad Thing About Cinderella: From Fabletown With Love #3







GOOD THING: The central conceit of this mini-series - princess turned spy Cinderella teams up with prince turned spy Aladdin to locate some illegal magical artifacts - really comes into its own with this issue, as the similarities between the two heroes are played up and the begin to find some common ground despite their differing styles.





BAD THING: The scenes where the differences are played up, though... oy!

This may be the mythology geek in me getting nit-picky but seeing Aladdin portrayed as a Muslim of any stripe seems a bit off given that his story was originally a Chinese legend that made its' way into the Arabian Nights myths. Of course since Fables are supposed to be empowered by the beliefs of Mundanes and most Mundanes see Aladdin as a surprisingly un-ethnic Arab...

It still bugs me.



The Final Verdict: All of the imagination and action that used to be a staple of Fables in a wonderful little mini. Can we have more, please?

Monday, December 14, 2009

One Good Thing And One Bad Thing About Cinderella: From Fabletown With Love #1 & #2

Somehow, my subscription order for any and all Fables tie-ins somehow did not apply to this series. Luckily my shop still had copies of the first two issues when I realized that I'd missed it.



GOOD THING: I've been wanting to see more of Cinderella ever since she was first revealed to us as the Super Spy of the Fables world. And boy do we get more of "Cindy" being awesome in this book. And the B-story regarding Cindy's shop assistant - the shoemaker from The Elves and the Shoemaker - promises to be humorous.





BAD THING: The wonder of this series only serves to make the current Fables series seem poor by comparison. This series showcases the setting of Fables better than anything else in recent memory. And it's gratifying to finally see a strong female protagonist being put forth who has interests other than having babies and playing happy families ever after.





The Final Verdict: If this book has a flaw, it is that it makes the current Fables series seem small and pitiful by comparison. It's becoming painfully obvious that in the wake of his epic conclusion, that Bill Willingham has no ideas left for the franchise. Let him step aside in a few months and put Chris Roberson in charge because if he has other ideas for Fables that are only half as awesome as this book, it will be a marked improvement.

Tuesday, October 27, 2009

One Good Thing And One Bad Thing About Fables #89

Witches: Part Three, in review.



GOOD THING: It does have a great last page. Who knew that reading was a superpower?! As a librarian, I heartily approve.







BAD THING: The most exciting part of the issue is the preview of the Cinderella mini-series at the end; nice to see there's at least one positive female character in this series who hasn't been marginalized yet.







Still no sign of Rose Red. In fact, this time, there's no sign of the pregnant Beauty and barely anything involving the titular witches. What we do get, however, is comic relief flying-monkey Bufkin playing unlikely hero. Which is okay, but... female character going crazy... another one giving birth to a monster... shouldn't that be getting a mention right now since they're kinda main characters?