Common Grounds - A No Flying, No Tights Review

Common Grounds is a lost treasure of the Modern Age of Comics. (That’s not hyperbole. I literally lost my copies of the original six-issue mini-series somewhere along the line and only recently rediscovered the series after chancing upon the trade paperback collection in a used book store.)

There is no over-riding plot or main character in Common Grounds. Instead, writer Troy Hickman presents a series of thirteen vignettes built around the titular chain of coffee shops. Founded by a retired superhero named Big Money, the goal of the chain was to give costumed crime-fighters a place to relax in their masked personas while they were off duty. In an effort to foster understanding and peace, costumed criminals are also welcomed provided they leave their grudges at the door.

These interludes run the gamut from low comedy to high drama, occasionally playing with both comedic and dramatic elements at the same time. The opening story, “Beyond the Speed of Life,” sets this balanced tone perfectly. It tells the story of a reporter interviewing his favorite superhero, The Speeding Bullet, at a nearby Common Grounds location. The Speeding Bullet is a speedster who is widely beloved by the public and acknowledged as one of the greatest heroes in the world. He is also, to the surprise of the reporter, largely unsatisfied with his life outside of heroism. While he loves helping people and is thankful for the opportunities his powers give him, “SB” does express his wish for the ability to slow down on occasion and his desire to live a normal life.

It would be easy to play the problems of a man with super-speed off for laughs or for Speeding Bullet to come off as a bit of a whiner, but Hickman seriously examines how super-speed with the heightened perceptions to match your reflexes would make everyday life a bit more difficult. For instance, being able to eat whatever you want due to a heightened metabolism that burns off excess calories in minutes sounds great in theory, but the fact of the matter is you have to spend more time in the bathroom than a normal person. Why? Well, there are some things you can’t do at super speed. Such is Hickman’s gift as a writer that he can play up the comedy such situations while simultaneously exploring the dramatic elements of the superhero genre.

The book’s cast features a host of other such memorable characters, but my favorite is probably Moshe Chomsky. Moshe is a devout Hasidic Rabbi who somehow developed the power to melt anything he touches. Moshe is an honestly good person who prays for guidance and struggles to find constructive uses for a destructive ability, all while trying to tolerate “the smart-alecks in the media” who dubbed him “The Acidic Jew,” with good humor. There’s no small amount of irony that such a potentially deadly power should wind up in the hands of someone so ill-disposed toward violence and hurting people and it is fun to watch Hickman play off the clichés of comics (which demand that anyone with fire powers have a temper or anyone with cold powers be emotionally distant) in this way.

This is one of the best-looking comics series I’ve ever had the pleasure of reading, featuring an all-star roster of artists. Dan Jurgens does the lion’s share of the work, having drawn six of the thirteen vignettes but there’s not a single scrub in the line-up. Michael Avon Oeming. Ethan Van Sciver. Chris Bachalo. Carlos Pacheco. Angel Medina. Sam Kieth. The legendary George Perez. You’d be hard pressed to get one artist of this caliber for a mini-series, let alone all of these fine artists!

Common Grounds is a must read for any fan of the superhero genre, as well as those who typically dismiss superhero stories as childish fantasies. There are some truly complex stories here, with none of the gore or overt sexuality one usually expects in a Top Cow graphic novel. Indeed, apart from some frank discussions about superhero sexuality ala the Man of Steel/Woman of Kleenex debate, there’s no material in this collection I would consider objectionable for a teenage audience.

Common Grounds
by Troy Hickman
Art by Dan Jurgens, Michael Avon Oeming, Ethan Van Sciver, Chris Bachalo, Carlos Pacheco, Angel Medina, Sam Kieth and George Perez
ISBN: 9781582408415
Top Cow Productions, 2007
Publisher Age Rating: (13+)

The Iron Saint - A No Flying No Tights Review

SOURCE: The Iron Saint



Our story begins at the height of Prohibition on an Earth that resembles nothing less than a steampunk Chicago, with flying cars, steroids that grant superpowers and mechanical limbs commonplace. Michael Iron is a “problem-solver” for The Syndicate – one of the three rival interests fighting for control of the city. After one of his fellow gangsters double-crosses him on a debt-collection job, Iron wakes up three months later with a price on his head, a cybernetic arm and an unlikely ally– Angel, the virginal daughter of the debtor he was supposed to collect from. Together, they will have to find a way to pay Iron’s debt to The Syndicate and avenge Angel’s father, even as every bounty hunter in town starts hunting for them.

The story behind The Iron Saint is as interesting, if not so action-packed, as the story within the comic itself. Originally published in 2007 as a four-issue mini-series called Iron And The Maiden, the book was beset by troubles almost immediately as the band Iron Maiden threatened legal action over the title It was also during this time the creators at Top Cow Productions suffered the loss of a great artist and a greater friend – Michael Turner. Beloved by both his colleagues and his fans, Turner’s passing is noted by author Jason Rubin in his heart-felt introduction, where he also relays the story of the lawsuit and other details that offer a brief but fascinating look at how the comic industry functions behind the scenes. Michael Turner fans might be interested to know that the cover gallery at the end of this volume contains some of Turner’s last work before his untimely death; including the only comic cover he ever colored himself.

This cover gallery itself is worth the price of the book, boasting pieces by not just Michael Turner but artists such as Jim Lee, Chris Bachalo and Joe Madureira. Interestingly, Madureira did the initial character designs for this series and the main book art by Francis Manapul and Joel Gomez greatly resemble Madureira’s work on Battle Chasers, with lots of big men with big weapons. Most of the male characters are at least twice the size of the women and Iron looms most impressively over his Angel. But Manapul and Gomez are somewhat more grounded in reality than the more mangaesque Madureira, despite a number of characters having gravity-defying anime hair.

Fans of Film Noir and Steampunk will each find a lot to like about The Iron Saint. However, librarians would be well advised to shelve this volume in the same section where they keep Frank Miller’s Sin City books. There is one character, Mushmouth, whose manner of speech involves quite a few run-together and misspelled curse words, including the dreaded f dash dash dash word. While there is no outright nudity, there are several scenes set in a strip club, where Angel takes a job as a dancer so as to spy on The Syndicate. There’s also more than a few depictions of women wearing pasties that are close enough to topless to make this book inappropriate for most young adult graphic novel collections.

The Iron Saint
by Jason Rubin
Art by Francis Manapul, Joel Gomez and Michael Turner
ISBN: 9781607060796
Top Cow Productions, 2010