Showing posts with label Leonardo Olea. Show all posts
Showing posts with label Leonardo Olea. Show all posts

Monday, October 5, 2015

Superman #44 - A Review

Superman's secret identity has been revealed to the world and Clark Kent's life is falling apart. A new Royal Flush gang is out for his head and a collective of his worst enemies have taken the staff of The Daily Planet hostage! And the police are more interested in arresting him than they are in helping Superman save lives!

I want to believe that Gene Luen Yang is building to something grand with this story but I'm just not seeing it anymore. The speed with which people turn on Clark Kent seems more appropriate to a story set in the Marvel Universe. I defended the idea that Lois Lane could ever see fit to betray Clark's trust in the face of a greater good but I'm hard pressed to believe Perry White would attack Clark as he does here. While one might argue that White's commitment to The Truth as a newsman could lead him to see any kind of lying to your editor as a betrayal of the job of a journalist, it still seems a bit incongruous for him to chew out Superman for endangering people and thinking he could protect them. Nearly as incongruous as Clark, in the fact of such hostility, declaring he shall inflict a thousand-times as much pain on anyone who tries to hurt his friends.


It's oddly fitting that John Romita Jr. should be the artist on this book because this sure feels like a Spider-Man story rather than a Superman one. Romita and his usual inker Klaus Janson are in fine form. And the colors by Dean White and Leonardo Olea are skilfully applied, with no indication that there is more than one color artist at work.

Thursday, August 27, 2015

Superman #43 - A Review

As pointless as it may be to put a SPOILER warning on this review, given that the "shocking twist" at the end of this issue was revealed over three months ago by DC Comics' preview for this series, nevertheless I am giving a warning.

If you haven't read Superman #43 yet, know that I enjoyed this issue immensely and would recommend reading it for yourself. Abandon this article now if you would remain unspoiled!


At last we learn how it was that Lois Lane betrayed Clark Kent's secret identity to the world. And to the credit of Gene Luen Yang, the reason she has is a darn good one.  So what could drive Lois Lane to expose Superman's greatest secret?  It is not, as many suggested, a desire for the fame or glory attached to such a big story.

It is fear that motivates her.  Fear of what Superman might do to protect the people he cares about from a cunning blackmailer who is three steps ahead of him. So Lois does the only thing she can to save Superman and all that he stands for as Clark Kent elects to play along with the blackmailer's demands while waiting for an opportunity to free himself later.  She reveals everything to the world, thus making Hordr-Root's threats worthless and freeing Clark to fight back against the master hacker.


There is a subtle parallel here between the conflict between Lois and Clark at issue's end and the Superman fandom. Clark idealistically believes that, given time, he could have figured a way out of this mess whereas Lois, ever the realist, makes a difficult choice to prevent what she sees as the greater (or at least more immediate) of two evils. Consider how this mirrors the argument over the idea that Superman should always find a way to win in the end versus those who feel Superman is at his best when he is faced with emotional conflicts that require more than physical strength to solve.

Doubtlessly some will say that this story is terrible because Lois' trust in Superman should be absolute. Others will say that this story is well in keeping with Lois' nature to be a proactive figure who does what she thinks is right and damn the consequences if the world disagrees with her. I think there is a grand discussion to be held regarding those ideas and hope this issue provokes such conversation rather than inspiring an army of Super-fans to rage quit the series.

Regardless of how you feel about the story, the artwork is exquisite.  John Romita Jr. is in fine form. And one would never know that this issue featured a team of two inkers and three colorists, so well does the team work together in maintaining a uniform style throughout the issue.