Showing posts with label Aaron Kuder. Show all posts
Showing posts with label Aaron Kuder. Show all posts

Sunday, April 17, 2016

Green Lantern Corps: Edge of Oblivion #4 - A Review

Trapped on a sentient planet in a dying universe, half of what remains of The Green Lantern Corps has been captured by Marniel - a terrorist threatening the lives of all those who dwell within The Last City. But could things really be that cut and dry? Is it possible The GLC has been on the wrong side this whole time and that their allies - the giants Dismas and Ausras - are not the benevolent forces they believe them to be?


Strange allies turning out to be the real enemy is an old cliche in space opera. Yet Tom Taylor's script manages a novel twist with this revelation. As this chapter ends, Guy Gardner remains unconvinced as to Marniel's innocence and - given the power Marniel shows - it's not hard to see how she might be manipulating the rest of the captured Corps members to her side, even if she's telling the truth about the giants being monsters.


Adrian Syaf proves a most capable replacement for Ethan Van Sciver, with Aaron Kuder providing the layouts for this issue. Jonathan Glapion and Jaime Mendoza provide a seamless continuity between their respectively inked pages. And Jason Wright does his usual amazing job on the colors.

Thursday, December 31, 2015

Superman Annual #3 - A Review

There's two good comics contained within Superman Annual #3. One details the new origin of the immortal conqueror Vandal Savage, tying his origins indirectly into the Superman mythos.  The other showcases the problems Clark Kent faces as he continues to try and help people as Superman, despite his waning powers, lack of a secret identity and Lex Luthor running Justice League.

Unfortunately, these stories ultimately exist only as a set-up for the latest big crossover. And that proves to be to their detriment. It's apparently not enough to tell a story which shows that the meteor that empowered Vandal Savage came from a comet that was redirected from Krypton. We can't just tell a story where Clark Kent tells a teary-eyed Lana Lang that he can't just quit being Superman, even without his powers. It's all just build up for yet another excuse to boost sales.


It's a shame because there's some truly great writing on display in this issue.  The Vandal Savage story is just plain fun. And the modern story proves the point that what makes Clark Kent Superman isn't his powers - it's his ability to inspire other people to greatness. It also subtly disproves Lex Luthor's postulation  - that Superman's existence will cause common people to stop striving to be better - as Lex begins exploiting his power and authority to keep Clark Kent from trying to advance himself. Rarely has Luthor's evil and Clark's goodness been so well and simply exemplified.

The artwork, sadly, isn't quite so evenly handled.  The artwork for the Vandal Savage story is grand, showing a good deal of variety as we follow Savage through the ages.  The artwork for the Clark story, while skillfully done, utilizes a gritty, more realistic style that doesn't really seem appropriate to the story at hand.



Superman Annual #3 is a model for everything that is right and wrong with DC Comics since the New 52 revamp. There's a number of brilliant innovations and reimaginings of classic concepts and this comic showcases the ideal that the hero aspect of a character is more important than the super one. Yet all of that is undercut by a relentless grittiness that is grim for its own sake rather than to make the light shine brighter and the fact that this story exists only as introduction to yet another sales gimmick.

Wednesday, September 26, 2012

Green Lantern: New Guardians #0 - A Review

The biggest problem Green Lantern: New Guardians #0 faces is that the story it tries to tell is nowhere near as interesting as stories it implies.  Unlike every other Zero Month issue thus far, this one does not give us an origin story.  Indeed, the events of the last year of this comic are largely ignored and most of this issue is based on events occurring in the main Green Lantern title.     


Tony Bedard is a competent comic writer but there is little interest in yet another story where the Black Lanterns have to be fought.  Better to have devoted an issue to Kyle's life as a Green Lantern and some explanation as to how Emerald Twilight and the collapse of the Green Lantern Corps occurred -assuming they still did - and how Kyle became known as The Torchbearer.  This is doubly true given some of the clues we receive during this issue that indicate either some major changes in the Green Lantern mythology or some whopping big continuity errors.

To name a few...Why does Kyle call Hal a Colonel when his rank has always been listed before as Captain?  How does Carol know Kyle Rayner's secret identity?  For that matter, why does Hal still have a locker at Ferris Air when - as the new series opened - Hal was fresh off being drummed out of the Air Force?  And why did Hal have an engagement ring hidden in his locker when he seemed utterly shocked that Carol expected him to propose as the new Green Lantern series started?  Why is Carol just now developing a sense of modesty regarding her costume or just now getting the ability to alter her costume so her boobs aren't falling out?  And why the heck was Ganthet trying to find someone capable of channeling all the Lantern energies at once in the first place?    


The artwork this time around is all over the place.  With the pencils handled by two different artists and two different inkers, there's very little consistency to the visual aesthetics of this issue.  The principal penciler, Aaron Kuder, appears to be aping David Finch's style.  By contrast, Andrei Bressan appears to be a disciple of Frank Quietly though with none of that artist's eye for storytelling.  There are a lot of awkward poses throughout the issue and everything looks odd and off-kilter as a result.    

All in all, New Guardians continues to be the most disappointing of the Green Lantern family of books.  Apart from Kyle's newfound ability to channel multiple ring energies, Bedard isn't continuing any of his storylines from the past year of this title.  The artwork here seems phoney and lifeless.  Still, if you really feel the need to be reading all the Green Lantern books heading into Rise of The Third Army, this issue would serve as an adequate jumping-on point for those who haven't been reading it.