The Further Adventures of Nick Wilson #2 - A Review

Once Nick Wilson was the world's most powerful superhero. Now he can't even pay the rent without doing children's birthday parties pretending to be a Nick Wilson impersonator. But is Nick so desperate for a job that he'll accept a proposal from his arch-enemy - billionaire inventor Clive Morganfield - to establish a Nick Wilson museum with himself as the star attraction?

While the clear conceit of the second issue of The Further Adventures of Nick Wilson is the idea of Clark Kent being forced to work for Lex Luthor, the script by Marc Andreyko and Eddie Gordoetsky goes far beyond that simple set-up. While this issue is slower-paced than the first, it is still an enjoyable read. This is primarily because Nick is established as an honestly good person fallen on hard times rather than the cliche screw-up this sort of deconstructive superhero tale usually depicts  It also helps that the artwork is by former Starman artist Stephen Sadowski, who is equally capable of depicting classic superheroic action as well the simpler scenes of people having a conversation. There's also some fantastic color art by Hi-Fi at play here.

The Final Analysis: 8 out of 10. A step down from last month, but still good.

The Flash Annual #1 - A Review

Left feeling more alone than ever in the wake of The Titans being dissolved by The Justice League, the original Wally West seeks companionship among his uncle Barry and cousin Wally. When that only serves to make things worse, since Wally is still reluctant to approach his Aunt Iris (who still doesn't remember him and is already coping with enough), Wally looks up his childhood friend and former girlfriend Frankie Kane to see if she still remembers him. The good news is she does exist and she still remembers him. The bad news is so does her evil super-villain persona Magenta!


I loved Geoff Johns' run on The Flash and I've recently starting reading through the classic Wolfman/Perez run Teen Titans. While I've yet to read the original Magenta stories, I find the character interesting and it's a real treat to see her restored to the DC Universe here, even ignoring Wally's need for friends now given his current predicament. Joshua Williamson puts a lot of heart into every story he writes and this one is a prime example of how he can tug o the heart-strings even while setting up a major crossover event.

The artwork is equally excellent. Both Howard Porter and Christian Duce are fine artists and you can barely tell when the story switches between their respective sections here. Hi-Fi also deserves praise for some fantastic, eye-catching color work.

The Final Analysis: 10 out of 10.  A great entry point for The Flash and a great opening for Flash War. 

Doctor Who: The Twelfth Doctor: Year Three #11 - A Review

Stumbling across a powerless cargo ship in the middle of deep space is par for the course when The Doctor takes The TARDIS out to run a simple errand. It turned out to be far worse than a dead battery, however, as Bill quickly discovered the ship's cargo included 500 Heavenly Hosts and the ship's crew were mysteriously disappearing. Has this batch of Hosts gone bad?  Or is there something even more sinister on the ship?


Francesco Manna's artwork continues to be the worst aspect of this series. As in last month's issue, the level of detail varies wildly from panel to panel as does the quality of inking. Some pages such as the one above, are well-done. Others, like the one below, feature backgrounds that are ornately displayed with characters that seem to have escaped from a quick sketch! Another problem is there's often very little relation between a character's expression and the mood indicated by the dialogue.


I'd like to say that Richard Dinnick has redeemed himself this month after a rather static and cliched opening. Unfortunately, this issue sees The Doctor spending most of the issue pushing buttons while Bill gets into trouble. Cliched? A bit. And I'm afraid I jinxed myself with a comment in last month's review that has me actively dreading the next issue.

The Final Score: 5 out of 10. Competently done, mostly, but only the most devout of Whovians can stomach this one.

The Flash #38 - A Review

Trapped in the bowels of Iron Heights prison within a secret sanctuary The Rogues established, The Flash finds himself at the mercy of Captain Cold. Worse yet, Kid Flash is running into a deadly trap that Snart has set for the assassin Copperhead, who is fighting him for control of Central City's underworld. Thankfully, The Flash may have more friends than he suspects... yet more enemies than he knows.


Scott Kollins - who had a legendary run on The Flash alongside writer Geoff Johns - returns for an issue and it really is like old times. While Kollin's style, which is light on inks and sketchy in spots, may be an acquired taste for some, I personally find it a perfect match for the story at hand. Paired with the colors of Hi-Fi, Kollins' kinetic artwork looks fantastic.


Joshua Williamson's script brings the story to a thrilling and suitable conclusion, which raises more mysteries as well as what might be something of a plot hole. Still, I am content to let Williamson set the pace, having been faked out before by his skillful writing. On a side note, Flash fans would do well to check out this week's Batgirl And the Birds of Prey, which makes use of a plot point dropped in this issue's end.

The Final Analysis: 8 out of 10.

The Flash #37 - A Review

There's a new crime boss in Central City and his war with the usurper Copperhead is running The Flash ragged. Barry Allen is busy too, following the trail of a murderer in Iron Heights Prison while trying to stay under the radar of Warden Wolfe and Captain Singh. Unfortunately, an old enemy is about to stop The Flash cold...


Scott McDaniel takes over the art duties for this issue and it's hard to think of an artist better suited for The Flash. McDaniel's work on Nightwing is still fondly remembered, due to his kinetic style which showed every step of Dick Grayson in motion as he executed his acrobatic maneuvers. One would think that would work just as well in depicting Barry Allen in motion.

Unfortunately, McDaniel's work here is far from his best. Many panels appear sloppy and slap-dash and McDaniel's sense of storytelling seems to have left him. Far too many panels are cluttered and the heavy inks of Mick Gray cause some of the details to be lost in the tight quarters. Not even Hi-Fi's fantastic colors can save the book's visuals.

It's a shame because Joshua Williamson's writing continues to be the best aspect of the book. Hopefully Williamson will find an artist who can match him in quality soon. I may soon get tired of suffering through mediocre artwork for the sake of a good story.

The Final Analysis: 5 out of 10. Great story. Cluttered artwork.

Doctor Who: The Twelfth Doctor: Year Three #10 - A Review

A space station adrift. A suspicious lack of crew. A prime target for investigation, if you are The Doctor.







If you commanded a creative team to craft the most cliched Doctor Who story possible, they might come up with something close to Doctor Who: The Twelfth Doctor: Year Three #10. Granting that the series was built on certain tropes, one expects better of Richard Dinnick than the standard "starbase under siege" story. The one saving grace is that, despite the word "Angel" in the title, the story does not involve the return of played-out Weeping Angels.

The artwork by Francesco Manna is surprisingly uneven, given his excellent work on the Dejah Thoris/Irene Adler team-up series. While doing a good job of caricaturing the cast, the level of detail used in rendering the characters frequently differs in individual panels. There's also some proportion problems, with Nardole looking like a small child next to The Doctor at one point. The colors by Hi-Fi, however, are fantastic.

The Final Analysis: 4/10.  This team could and should have done better.

Green Arrow Annual #1 - A Review

It's Christmas time but visions of sugar-plums dancing aren't filling the heads of the people of Seattle. Count Vertigo has come to town seeking revenge and uped his game, trapping Team Arrow and the rest of Seattle in their worst nightmares! Only Black Canary remains unaffected to save the day.



There's a lot to like about Green Arrow Annual #1. How Benjamin Percy develops a new yet wholly logical secondary super power for Black Canary. The return of Count Vertigo with a new yet logical extension of his powers.The dream and nightmare sequences, illustrated so well by Eleonora Carlini. The beautiful colors by Hi-Fi. This is one Christmas special worthy of the name.

The Final Analysis: 10 out of 10. 

Doctor Who: The Twelfth Doctor: Year Three #7 - An Advanced Review/Preview

Following an unexpected detour to a barren Atlantic island in the 9th century, The Doctor and his companion Bill Potts found themselves caught in the middle of a stand-off between a group of Viking settlers and a team of Martian Ice Warriors. Thankfully, The Doctor was able to convince both sides to work together against a common menace - the sentient virus known as The Flood!

It beggars coincidence that two of The Doctor's old enemies should encounter each other in this place at this time. When another monster from The Doctor's past emerges, he can hazard a guess as to who is responsible. However, that knowledge may not be enough to save The Doctor and his allies even if he is correct!





The artwork fails this final chapter of The Wolves of Winter. Three artists working on a single issue rarely produces a quality work and the old adage about too many cooks proves accurate here. Even if the visual continuity weren't shattered by the wildly varied styles at play, there's no comparison between the levels of quality presented by the artists involved.

It's a damn shame because Richard Dinnick's story is a brilliant one and it deserved a better presentation. Weaving together the strands of older Doctor Who tales as the base for his own epic, Dinnick has managed the near-impossible. The Wolves of Winter is that rare continuity-driven story that is easily accessible to new readers. Fans of Classic Who and New Who alike will enjoy this Twelfth Doctor tale... if they can just get past the artwork.

The Final Analysis: 6 out of 10. Richard Dinnick wrote a great story but they should have let Brian Williamson draw the whole thing.

Doctor Who: The Twelfth Doctor: Year Three #7 releases September 20, 2017. 

Ask for it at your local comic shop or purchase it on Comixology.com.

The Flash #29 - A Review

Still struggling with a newfound connection to the negative side of The Speed Force and destructive powers he can't control, The Flash is suffering mightily in the wake of his latest battle with The Reverse Flash. He will have little time to find his footing, however, as Shrapnel attacks Central City and his secret identity, CSI Barry Allen, is tasked with finding a crooked cop that is causing important evidence to go missing.


The Flash #29 proves an unintentionally excellent case study in how two different artists working on a single comic can prove detrimental to the work as a whole. Both Pop Mhan and Christian Duce are great artists and I've enjoyed their previous work immensely. Unfortunately, their styles don't mesh well together and the visual continuity of the book is virtually nonexistent.

Mhan's heavily detailed style doesn't suit the opening fight between The Flash and Shrapnel and most of the fine details are lost in too-small panels under heavy inks. Duce's work fares better, but suffers in that this issue is light on action after the Shrapnel fight. As a result, Duce never really gets a chance to show off, mostly illustrating the scenes of Barry discussing his case with his co-workers. The one constant to the artwork is Hi-Fi's colors look fantastic throughout.


While the artwork may be at war with itself, Joshua Williamson's scripts remain a bastion of harmony. The story steps away from exploring the ramifications of Barry's new powers, for the most part, focusing instead on Barry Allen playing detective. It is an odd thing, given his job, that so few Flash comics emphasize Barry's powers of deduction outside of a scientific environment and it is gratifying to see that element of Barry's talents come out when he is suddenly unable to use his powers reliably.

The Final Analysis: 7 out of 10. A great story with good art, which would have been better with only one artist working on this issue. 

Doctor Who: The Twelfth Doctor: Year Three #6 - An Advanced Review/Preview

Unexpectedly arriving at the site of a Viking expedition, The Doctor and Bill were stunned to find they were not the only recently arrived visitors from the heavens. The good news is that the other new arrivals - a party of Ice Warriors - are not looking for a fight. The bad news is they've come to Earth to dispose of a threat from their home-world of Mars - the sentient, water-traveling virus known as The Flood!




As a Doctor Who trivia buff, I love it whenever the media outside of the show attempts to build upon the mythology and link certain elements. In this case, everyone's favorite Martian frienemies - The Ice Warriors - are finally given a connection to the menace from The Tenth Doctor's penultimate adventure, The Waters of Mars. Yet this second chapter of The Wolves of Winter proves a ripping yarn on its own merits and shows Richard Dinnick to be a skald as skilled at spinning tales as he is recanting history. Paired with the amazing art of Brian Williamson and the colors of Hi-Fi, this book should be on every Whovian's pull list.

The Final Analysis: 10 out of 10.

Doctor Who: The Twelfth Doctor: Year Three #6 releases August 23, 2017. 

Ask for it at your local comic shop or purchase it on Comixology.com.

The Flash #26 - A Review

The Reverse Flash has revealed the truth to Iris West - that her boyfriend, Barry Allen, is The Flash and that he has been lying to her for years! That's just the start, however, as Eobard Thawne plays professor yet again to show Barry and Iris the dark future that is now forged from their relationship. Will Barry and Iris have to sacrifice their love for the sake of Tomorrow?


Ironic as it may be to say this, The Flash #26 may have moved too quickly. Last month's issue presented an interesting conceit - that Eobard Thawne is uniquely suited to note the changes to the time-stream forged in The DC Universe Rebirth reality. Apart from the amusing metatextual gag of turning the comic world's most obsessive fanboy into a continuity cop complaining about how everything changed and is ruined forever, it's a heck of a story curveball.

Unfortunately, that conceit - and our brief glimpse of a dark future where Barry and Iris' kids became Rogues due to Barry's neglecting his family for The Flash - are quickly tossed aside in favor of what seems to be "The Real Plot". Unless there is another swerve coming, which is entirely possible with Joshua Williamson's writing.

The artwork is similarly uneven. Howard Porter is a great artist and the colors by Hi-Fi are nice and vivid. Unfortunately, there is some discontinuity between the story and the artwork, as in one panel where The Flash is being dragged off by The Reverse Flash when the dialogue indicates they ran off together. There's also a few bits where the bright colors don't quite match up with the heavy inks indicating deep shadows.

The Final Analysis: 7 out of 10. A serviceable issue, let down only by some quirks in the artwork and a story that is moving a bit to quickly.

The Flash #24 - A Review

When the self-cloning Multiplex crashes Barry Allen's surprise birthday party, it falls to The Flash and a visiting Hal Jordan (a.k.a. The Green Lantern) to clean up the mess. Unfortunately, that leaves Iris and Wally West unprotected when another unexpected guest shows up. But how is The Reverse Flash still alive? And what does he want with the two of them?


The artwork is definitely the weakest aspect of The Flash #24. Specifically, the pages penciled by Carmine Di Giandomenico. There's been a rough wildness to Di Giandomenico's work in past issues that I thought fitting for depicting speedsters, with random squiggles suggesting continual motion even when at rest. Unfortunately this stylistic choice looks sloppy when paired with the more static figure of Iris West, who appears to be the only figure being drawn "correctly". The excellent pages by Pop Mahn in a more traditional style only add to this feeling that Di Giandomenico's art is sloppy rather than stylistic.

It's a shame because the story by Joshua Williamson is a good one. The mystery of just where (or when) this Reverse Flash came from is an intriguing one. The action scenes are well-written and there's a great buddy bonding moment between Hal Jordan and Barry Allen that reminds me of the better bits of Mark Waid's The Brave And The Bold.

The Final Analysis: 6 out of 10. The story is great but Carmine Di Giandomenico's stylistic choices look slap-dash when compared to Pop Mhan's pages in the same issue.

The Flash #22 - A Review (WARNING! SPOILERS!)

It's a race against time as Batman and The Flash move to catch The Reverse Flash before he runs to his death. Thankfully, an unexpected and unknown ally will be there to help them find their way home...


Normally I wouldn't drop a spoiler-filled page like this in a review but with Jay Garrick on the cover of the comic, there seems little point in avoiding it.

The Button concludes with little in the way of revelation for those readers who read DC Universe Rebirth. The biggest takeaway is that Jay Garrick - the first Flash - is trapped outside of time in the same way that the original Wally West was. The ending of the issue - and the ad for the next big event - also seem to confirm what astute readers guessed regarding who is responsible for changing The DC Universe... and possibly for creating it in the first place.

Where this is going is still anyone's guess but the JSA's disappearance also seems to be tied into a man who appears to be a ninety-year-old Johnny Thunder, desperately trying to summon his Thunderbolt. Then there's that blonde woman in Arhkahm Asylum (my money is on her being Saturn Girl)  who keeps insisting that things are wrong and there's no future.

Thankfully, this issue is entertaining even if there's little development of the on-going saga. Joshua Williamson has an obvious love and knowledge of the characters involved and there's a great scene that sums up the difference between Bruce and Barry - despite similar training as detectives - and how they consider their shared experiences.  The artwork by Howard Porter and Hi-Fi is similarly fantastic, with bright colors and smoothly-flowing action sequences. I also like how Porter's design for Jay Garrick resembles actor John Wesley Shipp.

Final Analysis: 9 out of 10. It's not shaking up the DC Universe or answering any questions but it's a solid comic with some great artwork and some neat character studies of The Flash and Batman.

The Flash #21 - A Review

Barry Allen is used to investigating unusual crime scenes - both as a CSI for the Central City Police Department and as The Flash. Yet even by Barry's standards The Batcave is an unusual locale and The Reverse Flash is no ordinary murder victim. With the assistance of an injured Bruce Wayne, Barry must piece together what few clues he can about the murder of his greatest enemy before taking a trip back in time to see the murder take place!


This second chapter of The Button proves stronger than the first. This is not to say the first part was bad but it was, for the most part, an extended action sequence more concerned with set-up than content. This issue offers us mysteriy aplenty and there is much for those amateur sleuths among the readers to consider.

The high-point of Joshua Williamson's script, however, is the interplay between Bruce and Barry. Strangely enough we don't get to see these two heroes team up in an intellectual capacity often and it's oddly compelling to see them talking shop. Howard Porter's artwork, well-progressed past the excesses of his more elastic work on the 1990's JLA title, looks fantastic throughout, with Hi-Fi's colors providing the perfect finishes.

Final Analysis: 9 out of 10. Flawed only in that there's very little progress on the actual plot, but the great character writing and artwork makes up for it.

Green Arrow #20 - A Review

Green Arrow #20 works perfectly on multiple levels. It satisfies as a thrilling action story in the vein of Dennis O'Neil and Mike Grell, but this is the least of Benjamin Percy's accomplishments as a writer. The most impressive part of this issue is the redemption of Roy Harper.


As I mentioned in my review of the previous issue, Roy's background in The New 52 reality was left largely undefined. The flashback sequences in the past three issues have done much to restore Roy's past and, in doing so, define his current character. Some cosmetic changes have been made - such as the name of Roy's adoptive Native American father and what tribe they were part of - yet all of this, curiously, has helped to restore Roy to his Golden Age roots as an orphaned boy-adventurer.

Another aspect of Roy's past that is finally explored in detail is his history of drug abuse. Given Roy's new status as a homeless youth, this makes sense, with the real world statistics regarding homeless teenagers and drug use being depressingly high. Percy does not go for shock value in this, however, and if there is any justice the same people who gave the atrocious The Rise Of Arsenal an award for its depiction of drug use will give the same award to this story arc.


Another change of note that will interest long-time Arrow-heads is Percy's revamp of Count Vertigo. As with Percy's new take on The Clock King, the changes here are largely cosmetic and limited to a brilliant - but logical - twist on a classic character's modus operandi. In this case, Vertigo uses his powers to help a withdrawn Roy Harper get his fix by simulating a heroin high, in order to convince the young hero - recently abandoned by Green Arrow - to work for him.  On that note, the story also does a fair bit to redeem Oliver Queen for his reactions to his young ward's habit while still leaving Oliver firmly in the wrong.


I must not forget to praise the art team in all of this. Both Eleonora Carlini and Mirka Andolfo do a fantastic job of illustrating this entire story arc. The colors by Arif Prianto are perfectly chosen throughout. Quite frankly, if this story arc doesn't see a few Eisner and Harvey nominations, I will be very surprised!

Bottom Line: If you are any kind of Green Arrow and Arsenal fan, you need to read these last three issues.

Green Arrow #19 - A Review

While many characters suffered from poor characterization and a lack of development in The New 52, it's hard to think of a complex character who underwent greater devolution than Roy Harper. Raised Native American and a proud single-father, his history was scrapped in favor of a vague backstory that hinted at his being a homeless petty criminal whose employment and subsequent falling-out with Green Arrow was never explained... until now.

The story of Green Arrow #19 alternates between flashbacks showcasing the Green Arrow/Speedy relationship and action sequences in the modern day. It is here that Roy Harper and Oliver Queen have crossed paths again, with Roy having come home to aid the tribe that raised him and Oliver tracking the latest crimes against humanity being perpetuated with his company's resources - i.e. building an oil pipeline across sacred Native land.


In just two short issues, Benjamin Percy has done much to negate the damage dealt to Roy Harper. Roy's Native roots have been reaffirmed, though the details of how he came to be adopted have yet to be divulged. And Percy has rebuilt the friendship between Dinah Lance and Roy Harper, albeit under different circumstances than in the original universe. The "big sister looking out for little brother "vibe is there again, even if this Dinah didn't check this Roy into rehab.


Despite there being two separate teams at work in this issue, there is no discontinuity between the pages. Both Eleonora Carlini and Mirka Andolfo utilize a style based around detailed pencils and light inks, so the two complement each other to the point that I'm not entirely certain that one did the flashbacks and the other did the modern day sequences!  Well, whoever did what, the artwork in this issue is fantastic!

Detective Comics #949 - A Review

Trapped in The Belfry with the finest soldier the covert military group The Colony has ever trained, Kate Kane will find herself tested as never before. Can Batwoman best her father's greatest one-man-weapon?


This book hardly needed a two-part storyline to showcase how awesome Kate Kane is as a character. Still, this issue doses a fine job of setting up the upcoming Batwoman title by writers James Tyion IV and Marguerite Bennett while still being a brilliant story on its own terms. The artwork this month was produced by a team of two artists and three colorists but the styles blend together so seamlessly you'd never know it. Most enjoyable.

Green Arrow #14 - A Review

Green Arrow has the assassin who has been framing him for murder cornered. Unfortunately, it's at the site of the latest killing and there's an angry mob of sports fans that is all too aware of the Emerald Outlaw's presence. Black Canary has problems of her own, having been dragged into the manhunt for Green Arrow while in the middle of raiding the Seattle PD Evidence Locker for proof of his innocence!


This is the first issue of Green Arrow post-Rebirth that I can honestly say was disappointing. There's no one simple reason for this- rather a culmination of smaller factors.

The issue's artwork - usually a high point, as it is handled by one artist - is horribly inconsistent this time around, due to three artists working on the pencils and inks. Had they been artists with similar styles, this might not be so bad. Unfortunately, the depths of the inks and the quality of the line-work are continually shifting and the visual disorientation does not aid the flow of the story at all.

I can't blame Ben Percy for the "twist' regarding the assassin in this issue. Doubtlessly he's having to make the best of a bad situation, with Green Arrow history in the modern era being a total mess thanks to the efforts of Scott Lobdell and Judd Winick. I can forgive Percy for the mess that has effectively "cloned" one character for the sake of continuity and reaching out to the Arrow fans.

I cannot, however, forgive the fact that everyone in this comic is required to act like an idiot for the plot to work. This includes the assassin attacking people in front of witnesses who can attest that someone else was putting green arrows into people other than Green Arrow and the police captain who notices Black Canary's hair not conforming to the SPD dress-code yet doesn't think that's at all suspicious.

Doctor Who: The Third Doctor #4 - An Advanced Review/Preview

The micro-machine menace stands revealed as the plot of an old enemy of both UNIT and The Doctor - one who now possesses stolen Time Lord technology! The threat to all reality seems so great that even The Master has put aside his grudge against The Doctor and UNIT, but can he be trusted? And will even The Master's brilliance prove enough to win the day?




I shall be sorry to see this mini-series end. Paul Cornell's writing has perfectly captured the spirit of the Jon Pertwee age of Doctor Who. It also delivered a genuinely shocking twist at the halfway point and even planted the seeds to explain away certain incongruities in the original episodes that follow this story chronologically.

Cornell's excellent writing is matched beat for beat by the outstanding artwork of Christopher Jones. Jones captures the likenesses of the original actors perfectly and is a fantastic visual storyteller as well as a great caricaturist. Whether you're a fan of the Classic Series or just someone who loves good comics, this is one to pick-up!

Doctor Who: The Third Doctor #4 releases on January 11 2016. 

Ask for it at your local comic shop or purchase it on Comixology.com.

Doctor Who: The Third Doctor #3 - An Advanced Review/Preview

Rewarded for aiding The Time Lords by having his exile to Earth lifted and his TARDIS restored to travel-readiness, The Doctor was ready to return to exploring the wonders of the universe. Unfortunately, an alien invasion and the return of one of his past incarnations have proven distracting enough to prevent his departure. With the invading "micro-machines" having taken over the body of his companion, Jo Grant, The Doctor must enter into psychic combat with them inside of Jo's mind!





I was saddened by Paul Cornell's recent announcement that he would be taking a break from writing for licensed properties. Granting my own bias as a Third Doctor fan and cosplayer (I still have a picture of myself, in costume, with Billie Piper and Karen Gillan as the background on my Twitter account!), I have deeply enjoyed Cornell's work on this mini-series and hoped that it might follow The Ninth Doctor in becoming a monthly book. While that may still be in the cards, it will probably happen without Cornell, which is a shame as he has perfectly captured the zeitgeist of the Third Doctor with his scripting on this series.

Cornell is well matched by artist Christopher Jones, who treads a fine line between realistic caricatures and a certain cartoonish quality in his depictions of the various characters of The Pertwee Era of Doctor Who. The lively colors by Hi-Fi add to the mod mystique. This is one limited series I wish were less confined - ironic really, given the Third Doctor's own confinement!

Doctor Who: The Third Doctor #3 releases on November 30, 2016. 

Ask for it at your local comic shop or purchase it on Comixology.com.