Batgirl And The Birds of Prey #7 - A Review

Barbara has moved into her clock-tower digs but she finds herself beset by burglars. What's weirder is that her burglars are also her realtors! As Dinah and Helena go undercover and get a crash-course in the housing market of Gotham City, Barbara and the new Oracle start investigating just what makes Babs' loft such a hot property.


I've always enjoyed stories and series like Damage Control and Common Grounds that looked at the realities of life in a world full of super-powered beings. Those of a like mind will enjoy Batgirl And The Birds of Prey #7 simply for the sequences of realtors trying to sell "unique fixer-uppers" where the previous tenant may have been a former super-villain. Beyond that, this issue is still an excellent character study of the personalities of the various Birds and a wonderful one-shot story for new readers to utilize in gauging the series as a whole.


The artwork is a little off this month. Claire Roe is a fine artist but some of her character poses in this issue seem forced and unnatural. The opening action sequence, with a new villain called The Zodiac Master, seems rushed and cramped though the rest of the issues' action scenes work perfectly fine. The colors, however, are fantastic throughout.

Batgirl And The Birds Of Prey #3 - A Review

The hunt for the wicked hacker who stole the Oracle name from Barbara Gordon continues. The Birds have a lead which leads them to a favorite restaurant of the Gotham mob. Yet Oracle has their own operatives - a team called The Snakes - that are poised to strike Commissioner Gordon and his team!
This book is fortunate to have two great artists working on it. Claire Roe's gift for drawing expressive faces makes the various scenes of characters just talking a real treat, even in the case of the stoic Huntress. Roge Antonio does a fantastic job on the flashback sequences, showing the formative years of a young Dinah Lance as she ran away from her foster home and discovered a home and martial arts in the dojo of her first sensei.  Allen Passalaqua colors both sections with a unique style, with the modern story sporting a more vibrant palette and the flashbacks muted in pale greys, blues and off-whites.


The story by Julie and Shawna Benson is a thing of wonder. Their six-page flashback into Dinah Lance's background has done more to define Dinah's past and character than all 12 issues of  Brenden Fletcher's Black Canary series. And the story set in the modern day has a twisted humor not seen since the days of Gail Simone's Birds of Prey run. The Birds are back, baby!

Batgirl And The Birds Of Prey #2 - A Review

The Birds of Prey have a lead on the new "Oracle", who is aiding and abetting the Mafia families of Gotham. Batgirl is fighting mad and in little mood to talk when both Commissioner Gordon and Batman raise concerns about her working with the new vigilante called Huntress. Huntress herself continues to have trouble fitting in with the team, being the sort of person who picks fights to test her teammates - a spectacularly bad idea when one of your teammates is Black Canary!
Writers Julie Benson and Shawna Benson truly grasp these characters and write them in a way no author has managed in several years. The interaction between the various Birds is the high-point of the book. While they are far from a functioning team, the interplay between them as the camaraderie builds and Huntress slowly gains the trust of her new allies proves quite amusing.


The issue features two art teams, but this does not distract from the flow of the story at all. There are a number of striking visuals throughout but  my personal favorite is the shadow of Batman falling across the clock-face of Batgirl's clock-tower just after Barbara asserts her independence. It looks good but is also a powerful symbol of Batgirl trying to get out of Batman's metaphorical shadow. The color art is also notable, particularly the gradient effects used in the twilight duel of Huntress and Black Canary.

Batgirl And The Birds Of Prey #1 - A Review

Someone has taken over the identity of Oracle - the alias Barbara used as an information broker during the time she was paralyzed. Thankfully she and Black Canary have a lead. Unfortunately, that lead is on the hit-list of a new masked marauder called The Huntress, who is out to kill all the Mafioso involved in the death of her family. Can this trio of vigilante vixens find common ground before their mutual enemies expose their identities or kill them off?

While the Rebirth incarnations of these heroines are a far cry from the versions who once headlined Gail Simone's Birds of Prey, it's clear that Shawna and Julie Benson had the classic series in mind while writing this opening arc. Huntress is a loose cannon, who perfectly pushes the buttons of the more order-minded Batgirl. This, in turn, forces the usually passionate Black Canary to play peace-keeper between the two. It's a fascinating balancing act and hearkens back to the interaction of the characters before they became fast-friends as well as partners in crime-fighting in the original series.

I'm still uncertain about artwork, however. Generally I like Claire Roe's style, but there's something about her design for Batgirl that just looks off - possibly the over-large eye-holes that do little to hide her face. Additionally, some of the posing of the characters seems awkward and forced at times. Still, the general dark aesthetic suits the story well and the colors by Allen Passalaqua are well-chosen.