Showing posts with label Mirror Master. Show all posts
Showing posts with label Mirror Master. Show all posts

Wednesday, January 10, 2018

The Flash #38 - A Review

Trapped in the bowels of Iron Heights prison within a secret sanctuary The Rogues established, The Flash finds himself at the mercy of Captain Cold. Worse yet, Kid Flash is running into a deadly trap that Snart has set for the assassin Copperhead, who is fighting him for control of Central City's underworld. Thankfully, The Flash may have more friends than he suspects... yet more enemies than he knows.


Scott Kollins - who had a legendary run on The Flash alongside writer Geoff Johns - returns for an issue and it really is like old times. While Kollin's style, which is light on inks and sketchy in spots, may be an acquired taste for some, I personally find it a perfect match for the story at hand. Paired with the colors of Hi-Fi, Kollins' kinetic artwork looks fantastic.


Joshua Williamson's script brings the story to a thrilling and suitable conclusion, which raises more mysteries as well as what might be something of a plot hole. Still, I am content to let Williamson set the pace, having been faked out before by his skillful writing. On a side note, Flash fans would do well to check out this week's Batgirl And the Birds of Prey, which makes use of a plot point dropped in this issue's end.

The Final Analysis: 8 out of 10.

Tuesday, April 25, 2017

The Flash Episode Guide: Season 3, Episode 19 - The Once And Future Flash

For a summary of the episode guide layout & categories, click here.




Plot

Still seeking the identity of Savitar, Barry makes a desperate trip to the future. Arriving in 2024, he discovers his friends - and himself - changed into drastically different people in the wake of Iris' death and a Central City ruled by metahuman criminals! Can Barry become the hero the future needs?


Influences

The Flash: Terminal Velocity b
y Mark Waid (The Flash tries to save the life of the woman he loves following a trip to the future when he learns of her death) and the Fast Forward episode of the 1990 The Flash series (base plot of The Flash going forward in time and seeing everyone he knows and loves changed for the worst.).


Goofs


Isn't it a bit odd that Iris asks Barry to promise to watch after Joe if she dies but not Wally?

How the heck did Caitlin get out of the STAR Labs building faster than Barry could search it?

Granting that it's necessary - from a storytelling perspective - for Future Barry to be given a reason to come out of retirement and save his past self (apart from simple self-preservation) Barry slowing down to taunt Mirror Master and The Top and giving them time to use their powers is phenomenally stupid.

When Future Barry tells his past self about Tracy Brand and The Speed Force Trap, he says that she didn't figure out the technology until "four years ago."  Barry says this was four years after Iris died. Actually, it would be three years after Iris died.

Later, Barry says he went eight years into the future. It was seven. Technically a little less, assuming he left March/April 2017 and arrived in February 2024.

So... what happened to Jesse Quick in all of this?  Did she ever come back from Earth Three?


Performances

The idea of Caitlin suddenly developing an evil persona because of her powers has been one of the weakest ideas in the show's mythology but damned if Danielle Panabaker doesn't sell it for everything it's worth in this episode as the future Killer Frost.

The scene of Barry getting ready to run back to the future and then stopping is a great bit of non-verbal acting on Grant Gustin's part. Even with his face half-hidden by his mask, you can see everything Barry is thinking in his eyes.

For that matter, Grant Gustin almost seems like another actor as Future Barry. More impressively, he does that deep "dark hero" voice and doesn't sound completely ridiculous while doing it.


Artistry

The use of a darker tint and a grayer color palette in the scenes set in the future help to visually distinguish those scenes from the scenes set in the present. It's a striking choice, visually.

The production design is fantastic all around, with a STAR Labs of the future set that is virtually unrecognizable it is so ruined and disheveled.

Tom Cavanagh does a fantastic job on the direction in this episode, coaching his fellow actors into delivering some of their best performances to date.


Flash Facts


The episode title is taken from The Once And Future King by T.H. White.

This episode was directed by actor Tom Cavanagh, who plays all the various versions of Harrison Wells.

While there are several The Flash comics based around dark futures that The Flash travels to and then tries to avert, the plot of this episode is oddly close to that of Fast Forward - an episode of the 1990 The Flash TV series. In that episode, Barry Allen accidentally runs ten years into the future while trying to stop a missile and discovers that the villain who launched the missile has become mayor of Central City in his absence. Barry's allies have been changed by his apparent disappearance, growing cynical and hopeless in his absence.  Much the same thing happens here, though Barry didn't disappear from the timestream completely.

Curiously, this episode originally aired on April 25, 2017 - seven years to the day before Barry is meant to vanish, according to the future newspaper first seen in the pilot episode.

Iris' birthday, according to her tombstone, is June 24, 1989. Candice Patton, who plays Iris West, was born on June 24, 1988.

The costume worn by Future Barry is a brighter shade of red than the one worn by the 2017 Flash. Indeed, it closely resembles the traditional Flash costume from the comics, with a prominent gold-colored belt that is shaped like a lighting bolt and brighter gold lighting insignia on the arms and boot tops. Still no yellow boots, alas.


Technobabble

Barry calculates the force of the explosion that propelled him into the future.  Wally can generate three-times that amount of force at his top speed - more than enough to send Barry seven years into the future.

Future Cisco creates a device that disrupts the resonance field that Barry generates when he runs. This prevents him from opening a time portal back to 2017.

Future Cisco later alters this device to mimic the resonance fields of Mirror Master's portals. This will allow Barry to manipulate the mirror portals as well and restore the refraction effect caused by The Top's powers.

The Mirror Master and The Top learned a way to use their powers in tandem to create an illusion of space folding in on itself. This causes Barry to become paralyzed as he sees the buildings above him collapsing down onto him


Dialogue Triumphs

(Barry walks around the ruins of STAR Labs, his face crestfallen as he sees how bad things have gotten. Suddenly, a figure appears in the door behind him, silhouetted against the light.)
Future Barry:
Why are you here?
Barry: I need your help.
(Future Barry emerges into the light. His hair is longer and unkempt. His eyes more tired. His speech patterns slower, like those of an old man.)
Future Barry: You're from before she dies, aren't you?
(Barry says nothing, apparently dumbstruck at the sight of his future self.)
Future Barry: You can't save her.
(Future Barry turns around and heads for the door.)
Barry: Yes, I can! And I'm going to!
Future Barry: No, you can't. Go home.
Barry: Just tell me who is in the suit!
(Future Barry stops in mid-step.)
Barry: All right? That's all I need. You tell me that, we'll be able to track him down! We'll learn his weakness! We... we'll stop him before he even tries. Just tell me who Savitar is.
Future Barry: I can't.
Barry: What do you- ? Why?!
Future Barry: (sighs) Because I don't know the answer. (pauses) Sorry you ran all this way for nothing. You want some advice? Go home. Spend as much time with Iris as you can. Because pretty soon... we're never gonna see her again.
(Future Barry walks out of the room, leaving Barry watching in shock.)

(Barry looks into Killer Frost's cell. She crawls out of a corner as he speaks but does not look at him.)
Barry: Caitlin? It's me.
Killer Frost: Barry Allen...?
Barry: (sighs) I'm -
Killer Frost: From the past? I can tell. There's no hate in your eyes... yet. So to what do we owe the pleasure of your visit? Come to see how things turn out for Team Flash?
Barry: I wanted to see what happened to my friend.
(Killer Frost stands at that and moves to face Barry.)
Killer Frost: I am NOT your friend, Flash.
Barry: I'm so sorry I did this to you. I should have saved you.
Killer Frost: I'm GLAD that you did this to me.
Barry: Caitlin wasn't. (pauses) I failed her. But I won't when I go back! I'm going to find you and I'm going to help you!
Killer Frost: (scornfully) You're no match for The God of Speed!
(She watches Barry as if expecting a reaction. She looks past Barry toward Cisco.)
Killer Frost: Ohhhh... you didn't tell him, did you?
(Cisco says nothing.)
Killer Frost:
Well, secrets always were our thing, weren't they? (pauses) When I became Killer Frost, Savitar appeared to me and showed me the way. We made one hell of a team...
Barry: Why would you help him?!
Killer Frost: Because he gave me the thing that you couldn't! The cure to my illness? Embracing who I really am!
(Slowly, Barry, who has been looking at the ground for most of this, looks up in sudden realization.)
Barry: You know who he is.
(Killer Frost smirks.)
Barry: Who is he?
(Killer Frost continues to smirk, saying nothing.) 
Barry: (leaning in closer to the glass) Tell me who he is.
Killer Frost (whispering, waving a finger tauntingly) I'll never tell...

(Future Joe replaces the flowers in a vase on Iris West's grave.  Barry watches him from a distance.)
Barry: Hey, Joe.
(Future Joe tenses up but does not turn around.)
Future Joe: Why are you here, Barry?
Barry: (taken aback) I just wanted to see you... I just wanted to see how you were doing?
Future Joe: NOW you want to know? After all this time? Now?
Barry: Uh... Joe, um...
(Future Joe stands and dusts the top of the grave, again not turning around to face Barry.)
Future Joe: I'm doing my best.
(There is a long pause as Barry tries to figure out what to say... what can he say?)
Barry: What happened to us?
(There is another long pause before Joe speaks, clearly shaken as he does so.)
Future Joe: My daughter's life was taken. My son's. And then you left me Barry. The last piece of who I was... left. Turned his back and ran away.
Barry: (stunned) I wasn't there for you?!
(Another long pause, Joe clearly struggling to speak at this point.)
Future Joe: Why start now? (pause)  I'm gonna need you to leave Barry.... please.
(Barry says nothing but walks away, clearly disturbed, as he leaves Joe alone.)

Future Barry: You want answers, Barry?! How's this? You will go back. You will do everything that you can think of to save her. You're even going to create time remnants of yourself, but he's going to kill them all, mostly! And then on the night of May 23rd, Iris West will die in your arms.
Barry: (quietly) No...
Future Barry: And in that moment that she takes her last breath? It will feel like an eternity. And it will break you! She's the love of your life, Barry! (quietly) She was the love of my life...
(Future Barry walks to the corner of the room and just collapses into it, leaving on the wall.)
Future Barry: There will be nothing left at all but stopping Savitar. So no - you won't be there for Joe. You won't be there when Caitlin becomes Killer Frost. When Savitar destroys Wally... You won't be there for any of them. But then one day you'll stop him. You'll lock him in The Speed Force forever. But at that point... he already won. Because everything that you've ever loved is gone. Including you. (pauses) Go home, Barry. There's nothing for you here.

(Cisco reveals that he was the reason Barry couldn't return to the past.)
Barry: Why would you keep me here?
Future Cisco: Because I miss my friend.
Barry: Cis-
Future Cisco: If you want to go, I'm not going to stop you. I don't know why I expected you to be the same Barry Allen I remembered. That guy still had some fight left in him.

(Future HR is sitting before a crowd of women in what was CC Jitters. It is now called HR Jitters. Posters around the room and in the windows advertise a book called The Streak Vs. Mr. Reflecto by HR Wells. There are balloons and other decorations around the room. It is apparently a book signing event.)
Future HR: Continuing with the HR Romance Series, "The Streak Vs. Mr. Reflecto"... "Just as the villain was about to go in for the fatal blow, Florence felt strong hands around her waist... lifting her, like she was a feather." (makes a wind rushing noise) "She was whisked away, the wind blowing through her hair, as her mystery hero finally set Florence down on a mountain top."
(HR chuckles at this line as his phone, which rests on a side table next to him, begins to vibrate.)
HR: I love that part. I was in the zone.
(As he says this, HR looks at his phone which has received a text from an unknown caller. The message reads "I want you." He texts back "I know." We cut to a woman in the audience, who is smiling at HR as she holds her phone.)
HR:  
Ah-ha. She - uh... Florence, was ah, um... and the mountain top! Back to the mountain top!
(HR's phone buzzes with another text message from an unknown caller. This one reads "I have to have you." As he looks up, a second woman is eyeing him suggestively. HR clears his throat as he tries to regain his composure.)
HR: Oh... kay. You know what?  We - uh - we should threesome. Do-some. One!  Something else, I think-
(The women all laugh at the apparent Freudian slip as a yellow streak of lightning carries HR out of the room.)

(Mirror Master and The Top walk out of a jewelry store as the alarms ring. He holds the door open for her.)
The Top: Thank you!
(The two walk along, each of them carrying a bag apparently full of stolen jewelry. The Top is wearing a rather ornate necklace and strutting her stuff, giggling a little bit.)
Mirror Master: Baby, you're a rock star!
The Top: Just like to shine for my man.
(The Flash runs in behind them. They hear the rush of air and turn around to regard him as he smiles.)
The Flash:
Yeah, I don't know. It looks a little... tacky from over here. But... I am old-fashioned.

The Top: We told you to stay away, Flash.
The Flash: Yeah, well I try not to listen to criminals. Or stupid people.

(Killer Frost emerges into a clearing. Savitar is standing there.)
Savitar: I've been waiting for you.
(Killer Frost assumes a defensive stance.)
Savitar: Fear not, my child. I've come only to offer you what you desire.
Killer Frost: And what's that?
Savitar: Salvation.
Killer Frost: You want to cure me? Turn be back into Caitlin Snow?
Savitar: No. I want to make sure that Caitlin never returns.
Killer Frost: Why should I trust you?
(Savitar kneels down and the back of his armor opens up. After a few seconds, we see a booted foot step out of the armor and settle in the snow. Killer Frost looks stunned.)
Killer Frost:
What do you need me to do?


Continuity

The song "Swing Low, Sweet Chariot" is apparently the same on Earth 19 as it is on Earth One.

Barry travels to February 3rd, 2024. This is a little under three months before the future newspaper first seen in 101 which reported The Flash vanishing during a crisis on April 25, 2024.

Mirror Master and The Top are seen for the first time since 304.

Mirror Master and The Top both remark that they haven't seen The Flash in a while or seen him wearing "that particular costume". They also claim to own Central City now.

It is later revealed that at some point in The Future, Barry switches to a bright red costume with a more prominent gold belt that is shaped like a lightning bolt and more prominent gold lightning symbols on his sleeves and boot-tops.

Future Cisco seeks out Barry, having had "a feeling" he was around. He apparently has no memory of Barry traveling to the future from 2017.

In 2024, STAR Labs is shut down. Future Cisco says that Future Barry pushed everyone away.

Future HR Wells went on to "other things" besides running The STAR Labs Museum.

Future Caitlin never set foot in STAR Labs again after becoming Killer Frost.

Future Barry lives inside the ruins of STAR Labs, rarely leaving.

We see a bit more of the future fight between Killer Frost and Vibe from 306.

Future Cisco lost his hands and his powers after a battle with Killer Frost as Vibe. He has mechanical prosthetics but he cannot channel vibes through them.

Future Julian Albert is in the employ of Iron Heights prison.

Future Caitlin Snow has given herself over completely to her Killer Frost persona. She is incarcerated in a special cell, overseen by Julian Albert. She confirms that she came to work with Savitar after he gave her what Barry couldn't - peace with who she was rather than a cure for her powers. She also says that she knows who Savitar is but that she will never tell him.

Future Wally West is confined to a wheelchair and in a perpetual state of shock, cared for by a nurse named Beth. Reportedly, he went into a rage after Iris died and went after Savitar by himself. Joe reportedly found him the next day, completely unresponsive, with a broken spine.

Iris' birthday, according to her tombstone, is June 24, 1989.

Future Joe West is a broken man, who never leaves his home except to place fresh flowers on Iris West's grave. According to Joe, Future Barry abandoned him after Iris's death and Wally's paralysis and the last piece of who Joe was died when his son ran out on him.

Future Barry says he was able to trap Savitar in The Speed Force forever but by the time he did it it hardly mattered because Savitar had destroyed everything that he loved. He also never found out who Savitar had been.

Future HR has apparently bought CC Jitters and renamed it HR Jitters. He is a successful science-fiction romance novelist, who is engaged in a live reading of his book The Streak Vs. Mr.Reflecto when Barry retrieves him to rejoin Team Flash.

Until two Flashes appeared to recapture The Top and Mirror Master, The Flash hadn't been seen in Central City for years.

Future Barry reveals that he had help trapping Savitar. He utilized a Speed Force Trap designed by a physicist named Tracy Brand. He didn't tell Barry this because the technology wasn't perfected until four years earlier.

Future Barry gives Barry a media storage device that has all of Tracy Brand's information on it. Future Barry says he doesn't understand anything on it and that he doesn't know where she is, but maybe Barry can use it to find her.


Untelevised Adventures

Future Barry tells his past self about how he trapped Savitar with the help of a physicist named Tracy Brand.


The Fridge Factor

Again, Iris has nothing to do but be the trophy girlfriend/daughter/sister to be saved.

Again, it's troublesome that the one main female member of the cast to develop superpowers is driven evil because of them.


The Bottom Line

Easily the best episode of the season. One of the best episodes of the show, without question. The script is weak and rife with plotholes but the character-work and direction save it. Hopefully Tom Cavanagh will get to direct more episodes in the future because he gets some great performances out of his fellow actors. The show's treatment of Caitlin is still problematic but at least she's shown to be a figure of power... even when locked up in a prison cell.

Sunday, February 26, 2017

The Flash #17 - A Review

The Rogues just puled their greatest heist ever!  Naturally, The Flash quickly caught up with them as they were skipping town, but can he move fast enough to overcome Captain Cold's new and improved cold gun?  One which draws off the power of The Speed Force itself?!


The Flash #17 is a disappointing conclusion to what had been a promising return for The Rogues into the Rebirth universe.  The story here is predictable and nothing we haven't seen before. The only thing that makes it tolerable is Joshua Williamson's command of the characters and the fact that he writes great dialogue.

The artwork - provided by three artists this month - is similarly disjointed. I find Carmine Di Giandomerico's style disjointing at times but the general wild and untamed feel of it usually seems to fit The Flash on its own terms. Placed alongside more traditional artists as part of the same tale, however, it comes off as sloppy and scribbled-over.

Sunday, February 12, 2017

The Flash #16 - A Review

The Rogues have divided and conquered, luring The Flash out of Central City just long enough for them all to rob multiple targets. Even The Fastest Man Alive can't be in six places at once! Can The Flash thwart his enemies' greatest heist ever?


The artwork is much stronger than its been in recent issues of The Flash. The uncharacteristic sloppiness that plagued Carmine Di Giandomenico's recent output is absent. Fittingly, there is a continual sense of motion to Di Giandomenico's work that well suits this issue's high-action story. Of particular note are the effects used to simulate the variety of energies involved from The Flash's lightning to the fire of Heatwave's gun.

Despite this issue being furiously-paced, Joshua Williamson's script also contains a number of brilliant character scenes. No matter how fast his stories moves, Williamson always gives his cast a chance to speak and the scenes of Barry trying to reason with his enemies and show them a better way are powerfully written.

Sunday, January 29, 2017

The Flash #15 - A Review

The Rogues have been in hiding for quite a while, which can't mean anything good. The Flash uncovered plans indicating they went to the island of Corto Maltese to steal a golden statue of the god Mercury. Even though it isn't Central City, The Flash isn't about to let them get away with it but have the ol' gang learned some new tricks?


Joshua Williamson spins a masterful heist story, showing a strong grasp of the individual Rogues as characters. Unfortunately, the sloppiness that has plagued Carmine Di Giandomenico's pencils in recent issues continues to be a problem. It's infrequent enough not to distract from the story completely but this issue seems rushed rather than fast-paced.

Monday, January 16, 2017

The Flash #14 - A Review

Master thieves armed with fantastic tools and led by the formidable Captain Cold, The Rogues are the greatest enemies of law and order in The Flash's town, despite their occasionally playing the hero. Absent from Central City since before The Speed Force Storm that changed so much, finding where they're hiding has become Barry Allen's first priority now that things have calmed down somewhat. What he uncovers, however, is evidence of a heist to end all heists in another country, suggesting that The Rogue's Reformation was short-lived...


This first issue of the Rogues Reloaded storyline is surprisingly slow-paced for a Flash comic. Joshua Williamson spends a little too long trying to establish the status quo of Central City.  While this may be a necessary evil given how much back-story there is regarding The Rogues, Iron Heights prison, the new Kid Flash and Barry's newfound romance with Iris West, this is still a case of telling rather than showing the story and we wind up hearing precious little about The Rogues in all of it. Hopefully the pace will quicken in upcoming issues.

Carmine Di Giandomenico is similarly off his game this time around. There is something inexplicably sloppy about the artwork in this issue, with several pages - particularly in the opening fight between The Flash and Papercut's gang - where the figures are disjointed and the inks muddy the artwork rather than enhancing it. The artwork doesn't look bad, as such, but it's a step-down from the usual level of quality for all involved.

Tuesday, October 25, 2016

The Flash Episode Guide: Season 3, Episode 4 - The New Rogues

For a summary of the episode guide layout & categories, click here.



Plot

Two new metahumans - Mirror Master and The Top - emerge looking to settle an old score with Captain Cold. Barry and Jesse get in the middle of things, with Jesse's rash actions leading to disaster! Meanwhile, Harry Wells begins scouting the multiverse looking for another Harrison Wells that is willing and able to replace him on Earth One when he returns to Earth Two.


Influences

The Flash comics of John Broome (creator of The Mirror Master and The Top) and the television series Twin Peaks (Cisco refers to it when explaining how he can make Barry's backwards talk understandable).


Goofs

It seems odd that Iris isn't the least bit disturbed by the idea of kissing Barry in front of her dad, like Barry and Joe are.


Performances


The romance between Jesse and Wally reaches its naturally conclusion and Violett Beane and Keiynan Lonsdale play it perfectly. Ironically, given that they are the younger couple, their relationship seems to be handled with more maturity than the romance between Iris and Barry and I put that entirely down to the performances of these two talented young actors.

Speaking of romance, Ashley Rickards and Grey Damon are stunning as The Top and Mirror Master. Turning these two Rogues into a romantic couple was a bold choice and damned if the actors do not make the most of playing a couple in love who are intent on building a new life for themselves... albeit by robbing Central City blind.


Artistry


The cinematography throughout the episode is stunning, taking full advantage of the mirrors on the set and using them to establish a number of arty shots.

The special effects work is solid throughout the episode, from the high-speed chase sequences to the "twisty world" effects when The Top uses her powers, all the way to the final battle with Mirror Master jumping from mirror to mirror to evade The Flash.

There's some nice comedic irony in the script, with The Flash beating Mirror Master using a hologram and a mirror trick.


Flash Facts

The industrial building Sam Scudder uses as a hideout is Broome Industries. This is a tribute to John Broome - The Flash writer responsible for creating both The Mirror Master and The Top.

Sam Scudder a.k.a. The Mirror Master first appeared in The Flash #105 (March 1959). A criminal since childhood, Scudder became obsessed with mirrors and the idea of entering into them. Eventually, he somehow succeeded, discovering a whole other dimension which he dubbed The Mirror World. Scudder also developed all manner of weapons and devices based around the manipulation of light - chief among these being lasers and holographic illusions.

The DCTVU version of Sam Scudder differs from his comic book counterpart in that his powers are due to his status as a metahuman rather than advanced technology. He has the power to teleport himself and others through reflective surfaces. He can also trap people inside of mirrors.

Harry Wells says that there was a Mirror Master on Earth Two, but he wasn't a metahuman. He was a criminal armed with some sort of special mirror gun. Wells doesn't know how the gun works, but speculates that the gun had dimensional warping tech that changed everything into two-dimensions. This is a nod to the Mirror Master's powers in the comics.

Harry Wells identifies the Mirror Master on Earth Two as a man named Evan McCulloch.  In the comics, Evan McCulloch was the name of the second Mirror Master. An orphan with a dark side, Evan fell into the life of a criminal. After building a reputation as the sort of man who could reliably do dirty deeds with no questions asked, McCullouch was approached by the FBI - who had taken possession of Sam Scudder's costume and equipment after his death - and offered a chance to work for them while posing as a super-villain.  McCulloch played along at first but eventually went rogue (literally!) and soon fell in with The Flash's Rogue's Gallery.

The Top a.k.a. Roscoe Dillon first appeared in The Flash #122 (August 1961). As a boy, Dillon was obsessed with tops to the point where he ignored all other toys. Falling into the life of a criminal as an adult, he got out of prison and decided to build a new career around his favorite toy. Dillon discovered that by spinning at tremendous speeds, he could dramatically increase his intelligence. This eventually lead to him developing psionic powers, including telekinesis, telepathy and the ability to instill vertigo in people. He was also able to possess the corpses of the newly dead, following his own apparent death.

Rosalind "Rosa" Dillon, the DCTVU version of The Top, is a gender-flipped version of the original Top and Sam Scudder's girlfriend. She has the power to cause intense vertigo in other people.

The character of Cecile Horton first appeared in The Flash #332 (April 1984). She acted as The Flash's legal console when he was put on trial for murdering The Reverse Flash.

In the DCTVU, Cecile Horton is a prosecutor with the Central City District Attorney's office rather than a Public Defender. She is also an African-American woman, whereas the comic book version was Caucasian.

We see four versions of Harrison Wells from other dimensions - two of which are named by a specific Earth number. Curiously, these numbers do not correspond with like numbers in the official number of the various universes that make up The DC Comics Multiverse.

The first alternate Harrison Wells (aka Hells Wells) dresses like an American Old West cowboy and speaks with a Texan accent. This may be a reference to the DCM Earth 18 - the Wild West inspired world of the characters seen in the story Justice Riders.

The second Harrison Wells is dressed in a steampunk costume, with a top-hat and goggles. He is identified as being from Earth 17.

In the DCM, Earth 17 is also known as The Atomic Earth. In that world, the crash of the rocket carrying Superman to Earth triggered World War III and 97% of the world's population was killed in the ensuing nuclear fallout.

Curiously, this second version of Harrison Wells would seem to be a better fit for the DCM's Earth 19 - the setting of the story Gotham By Gaslight - a world in which various heroes came into existence during the Victorian era, but various advanced technologies existed.

The fourth version of Harrison Wells comes from what Caitlin labels Earth 19. As mentioned above, Earth 19 is a steam-punk setting in the DC Comics Multiverse.

Cisco refers to Twin Peaks and the character of The Man From Another Place in explaning how he can record Barry's speech when he is trapped in the mirror world and turn it into something they can understand using backmasking.

Joe understands the technique of backmasking and refers to hidden messages being placed in Ozzy Osbourne albums. Officially, Ozzy only did this once - as a sarcastic response to the accusations of hidden Satanic messages being found on his albums when played backwards. That message "Your mother sells whelks in Hull." was itself a parody of an infamous line from the film The Exorcist.

This episode confirms that Caitlin's cold powers allow her to chill an object to Absolute Zero. In the DC Comics Universe, only Captain Cold - out of all the villains with cold-based powers - has the ability to lower temperatures to absolute zero with his Cold Gun.

Ironically, The Flash uses a hologram of Captain Cold and an optical illusion to trap Mirror Master. In the comics, holograms and optical illusions are two of the Mirror Master's most frequent tools.

The Droste Effect is the technical term for when an image appears to repeat into itself forever. The effect is named for Droste cocoa powder - a popular Dutch brand, whose packaging was the first recorded instance of the effect in 1904. Artist M.C. Escher was fond of employing the effect and - as Barry notes in this episode - the effect can be created by standing between two mirrors, creating the illusion of the person between the mirrors repeating into infinity.


Technobabble

Jesse Quick is almost as fast as Barry, her top velocity peaking at just under Mach 3. This is just over 2300 mph.

Jesse's heart rate while running at top speed is 100 BPM.

Harry constructs a "fishing pole' satellite with which to broadcast his "bait" - a message embedded with a tachyon-enhanced laser.

Harry describes his "bait" as "a complex algorithmic cryptogram, designed to test deductive reasoning, intelligence quotient and problem-solving skills." Harry also describes it as an invitation and an elaborate "Help Wanted" ad. Cisco describes it as a riddle.

Harry speculates, when asked about the Mirror Gun of the Earth Two Mirror Master, that it had dimensional warping tech that changed everything into two-dimensions.

Sam Scudder is able to travel in and out of mirrors by linking Einstein-Rosen bridges through anything with high solar reflectance. Or, in simpler terms, he creates wormholes through reflections.

The Earth 19 Harrison Wells complements Harry's embedding secondary measures in the primary data string of his cryptogram.

The sounds made by a person trapped in a mirror sound backwards in the real world. This means that Barry can't be understood by his friends until Cisco figures out a way to take what he says and play it in reverse.

Cisco uses backmasking - a recording technique where sounds are recorded backwards onto a track that is meant to be played forwards - to translate Barry's speech when he's trapped in the mirror world.

Barry is unable to phase through the mirror once stuck inside it because the molecules of the mirror, once used as a wormhole by Scudder, are in a hyper state of flux. In order for the molecules to reach a state Barry can phase through, they need something incredibly cold to slow them down.

Once chilled to absolute zero, the mirror has to maintain zero-point energy long enough for Barry's molecules to pass through it. While doing this, they have to account for the internal energy of the mirror's molecules. This means that while absolute zero is the lowest possible temperature, it is not the lowest enthalpy state possible.

Harry and Cisco try to overcome this issue by building a molecular decelerator onto the cryogenic generator. However, it is only able to lower the temperature of the mirror to -280 degrees Fahrenheit. This is roughly half as cold as Absolute Zero, and is equal to -173 degrees Celsius and 99.8167 degrees Kelvin.

Absolute Zero is 0 degress Kelvin, -273.15 degres Celsius and -459.67 degrees Fahrenheit.

The Droste Effect is the technical term for when an image appears to repeat forever. Barry refers to it as an infinite reflective loop.

Every inch of Sam Scudder's cell has been modified with an anti-reflective material, to prevent him from using his powers.


Dialogue Triumphs

(Scudder is dressed in a fancy suit, admiring himself in a full-length mirror.)
Scudder: How do I look?
Dillon: Better. (pauses) How much?
Scudder: Do we really need to ask that question?
Dillon: Our take wasn't that big.
Scudder: Big enough.
(Scudder takes her by the hand and spins her in front of him, holding her close as he looks at their reflection.)
Scudder: The only question you should be asking is what size rock you want dangling from this beautiful neck. A kiss from you makes my world spin.
Dillon: (chuckles) You're so full of it, you know that?

(Barry trips Jesse as they are racing around the track in The Speed Lab)
Jesse:
Okay. Well... that wasn't very heroic.
Barry: Nope. But there is a lesson in there somewhere.
Jesse: What's that?
Barry: The difference between having powers and having precision.
Jesse: What do you mean?
Barry: I mean, it's gonna take more than speed to take down some of these metas. You've got to think. Anticipate. When you enter a new environment, you've got to case every inch of it. You never run in blind.
(Barry suddenly stops, looking astonished.)
Barry: Oh my God...  I've become Oliver.
(Barry laughs as Jesse looks confused.)

(As Harry is describing the criteria he is using to test his doppelgangers.)
Cisco:
Will it test their attitudes, too? I'm not sure I can stomach another Wells with your bedside manner.
Harry: I care for you too... you jack wagon!

(Wally enters the room where Jesse is thinking. He points to her mask, dropped on the floor.)
Wally: Aren't you going to need that?
Jesse: What's the point? You know, I thought I was ready. But clearly I'm not.
Wally: Jesse, you can't blame yourself for this. What happened to Barry...
Jesse: - was totally my fault! I mean, he told me to stay back but I didn't listen! You know, I just ran in blind and... and now he's stuck, so...
Wally: Look, you made a mistake. So what? I mean, I'm sure Barry made a lot of mistakes at first too.
Jesse:  ... yeah.
Wally: Don't let this destroy your confidence. You're meant to do this, Jesse. You're meant to be a speedster. That's why you have these powers and I don't.
Jesse: You're just trying to cheer me up. (sighs) I know you said you don't want to hang, so...
Wally: Uh, no. I said I didn't want to hang out because I was scared. Because you live on another Earth. But...I realized I don't want to be scared of that anymore.
(Wally moves in and kisses Jesse.  They hold the kiss a moment and then laugh softly.  Wally steps back does a courtly bow and offers Jesse her mask. She takes it with a wide smile on her face.)

(Mirror Master jumps into a mirror and comes up behind Captain Cold. He tries to punch him but his fist just goes through him. Captain Cold flickers and turns around.)
Captain Cold:
Bang!
(The hologram of Captain Cold fades away as The Flash walks into the Hall of Mirrors.)
The Flash: Funny thing about holograms - they're just pale reflections of the real deal.


Continuity

Mirror Master and The Top both gained their powers on the night of the particle accelerator explosion. Leonard Snart was present, ready to kill Scudder for violating his rules about spending their share of the loot while the heat was on.

Mirror Master was apparently pushed three years into the future when he fell into the mirror.

There are metahumans with telekinetic and cloaking powers on Earth 2. Harry suggests both as possibilities for how The Rival was killed in his cell in Iron Heights in 302.

Jesse Quick's costume resembles that of the villain Trajectory from 216, with the addition of a Flash logo.

While training Jesse, Barry refers to the speech Oliver Queen gave Barry while training him in how he had to learn not to rely exclusively on his powers in 108.

Oliver told Barry about Captain Cold leaving with the rest of The Legends.  Barry apparently told Joe about this in the pre-Flashpoint timeline, but didn't in the new timeline.

Caitlin has never been fishing before.

Barry has never taken Wally on a run at super-speed before.

Jesse kisses Wally.

Wally admits to being attracted to Jesse, but he doesn't want to start getting romantic with her when she's eventually going to go back to her Earth. They agree to be friends but Wally laters changes his mind and kisses Jesse.

Four versions of Harrison Wells from other Earths are able to solve Harry's test.

The first alternate Wells dresses like an sheriff from the American West and speaks with a Texas accent. He identifies himself as "Hells Wells" and says he has a checkered past he'd rather not speak about right away.

The second alternate Wells is from what Cisco dubbed Earth 17. He speaks with a British accent and wears a steampunk-style outfit with a top hat and goggles.

The third alternate Wells speaks French and is dressed as a mime.

The fourth alternate Wells is wears a trilby hat and button-up vest with a t-shirt and jeans. He is from what Caitlin calls Earth 19. He seems both nice and not-evil, according to Cisco.

Caitlin uses her ice powers to chill the mirror in secret when Harry and Cisco's improvised device can't get the job done.

Caitlin's powers allow her to lower temperatures to absolute zero.

The CCPD has the ability to monitor specific cells in Iron Heights from their main station.

Joe realizes that Cecile Horton is flirting with him but is afraid to ask her out.

Cisco vibes across 18 dimensions for the first time.

The Harrison Wells of Earth 19 asks to be called HR. He has a much better sense of humor than Harry Wells, speaking in a mock deep voice and saying "Greetings Earthlings" when he first meets Team Flash.

Harry tells Cisco that their device didn't work and that something else removed Barry from the mirror.

Harry and Jesse return to Earth Two, with Harry trying to tell them never to do something just before he vanishes.

HR Wells also likes Big Belly Burger as much as Harry.

Barry decides to move out of Joe's house and get his own place.

Caitlin's cold powers appear to be getting out of control, as she freezes the water in her shower by accident. Her lips have also begun to turn pale blue and a streak of her hair is bleached white.


Untelevised Adventures


The Top was apprehended at some point in the past after her powers manifested and locked up in Iron Heights' metahuman wing.


The Fridge Factor


The scene of Caitlin in her shower is a little fan-servicey.


The Bottom Line


A rare episode where one wishes we saw more of the villains of the week than the supporting cast. Mirror Master and The Top are two of the better baddies to be introduced in recent memory and the interplay between them as a couple is a neat twist on the usual villain partnership. It's certainly a lot more interesting than the forced humor of Wally feeling awkward getting romantic with Iris in the same house as Joe. The romance between Wally and Jesse is more enjoyable, precisely because Violett Beane and Leiynan Lonsdale underplay their scenes. Again, less is more and the episode - while enjoyable - would have done better to sacrifice some of its subplots.  Maybe introduce Joe's new love interest and the new Harry Wells another time?

Wednesday, May 11, 2016

Injustice: Gods Among Us - Year Five #21 - A Review

Laying low and trying to figure things out, Harley Quinn decides that she needs to work out some aggressive feelings. Unfortunately, for Billy Batson, she decides to do this by picking a fight with Shazam. Meanwhile, The Rogues - or what's left of them in the wake of Superman's Regime - gather to honor two of their fallen. And then The Flash shows up...


This is the best issue of Injustice in some time. Brian Buccellato's work on The Flash is beloved for many reasons but one of them was the way he wrote The Rogues. The scene in which The Flash confronts them shows a deep understanding of both Barry Allen and his various frenemies. The scenes with Harley Quinn are similarly strong and are sure to please long-time fans of the character, who don't like what's been done with ol' Harl since The New 52 started.


The art-team also delivers their A-game this month. Bruno Redondo has never looked better, managing the neat trick of making Harley look imposing despite the rather ridiculous costume she's adopted in the Injustice reality. Juan Albarran and Rex Lokus establish an effective aura of shadow throughout this issue, with the usually bright Captain Marvel frequently obscured darkness - a symbolic nod to how much darker the character has become in his support of the tyrant Superman.