Friday, April 8, 2016

Legends of Tomorrow: Season 1, Episode 10 - Progeny

For a summary of the episode guide layout & categories, click here.



Plot

The crew travel to the future of the nation of Kasnia, to assassinate one of Vandal Savage's most powerful allies before he can become a threat. There's just one problem - said ally is a 14 year old boy! As the team is split upon the morality of the mission, Sara talks to both Snart and Rory about their relationship together and Ray and Kendra learn something that may change their prospects for a future together.


Influences

The main plot of the episode is based around a classic moral conundrum, commonly referred to as The Baby Hitler Problem - i.e. is it ethical to kill a tyrant before they become a tyrant in order to prevent future suffering?  Ray Palmer even refers to the issue by this name and the concept has been used as the basis for countless science-fiction and time-travel stories, including a few episodes of Doctor Who. The episode also draws heavenly off the JSA comics of Geoff Johns, which made use of the villain Per Degaton, only with his forces attempting to kill various heroes before they became a threat to him. This seems to be a plot point in the episode to come.


Goofs

It seems odd that Snart would have no trouble with killing a potential tyrant in this episode, given Snart's actions to prevent Sara from killing back in 105 and his own inability to kill Heatwave under equally desperate circumstances.

For that matter, Sara's blase early attitude toward killing a potential tyrant seems to fly in the face of her characterization in last week's episode, where she was allowed to leave The League of Assassins because she was conflicted about the nature of their work (i.e. killing evil people before they did great harm.). And then she sudden;y changes her mind and is all rah-rah-redemption at the episode's halfway point.

The existence of The Hunters begs the question of why The Time Masters don't employ said Hunters to deal with Vandal Savage, who seems to be a bigger threat to humanity than Rip Hunter and his crew. Particularly given how ineffectual The Legends are in this episode when it comes to changing the time-stream and accomplishing their goals.


Performances

The interplay between Caity Lotz and Franz Drameh at the start of the episode, when they riff on Professor Stein, is rather nice. We haven't seen much interaction between the two of them and it's nice that they get that little moment together.

A much stronger scene is the one between Caity Lotz and Dominic Purcell, where Sara - still seeking signs that anyone can be redeemed given her own desire to find peace with her dark past - unloads on the one person on the ship more in need of redemption that herself.

The best moment in the episode, however, may be the interplay between Caity Lotz and Wentworth Miller as Sara tells Snart he should try talking to Rory so the damage between them might be healed... if there's a chance of healing at all.

Arthur Darvill gives a great performance - verbal and physical - as we see him ponder killing Per Degaton and then ultimately decide on the path of mercy.


Artistry

The action sequence in the fifth segment, where the team fights the armies of Tor Degaton is incredibly effective and a nice balance of CGI, fight choreography and practical effects.


Trivia Of Tomorrow

The nation of Kasnia (or Kazina) first appeared in the DC Animated Universe. It was located somewhere in the Balkans or Eastern Europe and its history was loosely based upon the nation of Yugoslavia, suffering from a number of civil wars through its long history.

One Justice League episode - Maid of Honor - focused upon the nation of Kasnia and involved Vandal Savage and his attempts to take control of the country (and then the world!) through an arranged marriage to the country's princess.

This is not the first time Kasnia has appeared in the reality of the DCTVU. It was also the setting of the third-season Arrow episode Suicidal Tendencies.

In the original DC Comics, Per Degaton was a time-traveling Nazi who attempted to use various time-manipulating technologies to win World War II for the Axis Powers. He was repeatedly thwarted by the Justice Society of America, whom he then focused on destroying.

Per Degaton's powers included the power to time-travel at will, intangibility (due to being out of phase with the time stream), a limited precognitive sense that allowed him to see the immediate future, the ability to create "chronal duplicates" (i.e. clones) and time disc weapons that allowed him to speed up or slow down the flow of time around those who made contact with a disc.

The DCTVU version of Per Degaton appears to be an ordinary tyrant with no special powers.

In this episode, it is revealed that Ray Palmer has a brother named Sidney.  In the comics, Ray Palmer did have a brother, but his name was Danny.


Technobabble

By 2147, Ray Palmer's design for the ATOM suit has been altered into autonomous units - i.e. robot policemen.

Rip Hunter makes use of a pair of special contacts that allow him to fool the rental scanners used to identify stockholders in the Kasnia Conglomerate.

Snart uses a pair of smart glasses that give him a variety of information at the objects he looks at.

Ghosting is a 21st century slang term for pretending to be dead and not responding to another person's texts or instant messages.

Gideon has the ability to monitor the dreams of anyone who sleeps upon The Waverider.

The Waverider's jump-ship has a range of 8,000 miles.

The Hunters are a group of mercenaries, entirely mechanical, employed by The Time Masters to eliminate those who they consider to be a threat to the established timeline.


Dialogue Triumphs

(Regarding Rip ordering Snart to "deal with" Rory.)

Rip: Your quarrel should be with me and not with him.
Chronos: Ha! Well, if it makes you feel any better, I want to kill both of you.

(Rip explains that Savage set Per Degaton up as a dictator, only to kill him and take his place.)
Kendra:
Okay. So we don't have what we need to take out Savage. But maybe we can figure out a way to stop his rise to power.
Rip: By depriving him of his springboard, Per Degaton.
Sara: Okay. How do we do that?
Rip: It's quite simple really...
Snart: (sighing) We kill the little bastard ourselves.

Ray: Great. We've gone from infanticide to child abduction. Progress.

Ray: I can't believe it! I'm like the Werner Von Braun of robots!
Jax: The who?
Stein: The Nazi scientist who invented the V-2 rocket. He built it using slave labor and then used it to level London.
Ray: Except my robots will be used to one day level the entire world!
Jax: Ray, dude. Do you not think you're focusing on the wrong thing here? I mean, you have a kid you didn't even know about.
Stein: Had a kid. In this particular time period, his offspring would be long since dead.
Ray: Thank you. As if I wasn't already feeling bad enough...

Chronos: (as Sara enters the cell block) Ah. Finally. Someone who's willing to do a man's job.
Sara: Not why I'm here.
Chronos: It's almost funny. How you guys keep parading in here like it's some kind of confessional or something.
Sara: That's also not why I'm here.
Chronos: Okay. I'll bite.
Sara: Everybody's out there arguing over whether or not we should kill this kid because nobody thinks he can change. Which made me think of you. (sits) You know no one thinks that you can change.?That's why you're in here.
Chronos: The reason I'm in here is if I get out, I'm gonna give Snart some payback he's not walking away from.
Sara: He saved your life.
Chronos: He wussed out on killing me. Not the same thing. He marooned me!
Sara: It's not like he had many choices. You know, while you were busy selling us out to a homicidal time pirate, Leonard and I almost died. He was thinking about you. He told me about your partnership. Your friendship.
Chronos: Did it make you weepy? You think it's gonna make me weepy?
Sara: He's your friend. A loyal one. You should know that.
Chronos: (sarcastically) Thank you. I'll work it out with him, soon as I can.
(Sara stands and starts to move away.)
Chronos: Oh. Killing a kid? Not very hero-like.

(Snart's sitting in the cargo hold, throwing a blue ball against the wall and catching it repeatedly as Sara enters)
Snart: No luck finding our homicidal captain?
Sara: Gideon's still searching, but I have a feeling Rip's not gonna be found if he doesn't want to be.
Snart: So what are you doing down here?
Sara: Don't you think you at least owe him a conversation?
Snart: We had our conversation while he was Chronos. And he made his feelings about me very clear.
Sara: And what about your feelings?
Snart: About you?
Sara: (smirking sarcastically) About Mick.
Snart: I don't have any feelings about Mick.
Sara: (sighing and sitting down) Look, it didn't seem that way when we were dying in the engine room of hypothermia.
Snart: Look, if you want to ease your guilty conscience, that's your business. But he's still the same son of a bitch he was when you all wanted me to put him down.
Sara: I wasn't the one who mentioned marooning Rory. You did. It's obviously still weighing on your conscience. So stop being an ass and go deal with it.
(Sara gets up and leaves the room.  Snart throws the ball across the room but doesn't bother trying to catch it this time.) 

Rip: I've said to myself time and time again that there is nothing I wouldn't do to save my wife and son. But now I know that there is! My reticence to kill you, Per Degaton, is not weakness. It is goodness! And if there is a shred of goodness inside of me, then I have to believe that there is a shred of goodness inside of you! Be the man that your feather wants you to be! Not the man Savage wants you to be.

Chronos: What do you want?
Snart: People seem to think we should have a heart-to-heart.
Chronos: We don't have hearts. Where does that leave us?
Snart: I've got a dozen reasons for killing you. You've got a dozen and one for killing me, so...
Chronos: All the talk in the world's not gonna change a thing.
Snart: Exactly. Here's my proposal. I open this cell. We let our fists do the talking.
(Chronos stands up and moves closer to the cell door.)
Chronos:
When I kill you?
Snart: You take the jump ship and make your escape. Live out the rest of your life anywhere you like.
Chronos: Hmmm. And if you kill me... well, it's better than being locked up in this place like some kind of circus freak.
Snart: I take that as a yes?
Chronos: Sound the bell.

Rip: Did I do the right thing, Gideon?
Gideon: Not committing murder is generally considered "the right thing" Captain.
Rip: In this instance... I wonder.

(Both Snart and Chronos are collapsed on the cell floor.)

Snart: We had a deal, Mick. Kill me and you walk. It's what you want, isn't it? To get off the team?
Chronos: I don't know what I want anymore. Truth is, it doesn't matter.
Snart: What are you talking about?
Chronos: Whether I stay or leave, I'm dead. We're all dead.


Continuity

Kasnia was first seen in the DCTVU in A317, as the site of a mission for the Suicide Squad.

The Kasnian Conglomerate rules over most of Eastern Europe, between Italy and Turkey, in 2147.

2147 is considered the zenith of humanity's advancement.

Wool is still worn 150 years in the future, at least in The Kasnian Conglomerate.

Jax hates wool clothing.

In 2080, many world governments collapsed, giving way to corporations taking control of whole land masses.

Kasnia is the point from which Savage launched his rise to power in 2167.

Theft is refereed to as a violation of Ordinance 12 in the Kasnian Conglomerate.

In 2147, Vandal Savage is employed by Tor Degaton - leader of The Kasnian Conglomerate - as a tutor for his son, Per Degaton.

In 2152, Per Degaton killed most of the population of the Kasnian Conglomerate after releasing The Armageddon Virus.  He was later killed by Vandal Savage, who used his power base as a springboard to taking over the world.

The STAR Labs corporation took over Central City. Since then, The Kasnian Conglomerate doesn't get many visitors from Central City.

The descendants of Ray Palmer's brother Sidney Palmer founded the company which eventually became the centerpiece of The Kasnian Conglomerate.

Joseph and Edith Broadman were the alias Carter and Kendra's 1920's incarnations adopted in an effort to get away from Vandal Savage.

Sara is apparently having erotic dreams about the nurse she briefly romanced in 108

Sara refers to her chat with Snart regarding his friendship with Heatwave in 107.

The Legends actions in this episode do nothing to stop Savage's rise to power. Indeed, their actions accelerate the time-table with Per Degaton killing his father five years before he died of natural causes and Savage acting as his proxy on the Board of Directors until he reaches the age of maturity. This causes the release of The Armageddon Virus to happen five years earlier as well.

Chronos elects to help The Legends, reasoning he's dead already since he failed to stop them.


Location

Kasnian Conglomerate - 2147
Kendra has several flashbacks to her life somewhere in the United States in 1920


Untelevised Adventures

Rip tells the rest of the crew of how Per Degaton grows in the 22nd century's version of Hitler, before his empire was usurped by Vandal Savage.


The Fridge Factor

Sara is somehow taken-hostage by Vandal Savage off-camera, who then attempts to trade her life for Rip Hunter's.


The Crisis Factor

Honestly, the whole episode is a shaggy-dog story. Our heroes are completely ineffectual. In fact, their efforts to fix things only make things worse.


The Bottom Line

Easily the worst episode of the series to date. If it weren't for the great character scenes anchored by Caity Lotz, this episode would be a complete mess. As it is, the whole affair is as bleak and depressing as Batman v. Superman. Half the cast is written out of character and apart from Rory/Chronos seemingly reforming, not a blessed thing changes as a result of the episode's events apart from Vandal Savage taking power even faster than before.

Thursday, April 7, 2016

Starman Plays Day Of The Tentacle Remastered - Part Six

In which we solve the thrice-cursed puzzle that ground things to a halt last time only to get hung up on an entirely different puzzle!

 But hey, at least we won that stupid beauty pageant and prove that cartoons ARE educational!

Superman #51 - A Review

I'd thought I was done with Superman until DC Rebirth. Then the news came out that they would be planting the seeds for what was to come in the last few Superman comics. What sold me on giving this issue a shot, however, was the fact that it was by Peter Tomasi and Mikel Janin - two creators whose work I've generally enjoyed when I encountered it. And I was not disappointed.

As a result of the last Super-Crossover (which inspired me to drop this title originally), Superman has regained his powers. Unfortunately, he's also contracted some form of Kryptonite cancer. He may have become a star again but one that is doomed to burn out soon. With death a certainty, Clark Kent begins making arrangements for his death.


Some may say this is derivative of Grant Morrison's All Star Superman, but Tomasi's script finds a humanity in Superman that Morrison's story lacked. The focus here is not on the wonders Superman tries to fashion in the brief time left to him but how Clark Kent makes peace with his loved ones. That humanity is something that has been sorely lacking in the Superman stories of late and it makes this issue all the more powerful.

That power is equaled by Mikel Janin's artwork. There is a unique clarity and brightness to Janin's colors and character designs that makes every page of this book a delight to look at. Janin is also a great visual storyteller, and the action of the issue flows easily from panel to panel.

Arrow: The Dark Archer #7 - A Review

I don't think I'll be reviewing any future chapters of Arrow: The Dark Archer. This is not because I don't enjoy the series. I do! But the pacing of the story lends itself better to a novel than a weekly digital comic. There's little point in summarizing the individual chapters, when nothing really happens beyond "Merlyn keeps telling his life's story."


With that being said, the story by John Barrowman and Carole E. Barrowman is a good one. And the artwork by Daniel Sampere, Juan Albarran and Kyle Ritter will please those readers who remember their work on Green Arrow and Batgirl. I may not be writing about this book in the future but don't think for a moment I don't love it!

Wednesday, April 6, 2016

Arrow Episode Guide: Season 4, Episode 18 - Eleven-Fifty-Nine

For a summary of the episode guide layout & categories, click here.



Plot

Andy Diggle tells Team Arrow about Merlyn's recruiting him to break Damien Darhk out of prison. John suggests turning him into their man on the inside, but Oliver wonders if Andy can truly be trusted. At the same time, Laurel is offered the District Attorney's post under the newly elected Mayor Adams - a position that will put her in a better position to spy on Darhk and his minions but will require her giving up being Black Canary.

In the flashback, Oliver and Taiana make their move to rescue the other prisoners and trap Baron Reiter in the caverns under Lian Yu.


Influences

Green Arrow: Year One
(The Lian Yu flashback sequence), Saw (the booby-trapped warehouse Andy lures Team Arrow into) and every single cliche involving prison break stories you can imagine.


Goofs

Oliver says that Laurel had always dreamed of being District Attorney. Back in Season One, however, we were told repeatedly that her dream was to use her law degree to help the needy - hence why she worked with a legal-aid organization rather than as a prosecutor.

Laurel says that Oliver is the great love of her life. Nice to see that Thomas "Tommy" Merlyn still means so much to her after all these years. You remember? The man whose death drove her to drug and alcohol abuse back in Season 2? Because Laurel sure doesn't!


Performances

David Ramsey gets some great material here, torn between his belief that his brother can be redeemed and his trust in Oliver.  He winds up choosing poorly - ironically because of his belief in Oliver's ability to redeem himself, right up until the point that Ollie's suspicions break his faith in "his other brother".

This episode is also a great one for Willa Holland.  Thea's central conflict this season has centered upon her controlling her anger and not giving into her blood lust. Ironically, now she finds that she has successfully conquered it and her anger towards Merlyn... at the worst possible moment.

The final scene between Stephen Amell and Paul Blackthorne is some of the greatest non-verbal acting ever seen anywhere. Not just on this show but anywhere.


Artistry

The fight scenes for the episode are all top-notch and very well choreographed.


Trivia

In police scanner code, 11-59 is a warning that intensive attention should be paid to a high hazard area.

"Khushu" means "Humbleness" in Arabic.

Darhk makes mention of Homo Magi carving The Khushu Idol along with other magical artifacts.  In the DC Comics Universe, Homo Magi is a sub-species of humans who wield magic with natural ease. While any human can learn magic with time and training, Homo Magi are born to the art. The magical heroes John Zatara and his daughter Zatanna are both Homo Magi.

Darhk identifies the missing piece of The Kuushu Idol as The Ribulvei Stone. In the mythology of Shazam (a.k.a. Captain Marvel), Ribulvei was the name of one of the deities invoked by The Champion - an early champion of the wizard Shazam, who gained his powers by saying the magic word "Vlarem!"  Ribulvei's blessing was a blessing of Power. It enhanced the physical and mental abilities of The Champion as well as granting him physical invulnerability and resistance to most forms of magical attack.

The abilities granted by Ribulvei in the comics match up with the powers we've seen Damien Darhk manifest. Darhk has shown increased strength and durability and his telekinesis qualifies as an enhanced mental ability by most standards.


Technobabble

Homo Magi form their idols in the image of those whose powers they wish to channel. Attention to detail is essential and the idols will not function if a piece of it is missing.


Dialogue Triumphs

Oliver:
There's something I haven't told you guys.
Thea: (sarcastically) Shocker.

Thea: I’m going to hit the streets.
Oliver: Thea, no one is going to give up Merlyn.
Thea: Then I’m going to hit people on the streets.

John: (to a wounded Andy) Don't worry about it, man. We deal with this kind of stuff every week.

Merlyn: I don't think you appreciate what this cost me!
Darhk: Oh, come on. Stop being so high-handed.

Taiana: If he's found that idol, you won't be able to stop him.
(Oliver looks around and spies several crates full of C-4 explosives)
Oliver: We don't need to stop him. We need to trap him.

Andy: If I'm the man that you think I am then you know torture is not going to get me to say anything!
Oliver: I haven't started torturing you yet.

Oliver: John, you are the one who always tells me "Do not have a blind spot when it comes to your family."
John: And you're the one who told me to give Andy a second chance! You're the one who wanted to extract him from HIVE! You're the one who said he could come back from the darkness the same way you did!
Oliver: But I didn't. I've tried. I've tried harder at this than I ever have at anything. But at the end of the day, I am who those five years away turned me into. I'm what they turned me into!
John: So what, Oliver? Just because Felicity left you, I'm supposed to believe that all men are incapable of redemption? Not all men are like you, Oliver. Some of us change. Some of us grow. Some of us evolve! You are stuck, man! Stuck in your self-pity and your self-righteousness. And THAT is why Felicity left you.

Merlyn: (To Thea) You no longer have the drive to kill and it shows. You lost part of yourself when they cured you of that blood lust. And that is why you will never beat me.


Dialogue Disasters

John:
Why does that thing (Darhk's idol) creep me out the way it does?
Laurel: Because it's creepy.

Laurel's whole dying speech about Oliver being the love of her life even if she isn't the love of his life. It's sickening to the fans of the Black Canary for the comics because Laurel is such a co-dependent wretch compared to the real Dinah Lance. It's sickening to the Laurel fans that she wishes Ollie well on wining back Felicity. And it sickens everyone that she apparently forgot about Tommy Merlyn in favor of the memory of the frat boy who cheated on her at least twice.


Continuity

Oliver confirms that Darhk's idol - The Khushu Idol - was the same one Baron Reiter found on Lian Yu.

Tiana has a photo of herself and her brother, similar to the photo Oliver had of himself and Laurel.  At the end of the episode,

Sara tried to teach Quentin Chinese, but he only learned how to say "no, thank you".

Murmur works in the prison library at Iron Heights.

Darhk figures out the secret identities of all of Team Arrow. Not because Merlyn told him but because it was quite easy to piece together once he knew that Andy Diggle's brother, who worked for Oliver Queen, also worked for Green Arrow.

Darhk recovers his idol, flees Iron Heights with about fifty inmates and fatajly wounds Laurel Lance.

Oliver promises that if Tiana does not survive the escape attempt he will tell her family what happened. She makes a simialr promise to travel to America and tell Laurel what happened to him if he does not make it.

Laurel kept the same picture of her and Ollie in a pouch on her Black Canary costume that Oliver kept during his time marooned on Lian Yu.

Laurel Lance's time of death is 11:59 pm. She dies just before Quentin arrives at the hospital.


Location

Iron Heights Prison, somewhere between Star City and Central City.


The Fridge Factor

Strictly speaking, Laurel's death doesn't count as a fridging because it was not done purely to give angst or meaning to a male character. It was clear from the first funeral scene at the start of Season Four that Oliver's reaction is not angst-driven and Laurel's death touches everyone directly, with Diggle and Thea perhaps having the strongest reactions as they both could have prevented this from happening through choices they made earlier.

That being said, Laurel's death bed speech is a blistering insult to the strong woman from the comics. Written properly, Dinah Lance was always her own woman. In her final moments, Laurel calls Oliver the great love of her life even if she wasn't the great love of his life - a line so utterly co-dependent I'm shocked Judd Winick didn't write it.


The Winick Factor

Honestly, the whole cast got downgraded for the Merlyn/Andy/Darhk scheme to work.


The Bottom Line

This episode was a powerful game-changer but for all the wrong reasons. We're supposed to be moved by Laurel Lance's death but the honest truth is that every other subplot in the episode  (John realizing his brother's betrayal, Thea's continuing fight with Merlyn, Ollie's struggle to keep the team united in the face of their own problems) is far more compelling and will have far greater effect on the end of the season than Darhk murdering Laurel.

It's a telling thing that, for hours after the episode ended when aired in the United States, #Oliver, #Felicity and #Olicity were trending on Twitter when various hashtags aimed at promoting Laurel and promising to never watch the show now if she died did not. In the end, Laurel Lance will be little more than a footnote in the character's history, on par with the infamous 1980's costume and the early 1990's butch biker bitch Black Canary comic. Laurel's fans may say that she deserved a better end than this episode gave her but the character of Black Canary deserved a better cross-genre translation than Laurel.