Doctor Who: The Twelfth Doctor: Year Two #8 - A Review

The secret behind the space colony called The Twist has been revealed!  The Twist's human population were created by the alien Foxkin,who discovered the dead colony and cloned new human settlers before turning to hide in the underground places of The Twist. The Foxkin hierarchy wish to stay hidden, fearing that humanity will turn to violence if they discover the aliens in their midst. It is not an unjust fear but The Doctor - with the aid of rebellious Humans and Foxkin alike- will attempt to stop the oncoming race war through the power of punk rock.


By all rights, this should be a laughably silly comic. The idea of The Doctor fighting bigotry with a concert in order to stave off the worst impulses of two societies ruled by hatred and fear respectively should not work. And yet, under George Mann's pen, the idea not only works but is elevated into the sort of legendary story that defines the Doctor Who oeuvre.


The artwork for this series continues to astound. Backed by two able assistants, Mariano Laclustra's pencils have never looked better. And the color art by Carlos Cabrera gives this issue the appearance of having been painted. The final effect delivers some of the most glorious artwork ever seen in a Doctor Who comic.