I missed out on the fireworks when this issue originally came out and various forces held it up as a prime example of how the social justice warrior agenda is ruining Marvel Comics. Ignoring that Marvel Comics has a long history of doing this sort of thing (and indeed was build upon the work of several Veterans who specifically used their art to make political points) to say that an X-Men comic is not meant to be political seems incredibly ignorant.
For the sake of argument, let's consider this story as an action epic, free from Tom Taylor's drawing parallels between the social-media Sentinels that reprogram people's brains to turn them into anti-Mutant activists and the use of fake news in modern society. Does this comic still hold up? Yes. Taylor writes a fantastic action sequence and the battle in which we see the X-Men placing themselves between an army and a group of refugees is a thrilling one.
All of this is ably illustrated by Mahmud Asrar, whose shadowy, heavily-outlined style is a good fit for the grim world that Taylor's script reveals. The colors are largely dull, save for the colors of the X-Men in their costumes - a brilliant conceit by colorist Rain Beredo that makes our heroes stand out like the beacons of hope they should be in a dark world. The letters by Cory Petit are well done, with a wide variety of texts in the caption boxes, the news scrolls and the action balloons.
Let the broflakes cry. This is X-Men done right, modernized for the 21st century - as political and powerful as it should be.
The Final Analysis: 9/10. The best X-Men book in years!