While I can forgive a lot in the name of a story where the power of love and friendship win the day, I can't quite forgive Dan Abnett for this issue. The action sequences are good but the Deus Ex Machina employed here strains credibility and Abnett is capable of writing so much better.
By contrast, the artists seem to have upped their game, with Brett Booth's artwork looking less posed and more fluid than usual. Norm Rapmund's inks are light, adding to the continual sense of motion that dominates Booth's art and Andrew Dalhouse's colors create some truly amazing eye-catching light effects.
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