Mark Twain once said that "the really great make you feel that you, too, can become great". By that definition, this story has proved Sonja's greatness as a hero. Gail Simone's script sees Sonja playing the hero, not through daring swordplay and cunning, but by acting as an inspiration to other people. It is an interesting change of pace from the usual barbarian adventure story and very well written.
Walter Geovani continues to display why he stands foremost among the finest artists working in comics today. For my money, Red Sonja has never looked so good as it has under Geovani's pencils and inks. He is well-matched by a trio of colorists (Adriano Lucas, Alex Guimaraes and Marco Lesko) who keep their palettes uniform, so one does not see the usual tell-tale signs of three artists at work, with a sickly blue tint shadowing the outdoors scenes and the indoor scenes done in warmer, more comforting hues.
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