That is the Alpha and Omega of everything we've learned about the characters so far. Given that Babs and Dick are two of my favorite characters, I was looking forward to this issue, which featured Barbara in a defensive position on the cover. Gun in hand, ready to defend her child and kick some ass as only a redhead from Chicago can.
Sadly, the adage about judging a book by its cover has never been more accurate. Barbara spends most of the issue as a hostage and the story is told from Dick's point of view. It is Dick who is pressed into action when they are abducted by a doomsday cult and Barbara is chosen as a sacrifice to a captured Parademon. While the story of the pacifist Dick choosing to turn to heroism to save the woman he loves is an interesting one, it is still disappointing to see Barbara Gordon placed in the damsel-in-distress role even if it is acknowledged how unnatural that is for this version of Barbara.
The pencil work by Andy Smith is just odd. Most of the characters seem remarkably clean and well groomed for people we've been told have been living in a ruined city. The doomsday cult looks more like a group of college kids at a rave than a group of dirty nihilists. Worst of all, there's no continuity in the artwork, with Barbara losing the head wound that she had in the first part of the book just before she is taken to be fed to the Parademon.
All in all, this issue is something of a disappointment. It isn't bad as such but it could have been so much better.