Meanwhile, in Khandaq, the terrorist leader responsible for kidnapping a number of schoolgirls gives the public a name. He calls himself Khem-Adam - the ancient Egyptian phrase for Black Adam. More, he claims to be a conduit for the ancient gods and to feel no pain...
The script for this issue by Marc Guggenheim and Keto Shimizu is fast-paced and feels just like a storyboard for an episode of the show. The dialogue is crisp and hilarious and the action scenes well-played. As before, I find the Suicide Squad back-up story to be as interesting as the main story and wish more space was being allocated for it, particularly in the wake of this issue's revelation that the terrorist leader for the group we've seen in action so far is Black Adam. Time will tell if we're about to see the first proof of magic in the unified DC Television Universe or if this is just another bone for the long-time comic fans.
The artwork is just as good as the scripts. Joe Bennett and Craig Yeung offer up some fine heroic artwork that is reminiscent of the works of Mike Grell, though not so heavily inked. The equally wonderful work of Szymon Kudranski in the Suicide Squad story is grittier and more realistic by comparison, in keeping with that story's darker aesthetic.
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