Truman's scripts stay largely true to the original Howard text. His only real addition is a framing sequence involving a young scribe recording the life's story of an aged Conan, long retired from heroics to wear the crown of Aquilonia on his weary brow. These sequences connect this story with Truman's other King Conan adaptations while easing new readers into world of Hyboria.
Our story begins as an aged Conan's late-night visit to the tomb of his queen Zenobia is interrupted by his young scribe. Inspired by the bard's parroted description of Zenobia's beauty, Conan agrees to tell the tale of how Zenobia - once a lowly slave-girl - became the queen of the most powerful nation in Hyboria. We are then taking back a span of years to when Conan was a new king, still coping with enemy nations at his front and treasonous nobles at his back...
Giorello is one of my favorite Conan artists. His style is as dark and savage as Conan himself, full of rich details and character in every panel. Credit must also be given to Colorist Jose Villarrubia, whose palette is as somber and dull as the Cimmerian highlands, save for the vibrant and wild colors he uses to depict the torches that seem to be the only source of light in Giorello's Hyboria.
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