Showing posts with label JLA. Show all posts
Showing posts with label JLA. Show all posts

Wednesday, August 22, 2012

Superman and Wonder Woman Now An Official Couple


I just felt a disturbance in The Force. As if a million shippers squeed in delight at once...


SOURCE: 'Justice League' #12: DC reveals Superman's new leading lady...



I think I'm the first person to note this... but Superman is tied up in the lasso!


Thursday, August 9, 2012

Wednesday, August 8, 2012

Why We Should Not Panic About The Idea of Ben Affleck Directing A JLA Movie

SOURCE: Warner Bros. Approaching Ben Affleck To Direct ‘Justice League’






Okay. First thing - this is not a done deal. The news is that Warner Bros. was approaching Affleck. There is nothing to say that he has said yes or is even considering his options yet.

And ignoring the above article, which cites interviews where Affleck said that "the years of superhero are behind me", that he had turned down a chance to be considered for directing Man Of Steel and because he was only interested in directing movies where he could also act ("I have to be part of a story I want to tell."), there are plenty of reasons why Ben Affleck directing a Justice League movie would not be the worst of all possible options.

In order of reasonableness, from least to most, let me address some of the complaints I saw on Twitter immediately following this story breaking...


"Affleck? Ewww... does no one remember how bad Daredevil sucked?"



Yes. Thankfully, Affleck had nothing to do with the writing or direction of that film. That was all down to Mark Steven Johnson, who also wrote and directed the first Ghost Rider movie. I'll be the first to say the Daredevil movie was flawed but blaming Affleck entirely for the failure of the Daredevil movie is like blaming the petty officers for the sinking of the Titanic.





Affleck is inexperienced as a film director.

So is Joss Whedon. While having a fair bit of experience directing television series and short features, up until Avengers he had only ever directed one full-length film. And all Browncoat-loving aside, Serenity was not a blockbuster success. And if you don't remember some Marvel fanboys freaking out over that when it was annouced Joss was directing ... well, you were probably a Runaways reader.




Affleck has no experience creating big-budget blockbuster movies.

By that logic, Michael Bay would be a good choice to direct a Justice League movie. And if you believe that, I've know a couple of Transformers fans who would like to talk to you.





Tuesday, January 31, 2012

Justice League: Doom - Just One Month Away!




There's a brief preview of some footage up at Topless Robot but I posted this older trailer so as to share some news that hasn't been making the rounds as well as other bits of news.

* We knew that Tim Daly and Kevin Conroy were reprising the roles of Superman and Batman respectively.

* We knew this script was the last thing Dwayne McDuffie completed before his untimely passing.

*We knew the script was based on Mark Waid's classic JLA story Tower Of Babel.

But we now know the following as well...

* Michael Rosenbaum, Susan Eisenberg and Carl Lumbly are also back, reprising their roles as The Flash, Wonder Woman and The Martian Manhunter respectively.

* Also returning are Phil Morris, Olivia d'Abo and Alexis Denisof, who voiced Vandal Savage, Star Sapphire and Mirror Master in the original Bruce Timm produced Justice League animated series.

* The real big news? Hal Jordan will be once again be voiced by Captain Tightpants himself - Nathan Fillion.

I think this may well be the best animated film DC Comics has made yet.

Friday, September 14, 2007

Looking To The Stars - 09/17/07 - The Week In Reviews






DAREDEVIL #100
Company Name: DC Comics
Writer: Ed Brubaker
Artist: Michael Lark, Stefano Gaudiano, Marko Djrdjevic, John Romita Sr., Al Milgrom, Gene Colan, Bill Sienkiewicz, Alex Maleeve and Lee Bermejo.

Like Daredevil #50 over four years ago, this comic makes use of multiple artists in order to justify it being a "very special issue". However, unlike Daredevil #50, rather than switching artists at random in the middle of one long fight scene, the art styles are used to mark a change in the hallucinations Matt Murdock experiences after being doped-up by long-absent nemesis Mr. Fear.

This approach is, to my mind, a much more effective use of the format. And what is more, Brubaker’s script caters to the artists and allows them to showcase their strengths relative to whichever portion of Daredevil history they were famous for doing art for in the past. The classic romance-comic style of John Romita Sr., the slightly harder pencils of Gene Colan and even the painted abstract expressionism of Bill Sienkiewicz are all in evidence and displayed quite well.






My one complaint; for all this book does to showcase some very fine artist and for all Brubaker’s skill in constructing a fast-paced story that moves us through Matt Murdock’s various visions of his past, not much else really happens, save that Matt finds out at the end of the book about the major event that occurred last issue. There are no amazing revelations in this issue. No sudden reveals, sudden deaths or even so much as a good-old-fashioned twist ending.

But in the end, that’s fine. Who ever said a 100th issue (especially when it’s actually #480 depending on how you count) had to be a be-all, end-all, extravaganza?

GRADE: A



GREEN LANTERN #23
Company Name: DC Comics
Writer: Geoff Johns
Artist: Ivan Reis and Oclair Albert

I think it's safe to say, by this point, that anyone who would want to read this series probably is.

It has been two months and a recent poll on an independent blog, showed that Sinestro Corps is the most popular "event" series by a wide-margin right now. This is no surprise to those of us who have been reading the series since the first issue and were floored by the sheer audacity of teaming the two villains between the two biggest Crises in the last 25 years, the ultimate villain at the end of the highest-selling graphic novel of all time and a squadron of the worst the universe has to offer and letting them loose.

It would have been easy for the series to go downhill from there but it didn’t. Building off the mythology of one obscure story written by Alan Moore before his falling out with DC Comics, Sinestro Corps has become The Book of Revelation for Green Lantern fans as The GL Corps becomes a house divided and the wheels of Fate turn as piece by piece of a dire prophecy is set into place. And every single issue has ended with what I call a Doctor Who moment – a line, a revelation or a visual so amazing that the only basis for comparison I have is the kind of sudden cliffhangers that were routinely found on the very best episodes of Doctor Who.

If you haven’t gotten into this series by now, it’s not too late. The first book is on its’ fourth reprint and the rest should be easily available from any decent comics shop. You’ll thank me later, trust me. This is easily the best comic-crossover in decades – possibly of all time.

GRADE:A



JLA WEDDING SPECIAL #1
Company Name: DC Comics
Writer: Dwayne McDuffie
Artist: Mike McKone and Andy Lanning

In all honesty, this book should have been Justice League of America #13. Because apart from some brief comedy at the start with Hal Jordan trying to get rid of a group of unwanted strippers and a quick flash of Dinah Lance's own bachelorette party, this issue had precious little to do with the upcoming wedding of Green Arrow and Black Canary.

And you know what? That’s just fine. Though part of me will always wonder whose idea it was to have a bunch of superheroines go out – in costume – to a place called “The Meat Locker” and if it was Diana who requested the Spartan Strippers.





But what this issue lacks in nuptial-related material it more than makes up for with sheer awesome including 100% recommended amounts of:

• Joker being written as the gods intended him; not taking anything seriously and quoting Mel Brooks..
• Lex Luthor, the greatest criminal mind of our generation and the greatest Joker straight-man ever.
• The Hall of Freaking Doom, baby!





But wait, there’s more! You also get the best scene with the new Firestorm ever, a guarantee of more John Stewart doing Green Lantern things by 2008 and a promise that the new Justice League comic will feature far less stories about people sitting around and talking to other and more stories with superheroes fighting actual super-villains!

If McDuffie can keep this ride going, this promises to be the best run any writer has had on Justice League since Grant Morrison.





Shame that McKone’s square-faced figures and uniform hairstyles (his Big-Boy Hal Jordan and jarhead Roy Harper scare me) are horrifying enough to force me to lower my grade on this one.

GRADE: B



THOR #3
Company Name: DC Comics
Writer: J. Michael Straczynski
Artist: Oliver Coipel

By now everyone has seen the previews which showed the first few pages of this issue. Enough was seen to know that an epic smackdown of godly proportion was about to begin.

But are the fists of a god of thunder the surest thing to humble a man of iron? Nay, there is one thing better for inflicting wounds than the righteous might of the Odinson…

… and that is the righteous words of the Odinson!

Behold!





Straczynski’s dialogue hasn’t shone like this in years and he seems to slowly be building an epic tale worthy of his reputation and the name of Thor. And Coipel’s pencils crackle on the page with every crack of lightning and thwoom of thunder.

The only flaws I see in the thunder god’s armor is that this book is not for the impatient and that I can see new readers being lost since much of the story thus far depends upon the reader already being a fan of Marvel’s Asgardian Pantheon and familiar with what happened at the end of the last Thor series. Still, if one can bravely venture past these thorns in the path, they may fine a comic worthy of the gods themselves!

GRADE:B

Saturday, June 16, 2007

Thing About Comics To Be Cheerful About

1. Mark Waid will be writing 'The Flash' again!

I love Waid's work but I've just never gotten The Legion of Superheroes... so I'll be glad to have him writing a book featuring characters I like.

Also, there's a fair to middling chance that with Waid writing Trickster again, Underworld Unleashed might still be canon. :)


2. Dwayne McDuffie, former writer and producer of the Justice League cartoon, is taking over JLA... AND he's writing the Ollie/Dinah wedding special!

It's not Gail Simone but it's one of the few other writers whose name can get me to try a book I wouldn't ordinarily read. And as nervous as I know everyone is about the Ollie/Dinah marriage... at least we can be assured that the wedding issue will be top-notch.

Now... can we get a guarantee that Judd Winick is NOT writing any potential Green Arrow/Black Canary team books?

...

Apparently not...

*sighs*

Ah well... it can't all be good, can it?

Friday, April 20, 2007

Looking To The Stars - The Week In Reviews For 04/23/07

My comic shop didn't get a few titles, so this isn't quite a complete review of everything I wanted to read this week. But it is a complete review of everything I did read this week.








52 #50
Company Name: DC Comics
Writer: Geoff Johns, Grant Morrison, Greg Rucka, Mark Waid
Artist: Various

The book that managed to be everything that World War III wasn't. Which is ironic, as World War III was meant to be everything that 52 wasn't.

52 was meant to explain away exactly what happened to everyone during the missing year between the end of Infinite Crisis and the start of One Year Later. It didn't, and World War III was created, in part, to answer all the questions that 52 left open.

It didn't do that either. So what exactly did 52 accomplish?

Well, it was entertaining more often than not. And quite honestly, I'm a lot more interested in the various mad scientists and what the heck Rip Hunter and Booster Gold are up to than I am resolving just how the new Firestorm got unscrambled from Cyborg and started connecting with Firehawk.

Also, I'm somewhat pleased to see Power Girl taking a major role in taking down Black Adam here as opposed to in World War III where the job of tackling the big heavy is limited strictly to a group of powerful male characters. I'm just saying.

Grade: B



Birds of Prey #105
Company Name: DC Comics
Writer: Gail Simone
Artist: Nicola Scott & Doug Hazlewood

Okay. So you have the Birds. And they rock.

And you have The Secret Six. Well, technically The Not So Secret Five, but why quibble? And they rock.

And you have Nicola Scott's artwork. Which rocks in socks.

And you have Gail Simone writing and bringing Ice back from the dead. Which rocks foxes in socks.

How - HOW do they make this comic rock even harder?

Two Words: Harley Quinn.

Seriously, we need to bring Dr. Seuss back from the dead so that he can create a letter to go before A in the alphabet, so that I have a better grade to give this book every month. Alas, it shall have to, as usual, settle for an A. Again.

Grade: A



Conan #39
Company Name: Dark Horse Comics
Writer: Timothy Truman
Artists: Cary Nord & Rafael Kayanan

And here is another book which is testing my ability as a writer to continue to say original kind things about it. Honestly, there's not a lot I can say about Truman's writing I haven't said before - how he has kept the tone of the book consistent with that of Kurt Busiek before him to the point that I had to double-check and make sure the book had changed writers. I've already said, many times, that his work is done in a style and format to do Robert Howard proud. And even with a fill-in artist this month, I can't complain about the artwork as it is still quite good, despite Kayanan having a different style than Nord.

You know what? Since I have nothing really new to say about Conan, I'm going to bring in a substitute reviewer. That's right - I'm going to take the lazy route this time. I'm going to quote the beloved Chris Sims of Chris' Invincible Super-Blog and what he had to say about this issue.


Conan is one of the rare books that's managed to maintain a consistent, high level of quality not just for the past three years, but even through the change of writer from Kurt Busiek to Tim Truman, so it's often pretty difficult for me to think up something new to say about it. Really, once you've reviewed one issue, you've reviewed them all: "Conan acts like a badass, kills a bunch of dudes, and it's really, really good."


That just sums it up perfectly.

Grade: A



Hellblazer #230 & 231
Company Name: Vertigo Comics
Writer: Andy Diggle
Artist: Leonardo Manco

Somehow, I missed the first issue of Andy Diggle's Hellblazer last month and now that I got it and his second issue this month, I am kicking myself furiously. I had been looking forward to it so much, after all, having enjoyed Diggle's work on Lady Constantine and his all too brief run on the new Swamp Thing series. And with Diggle penning the upcoming Green Arrow: Year One, I was a little anxious to see how he handled my favorite anti-hero before handling my favorite hero this summer.

Without giving too much away, the plot of these two issues centers around John finding himself in a rock and a hard place, ready to take the fall for a gang-related murder of a notorious London gangster's daughter. Of course the real murderer is the thug charged with the task of seeing that John gets what is coming to him and the first half of this story ends with John tricking up a magical solution to his problem.

The second half shows John dealing with the consequences of his solution and trying to do the right thing, only to wind up having things go pear-shaped. All par for the course for John Constantine, naturally - but in these two issues Diggle manages to capture the essence of the character completely.

Is he a bastard? Of course he is. But Diggle argues, as Ennis, Jenkins and Carey did, that John has become a bastard by necessity and that deep down he's still the 20-something punk who is trying to do something to make the world a better place by using his magical power against all the bastards, mortal and immortal, who abuse the power they were given by birth and not by right. As much as he may deny it, there is still a good person in John Constantine trying to get out. And that good person is seen here, trying to do the right thing by the ghost of the daughter of an old friend only to have it all go wrong with John able to do little more than apologize.

Diggle has proven himself to be a masterful Hellblazer scribe and has found the perfect balance of "total bastard" and "sad bastard" to John's character. The artwork by Leonardo Manco is dead perfect too.

Grade: A



Justice League of America #8
Company Name: DC Comics
Writer: Brad Meltzer
Artist: Ed Benes and Sandra Hope

I've said it before and I'll say it again. I love Brad Meltzer's character moments, even if I hate his plots.

There is just a certain amount of brilliance to little scenes here.


Batman: Clark has him listed as a Level 15 fighter.

Black Lightning: Is that good?

Batman: Put it this way. Clark has me listed as a 12.


This leads to a scene in which a time-displaced Karate Kid jumps Black Lighting, dispatches him easily, Batman easily blocks the attack aimed at him and then thinks to himself about how much he enjoys proving Superman wrong.

So there's that. The three-way chess match between Hal Jordan, Mr. Terrific and Black Canary. The war games between the various JLA and JSA members. And the splash-page full of conversations with everyone... especially the conversation between Batman and Power Girl regarding the collecting of first edition war journals and Doctor Midnite's attempt to hook up with Black Canary again yielding the same answer.

"I'm not selling." Classic.

That being said, the actual plot of the story - involving time-displaced Legion of Superheroes members (who aren't related to the current incarnation of the Legion of Superheroes, oddly enough) - is somewhat flat and uninspired in comparison to what the characters are doing in their down time. This is a bad sign in a comic that is nominally a high-action adventure book.

Roger Ebert had a good rule about judging the inherit goodness or badness of a movie's story; if your idea for a movie is less exciting or amusing than the idea of a movie about your actors having lunch together, it's probably a bad idea. That seems to be a good appraisal of Brad Meltzer's comic work so far. In fact, I'd love to see him write something akin to Geoff John's old "JLA/JSA Thanksgiving dinner" stories rather than write a story involving missing heroes from the Future.

Grade: C



World War III #1-4
Company Name: DC Comics
Writer: Keith Champagne
Artist: Various

Why were these comics collectively called World War III?

Because Shakespeare already holds the copyright on Much Ado About Nothing.

That's a crap joke, I admit. I know Shakespeare is long dead and his works are in the Public Domain, so logically the joke makes no sense. And yet, if you're the pedantic sort to argue this point while missing the point of the joke - that World War III was "much ado about nothing" - then you're probably the target audience for this book.

A little back story for those of you who read this column to keep up on the comic news without actually reading comics; a little over a year ago, DC Comics had most of their books jump forward One Year in time following the Infinite Crisis storyline. They created a new weekly title, 52, that was meant to cover everything that happened during the missing year.

This allowed the writers to start their books over with some completely new and interesting premises meant to encourage reader interest, if only by confusing them into reading more just to understand what had happened. In some cases, such as Birds of Prey and Detective Comics, it worked. In other cases, the results were confusing and turned off more readers than it brought in. Such was the case with books like Aquaman (aka Conan of Atlantis), Greg Rucka's Supergirl and Nightwing (aka OH GOD THE BURNING!)

The problem is that right now we're on Week 50 of 52 and there's still a LOT of big mysteries that haven't been touched. Enter World War III which tries to explain away some of those mysteries away. To be fair, some of the big mysteries are seemingly clarified in these four books. One of these involves J'onn J'ozz and his sudden "badass" attitude in his new solo title. This is, I think, explained away here as being the result of J'onn having been telepathically connected to Black Adam when he got pounced by the JSA. Somehow, the connection made the highly empathic J'onn more like Black Adam.

The problem is that there are a lot of mysteries that aren't even touched and there are quite a lot of things that are even more confusing once they are explained.

The destruction of Atlantis and salvation of Sub Diego, for example. Now, I haven't been reading Aquaman but I knew that basically part of San Diego was sunk and that the people there mysteriously developed the ability to breathe underwater before OYL started. Well, just as suddenly, according to this book, they were being slowly killed by the ocean and this had something to do with the ancient Ocean gods being pissed about surface dwellers being in their domain. So Aquaman wound up using his own magic, saved the people of Sub Diego and turned himself into Davy Jones from Pirates of the Caribbean.

You heard me.

Also, Supergirl - who disappeared during a Zeta Beam explosion during Infinite Crisis - apparently didn't return until Week 50... which leaves her two weeks to hook up with Power Girl, get some Kryptonian power suits and then decide to go into the Bottle City of Kandor, fighting crime there... for some reason... at the start of HER book One Year Later.

And despite being elected mayor and not having been seen for over a year ANYWHERE according to his own book, Green Arrow is among the heroes assaulting Black Adam as he stages a one man invasion of China. So is Black Canary, who was supposed to be in a rice field somewhere in Southeast Asia training with...

You know what? Forget it. It's not worth going into any further. It sucks. Don't buy it. Just read 52 #50 and whatever books you want and you won't miss a thing.

...

And when are they going to explain when Babs and Dick broke their engagement?!?!?

Grade: F

Wednesday, April 4, 2007

Fast Thoughts - The Week of 4/04/07



52 WEEK #48 - Is it time for Countdown to start yet?

Seriously, this was the biggest yawnfest of the week. Then again, I seem to be alone in finding the "Rene Montoya Becomes The Next Question" arc to have been the weakest of the series, so keep that in mind when considering my opinions. No surprise then that - for me at least - the best part of the issue was the last page involving the mad scientists. Cause mad scientists always rock!


DETECTIVE COMICS #831 - Paul Dini writing Harley Quinn! What else do you need to know?

Seriously. That's all that needs to be said.

Look, it's the guy behind the best episodes of "Batman: The Animated Series" writing Batman. That should be all the motivation you need to pick up this book.

Fine. You want more? This issue pairs Dini's most famous comic character creation with the most inspired new character of his brief, but always exciting, run on Detective Comics so far.

Buy this book. Seriously. That's it.


FANTASTIC FOUR #544 - I somehow missed out on this issue and am kicking myself for doing so. McDuffie has made this title his own in a few small issues. But what truly amazed me is how McDuffie easily anticipated all the complaints that his critics had about the idea of Black Panther and Storm move into the Baxter Building while Sue and Reed go on vacation to work on their marriage and answers those questions here.

Why are they staying there? The Wakandan embassy was destroyed during Civil War and Reed generously agreed to let them use The Baxter Building as a temporary embassy.

Shouldn't he be running his country instead of staying in New York? The Superpower Registration Act is of great concern to his country and he is working with other concerned nations through the United Nations. As such, it's best that he stay in New York for the present.

Why are they joining the Fantastic Four? They aren't joining the Fantastic Four - the Fantastic Four is a family, at its' heart. However, since they are guests in the Fantastic Four's home, it is only fitting that they do what they can to help around the house... even if the help does involve traveling to other dimensions and stopping alien invasions.

Throw in a healthy helping of dry humor from all the characters (My favorite line: Johnny's note, when asked on a way of getting The Watcher's attention - "We could set something on fire. I'm good at that!") and you have one more sign that not all is hopeless at Marvel Comics.


JACK OF FABLES #9 - One of the funniest books on the market, but also culturally important. For too long, the menance of the Belgium Mafia controlling Vegas has been covered up by corrupt cops and politicians who are too busy raking in cash on the illegal waffle-smuggling operations that filter in and out of Nevada diners. I may not ever write another column again for daring to speak the truth and I may wind up in a landfill somewhere for saying this - but good on Bill Willingham for finally standing up to them!


JUSTICE LEAGUE OF AMERICA #7 - I have a love/hate relationship with this book and indeed most of Brad Meltzer's writing. On the one hand, there are certain characters that he can just NAIL and he can deliver some very genuine pathos. On the other hand, he can - on occasion - do things that just flow so completely against the grain of what the character is about that you have to wonder if he's ever read a comic and is being coached on the fine points of character history.

It happened in Archer's Quest, which was a great insight into Oliver Queen's personality - until the final chapter revelation where Black Canary was written horribly out of character and we find out that Ollie Queen - in defiance of years of continuity and characterization of having always wanted kids - was a dead-beat dad.

It happened in Identity Crisis, which was a great insight into the relationships between the various JLA members that explained so much (Why was Batman so paranoid about other superheroes, How did the Ollie/Carter feud REALLY come to a head, The differing portrayals of Doctor Light, etc) and yet was built upon destroying the happiest, longest-lasting marriage in comics history and many head scratching moments such as Green Arrow bossing around Wonder Woman and the "who done it" itself, which was the worst kind of hack mystery cheat.

And with this issue, it has happened with JLA.

There's a lot of things I do like. I like their being an actual Hall of Justice in Washington DC as well as The Watchtower. I like the fakeout scene where Dinah becomes League Chairperson (She's got the power, she's experienced and she won't back down to Bruce... yeah, I vote for Canary too). I like the incongruity in Batman putting together the Trophy Room. And I loved the scene with Roy "graduating" and his favorite Uncle and Aunt (Dinah would kick his ass if he ever called her Mom) tearing up at the sight of him in his new costume.

But there's a lot more I don't like. I don't like how the "Red Tornado Becomes Human" story ended in the most cliched way possible - the tragic android romance was done before and done better with Vision and Scarlet Witch.

I don't like seeing Oliver Queen - who was put into a young man's body not too long ago in the comics - is still grousing about getting old and Hal Jordan talking about how Roy will be surpassing him soon.

I don't like how Roy credits Dinah solely with being the one who saved his life when he turned to drugs. IIRC, Hal AND Dinah were the ones who got Roy to the hospital and into rehab.

But what I REALLY don't like is how - despite the team being nearly half-women for the first time in its' history - most of the female characters are limited to supporting "approved" roles.

Despite being elected chairwoman, Dinah is just there to cry over how Roy looks in his Red Arrow costume. Diana just shows up for the team photo and in a few panels here and there talking with Superman and Batman. Hawkgirl is just there to comment on how stupid Roy looks. And Vixen gets one page of "talking on the phone" time before showing up for the group picture. Most of the comic is devoted to Black Lighting talking with Superman, Black Lighting talking with Batman, Black Lighting talking with Geo Force, Green Lantern talking with Green Arrow. Nary a girl talk moment to be seen.

We'll see if it gets better...


KNIGHTS OF THE DINNER TABLE #125 - Two things I loved about this issue.

1. The Bob/Earl Scene - had a lot of talks like that during my time working at the game store.

2. Squirrley Runs With The Loot - When Bob, through his own stupidity, gets jumped by three trolls, Squirrley just runs with the loot. This is funny in itself but it made me laugh because I did the same thing in one of my early D&D games. I was the only one with any previous gaming experience, playing a thief in a group full of macho teenagers who were all playing fighters. They gave me hard time about looking for traps and being so afraid... until they wandered into a Beholder's lair, got vaporized and I ran off with all of the valuable loot. Ah, memories.


SAVAGE TALES #1 - Book of the Week, this one. The first issue of a monthly anthology series doing stories in the same vein as Robert Howard and H.P. Lovecraft. And what does this first issue offer?

* A Ron Marz-penned Red Sonja story about Sonja's encounter with a kindred spirit witch
* A tale of Howard's Atlantis - before the days of Kull the Conqueror!
* A story centering upon The Hunter - the villianous dark cultist from the current Red Sonja title.
* A Lovercraftian/Howardian hyrbid tale of how The Elder Gods and Great Old Ones came to Earth in a land before time, when man was young...

Something for everyone and well worth the $5.


SUPERGIRL #16 - Give Joe Kelly credit again. He has managed to take all of the disjointed, broken "hints" about Kara Zor-El's past that had been hinted at in the writings of Loeb and Rucka and has made sense of them. Granted, he had to fudge a few details (i.e. Kara's dad not being a truly bad guy) but the story he crafts here easily stands alongside Busiek, Donner and Johns recent reimagings of Kryptonian Culture before the disaster as well as explaining away much of Kara's confused behavior in a way that doesn't have to be written off as "three writers without a direction".

Highlight for the spoilers:


In short, Zor-El - Jor-El's brother and Kara's father - theorized that The Phantom Zone his brother discovered wasn't truly empty and that there might be beings there that they could not percieve. He became convinced of his theories as, the more and more criminals were put into the Phantom Zone, the more crime increased as his fellow Kryptonians became possessed by spirits - spirits who were becoming more and more corrupt based on the presence of other people in their home dimension.

He discovered that Sunstones - the same crystal Jor-El used in most of his inventions- could drive the spirits out of a body, but that this often required mortally wounding the possessed subject. Still, he judged this a lesser evil than allow a person to die with their own spirit tainted. He did experiments on his daughter using the crystals that allowed her to carry their power within her. He then used Kara as a plan to "cleanse" Kara's school, after Kara realized that most of her fellow students were possessed. Zor-El himself was sentenced to the Phantom Zone for his actions but before he could be transported, SOMETHING came out of the projector coinciding with the last big quake before Krypton exploded.

Jor-El, putting aside his differences with his brother, told him that he had designed a rocket that might save his child. Zor-El adapted the same design to save his daughter, fearing that the ghosts that haunted his family would go after Kal-El. It was then that he left her instructions - confused by Kara's swiss-cheesed brain following hibernation - that she must be ready to kill Kal-El if neccesary.


So there we have it. Kara isn't crazy. Her dad wasn't a bad guy. And Jor-El wasn't nearly as perfect a scientist or a man as we previously thought. Honestly, this read like vintage Alan Moore in terms of execution and like Doctor Who in concept. Good stuff.

Wednesday, March 7, 2007

Fast Thoughts - The Week of 3/7/07

Since I have a lot of thoughts on some things that need to be said this week that won't make it to the column - and since I'd like to have something special for my fans on LJ - starting today, my brief thoughts on whatever books I read each week are getting posted here.

There will be some spoilers, so be warned.



52 WEEK #44 - Nice to see why Black Adam went back to being a bad-ass in One Year Later. The Four Horsemen are seriously underwhelming. And I still don't care about "Next Question".


CAPTAIN AMERICA #25 - Am I the only one struck by the irony of a Captain America comic with such a strong anti-authority message featuring a GO ARMY advert on the back? Regardless, this story - which is making headlines in the mainstream non-comic press - is one of the best so far this year. I don't expect the events to actually stick - but even before that moment, this book had me thinking that as much as I hated Civil War, Marvel Comics isn't completely hopeless yet. That's Reason Number One.


DETECTIVE #829 - (sung to the opening line of "Money For Nothing") I want my Paul Dini. And it's still way too early to be doing "terrorist-blowing-up-financial-centers" storylines.


FANTASTIC FOUR #543 - As Ben says, "If you think Cap has given up, you don't know him at all." Between that line and the crowds of people showing up to support Cap at his trial, I think THAT is the real reason Cap allowed himself to be taken into custody. He can't beat Tony and the pro-registration forces by beating them up - but he can damn well make them look bad and put their "New World Order" to the test as we see how they go about throwing the man most consider the greatest hero in the world in a secret prison for trying to help people. All this, Dwayne McDuffie setting up a chance to write the two most prominent Black heroes at Marvel AND a classic Stan Lee story with Mike Allred art. Reason Number Two Marvel Comics is not totally doomed yet.


JUSTICE LEAGUE OF AMERICA #6 - Lot of the same flaws as Identity Crisis - way too scattered (what the hell was with the GeoForce scenes?) and as much as I dig the use of Vixen's powers, that was still WAY too Deus Ex Machina - which doesn't seem a fitting phrase for a fight in which a god-like machine is destroyed by a woman with the speed of a falcon and the weight of a dinosaur... but it's all I've got. Still, a damn sight better than anything done with the JLA since Mark Waid was writing it.


RED SONJA #20 - This book, too, is becoming far too scattered. The title is Red Sonja. I want to read the adventures of Red Sonja. Not see the mooks she's traveling with being put on trial ala Planet of the Apes. Not seeing some mysterious pirate wench (whose name is too close to that Howard heroine Valeria but is obviously not Valeria) running about dealing with impending disaster. Not seeing random villagers turning to barbarism - well, a more bloody barbarism, at any rate. Sonja is in danger of becoming a supporting player of her own title, being in barely half the pages of this issue and a majority of those being splash pages with little to no dialogue.


SHEENA PREVIEW - I picked this one up for three reasons. First, the price (99 cents). Second, I figured my girlfriend - who loves tough girl comics - might get a kick out of it. And the third - well, call me a sucker for anything inspired by the work of Will Eisner. And make no mistake - this book is Eisner-worthy. No pin-up book this, this book leaves the feminist and conservationalist leanings of the original Jungle Queen character pretty much intact. And while the series appears to have been modernized in some respects - Sheena now protects the Amazon rainforest from a corrupt Banana Republic government and loggers rather than the Congo from poachers and cannibals - the base idea of a woman who protects nature through the help of her animal friends and her own animal cunning that was the heart of Sheena, The Jungle Queen is still there. Highly reccomended.


ULTIMATE SPIDER-MAN #106 - I rag on Bendis a bit, but then he does an issue like this that reminds me of why Ultimate Spider-Man was such a breath of fresh air when it first came out. And after the sheer depressing weightiness of some of the Marvel books of late, it's a pleasant surprise to read a book where Peter Parker's biggest worries involve Kingpin buying the rights to his name, talking his way into keeping his job and a Kitty Pryde/Mary Jane Watson love triangle. Reason Number Three Marvel Comics is not totally doomed yet.

Wednesday, November 29, 2006

Looking To The Stars - Because You Demanded It!








We’re going to take a brief break from the Hellblazer Guide, kids. This is partly because even I can only write about John Constantine for so long and partly because some of you folks out there asked me to take a break because you missed my reviews over the last two months.

Two months? Yes. Two months since I did any quick reviews. It was a shock to me too.

My, how time flies when you’re staring into the maw of Hell.

Just remember, what follows is all...










ACTION COMICS
Company Name: DC Comics
Writers: Geoff Johns and Richard Donner;
Art: Adam Kubert

I don’t care if it doesn’t neatly fit into continuity.

I don’t care if this is just salvaged from the remains of “What Might Have Been Superman 3”

I don’t even care that Jimmy Olsen and Perry White have been reduced to being parodies of themselves in the one brief scene we do see them in or that Zod and company appear to have gotten matching outfits from Foot Locker of the Phantom Zone.

The simple truth is that this story is one of the most interesting, most exciting and just plain COOL stories to be told with the Man of Steel in more years than I care to think about.

Grade: A




BATMAN/THE SPIRIT
Company Name: DC Comics
Writers: Jeph Loeb and Darwyn Cooke
Art: Darwyn Cooke and J. Bone

I haven’t read a book that was quite this fun in forever!

The police commissioners of both Gotham and Central City attend a police convention in Hawaii as The Joker, The Octopus and a gathering of the Rogues Galleries of both Batman and The Spirit gather to have a vacation and blow up the hotel after they leave. And of course it falls to the two respective masked detectives to save the day.

The plot is pretty basic stuff but the execution is anything but. The love for the characters is evident in the script and Loeb and Cooke manage the rather neat feat of balancing the sillier Spirit character with the darker Batman without it seeming the least bit unnatural. And the artwork is picture-perfect, looking like something the old master Eisner might have drawn himself.

Cooke has a monthly Spirit title coming out in 2007. If this is any indication of what we have in store, then you can sign me up now. And I’m sure that Will Eisner is looking down from his big drawing table in the sky right now and smiling, knowing that his legacy is in good hands.

Grade: A




BIRDS OF PREY
Company Name: DC Comics
Writers: Gail Simone
Art: Nicola Scott and Doug Hazlewood and Paulo Sequiera and Robin Riggs

If you had told me that an enjoyable, worth-while title could be made out of Birds of Prey with the absence of Black Canary... well, I still probably would have believed it after I asked “Is Gail Simone still going to be writing it?”

The first thing I noticed about the recent #100 issue wasn’t the story though. It was the art. Specifically, how with the range of female characters that we see in the opening pages that all of them were shown to have realistic body-types with no uber-cleavage even on the characters where it would be expected. Indeed, the only character who looked “off” in any respect was Power Girl, who looked more like a female bodybuilder and less like Darlene Kurtis after some weight training. Still, Kudos are to be given to new artist Nicola Scott. Or whatever kind of candybar she likes. ;)

I won’t spoil who the new Birds team is except to say that there will be a lot of happy fanboys who were worried about their favorite heroine finding a place after her cult title got canceled. Suffice it to say, another one of them made a big impression on me.

But for me, the back-up story with Dinah Lance getting ready to move was the real treat. Not just because it finally ironed out some questions regarding her background in the wake of New Earth but also because it has opened the door to a reigniting of the Black Canary/Green Arrow romance. Way to make me squeal like a teenage girl, Gail.

Grade: A




CONAN
Company Name: Dark Horse Comics
Writers: Tim Truman
Art: Cary Nord

I had to double-take when I looked at the credits page of this book. You see, I knew that Tim Truman was scheduled to take over the writing duties on this title at some point. I just didn’t know it had been two months ago!

Truman has effortlessly and seamlessly taken Kurt Busiek’s place as author of this book and I honestly hadn’t noticed any change in the tone, action or dialogue. Indeed, I doubt I would have ever noticed the writer had changed unless I’d looked at the title page so I’d know who to credit as I wrote this review. Such is Truman’s prowess as an author and his knowledge of the character.

Of course Cary Nord’s pencils are as sharp as ever, so I need not say much about the art. What I do need to say is that this is still easily the best fantasy book on the market.

Grade: A




CONNOR HAWKE: DRAGON'S BLOOD
Company Name: DC Comics
Writers: Chuck Dixon
Art: Derec Donovan

The biggest problem with this issue is that there isn’t enough Connor Hawke.

After seeing him shunted to the background so much in the current Green Arrow title, I had hoped we’d come in to the middle of a big action scene – not a three page nightmare followed by a brief scene of Connor talking to a mook about an archery contest.

And then we spend half the issue going over a list of other mooks who are going into the same contest. Doubtlessly we DO need an introduction to all these people at some point but I can see this being a little off-putting to newer readers who don’t learn much about Connor other than he’s living in a monastery, he has father issues and he’s an archer/martial artist.

The art stuffers a bit from being overly shadowed, looking like a muddier version of Mike Mignola’s work on Hellboy. Still, give the coloring team credit – they DID remember that Connor isn’t Caucasian, which is more than we’ve gotten from anyone else in some time. I’ll keep going through the next issue (Dixon does have five more to play with, after all) but things had better heat up fast.

Grade: C




CRIMINAL
Company Name: Marvel Comics
Writers: Ed Brubaker
Art: Sean Phillips

I told you all some weeks back that I got to meet Ed Brubaker at Wizard World. What I didn’t tell you was the good news/bad news Ed gave me. The good news is that he reads this column. The bad news is that he wondering “Why haven’t you written about my work lately?” In specific, he asked “Why haven’t you read Criminal yet?”

The answer to both questions was simple. In the case of the former, I’ve never been a big Captain America fan and I didn’t really have much to say about his Daredevil run past “This is way better than Bendis ever was!” I do try not to repeat myself. And in the case of the latter, my comic shop kept selling out of it before I could get a copy. I’m still waiting for them to get a restock on the second issue, but I was finally able to get a hold of the complete first issue. And oh baby, what a first issue!

The plot is the stuff of a thousand heist novels and films, but Brubaker turns the clichés on their heads with some amazing and unique characterization. Career criminal Leo is an amazing anti-hero – a smart (for once) crook who is primarily concerned with looking out for Number One, but still looks after an increasingly senile ex-con named Ivan and allows himself to be talked into a questionable job offered to him by bent-cop Seymour by the needy wife of an ex-partner in crime.

All of this is beautifully and darkly illustrated by Sean Phillips, who I’ve said plenty of nice things about recently in Part Three of my Hellblazer Episode Guide. But I’ll say it again – when it comes to depicting gritty, life on the street amongst the common folk in an illustrated novel, for my money there is nobody finer than Sean Phillips.

Trust me – you don’t want to miss out on this title. It’d be a real crime.

Grade: A




DETECTIVE COMICS
Company Name: DC Comics
Writer: Royal McGraw
Art: Marcos Marz and Luciana del Negro

How soon until we get Paul Dini back?

Don’t get me wrong. This story isn’t that bad by a long-shot. But the Starman fan in me weeps that they couldn’t just create a new Doctor Phosphorus instead of bringing back the old one. Lab accidents happen all the time! Still, give them points for acknowledging my favorite series of all time even if they did sort of undercut Ted Knight’s attempt to finally stop the villain who would have killed him. This story is a good one and the art suitably electric.

Grade: C




FABLES
Company Name: Vertigo Comics
Writers: Bill Willingham
Art: Mark Buckingham and Steve Leialoha and Inaki Miranda

The book’s been a little more low-key than usual of late, with The Adversary’s forces plotting how to best invade the mundane world. Still, the lack of high-paced action has not made this title any less enjoyable. Willingham has shown that he is still capable of surprising us all with a series of small, short epilogues that show us some simple day-to-day scenes involving Fables we have not seen before. And Buckingham’s pencils still astonish after nearly five years of publication. Every issue of this book is a wonder to behold. But it is no wonder that this book has secured as many Eisner awards as it has.

Grade: A




FABLES: 1001 NIGHTS OF SNOWFALL
Company Name: Vertigo Comics
Writers: Bill Willingham
Art: Various

If you’re looking for a present for a reluctant reader of comics, I can think of no better title to recommend this Holiday Season than 1001 Nights of Snowfall. Similar to Neil Gaiman’s Endless Nights, this collection of stories does not require any familiarity with the series that inspired it. Different artists contribute their talents to illustrating Willingham’s stories in an effect that creates an unadulterated treat.

Fans of the monthly Fables book will no doubt be amused by the origin stories of some of their favorite characters which are revealed here. My personal favorite was the sad tale of The Frog Prince, who I had always thought of as an entirely comedic figure in the series - until now.

Grade: A




GREEN LANTERN
Company Name: DC Comics
Writers: Geoff Johns
Art: Ivan Reis and Oclair Albert

Judging by the Comics Nexus Forums, I’m the only one who is currently enjoying this title. I’ve seen a lot of complaints about the story dragging on certain plot points and I’ll admit that things have been a little slow to take off.

But as of issues #14 and #15, the pieces are starting to come together as we see the plot points regarding...

- Hal’s missing year
- Hal’s comrade in arms Cowgirl
- The new Global Guardians
- The new Rocket Reds
- The bounty hunters going after Green Lanterns
- The new Sinestro Corps

Take it from one who slogged through the early issues of Johns’ Hawkman – this will pass. Like Hawkman, this book is like one big set of dominos. It takes a while to set up, but once everything gets moving, it’s quite a sight.

Grade: A




ION
Company Name: DC Comics
Writers: Ron Marz
Art: Greg Tocchini and Jay Leisten

TO: DC Editorial
FROM: Matt Morrison
RE: Ion

I know this is only supposed to be a 12-issue maxi-series... but can we PLEASE make this a regular series? Or at least keep Ron Marz around to keep writing Kyle stories somewhere?

Maybe it’s nostalgia as Kyle was the character who got me into comics in the first place. Maybe it’s the delays on the main Green Lantern title. Maybe it’s because they finally explained Kyle’s powers a little better and allowed him to have a life on Earth again. But whatever this reason, despite some erratic artwork, this title has found it’s way into my heart.

And the most recent issue, where Kyle has to fight a battle without his powers and tries to set an example as a warrior for peace instead of just fighting his way through hordes of minions – that’s something I haven’t seen in a Kyle Rayner story in forever. And I’m glad I got to see it again.

And lets give Kyle props for being the first hero in recent memory who had a naked, hot, willing and “it looks like the parts are compatible” alien warrior maiden ready to offer herself to him... and he turned her down.

Grade: B




JACK OF FABLES
Company Name: Vertigo Comics
Writers: Bill Willingham and Matthew Sturges
Art: Tony Akins and Andrew Pepoy

Give Willingham and Sturges credit for not being afraid to shy away from controversy. The most recent issue revealed the identity of kindly black-skinned caretaker Sam (a.k.a. Little Black Sambo) and I imagine that had they been less than subtle about it, there would have been a major outcry.

As it is, this is easily my favorite title published by Vertigo right now. What can I say? I have a soft spot for any tale of a hapless rogue who sometimes does the right thing by accident- Jack’s saving of the fairies and the convoluted means by which he concludes that Goldilocks is a spy for the enemy being key examples of this. And Akins and Peopy are worthy successors to expanding the Fables name in picture form.

Grade: A




JUSTICE LEAGUE OF AMERICA
Company Name: DC Comics
Writer: Brad Meltzer
Art: Ed Benes and Sandra Hope

Now THAT is how you put Black Canary in a fight scene!

I had been worried about the marginalization of Dinah in the wake of Infinite Crisis. She’s apparently no longer a JLA Founder according to new histories in 52 and Birds of Prey. She’s off of Birds of Prey as an active member. And our first view of her in this book was a shot from behind revealing that she’s lost the more sensible boy-shorts of her most recent costume in favor of the more classic bun-exposing bikini bottom. Given that, I had been worried that she would be reduced to an eye-candy role in the new JLA.

No such worries. Dinah still kicks much butt, even in her impractical outfits. And at least it wasn’t that hideous 80’s number with the headband they brought back. For that alone, I’m willing to give this book a little more time to hook me.

Grade: B




PRIDE OF BAGHDAD
Company Name: Vertigo Comics
Writers: Brian K. Vaughn
Art: Niko Henrichon

My library recently got a copy of this new graphic novel in and I was asked to read it and make sure there was nothing inappropriate for the teenagers who get the most use out of our graphic novel section.

Getting paid to read quality graphic novels? Yes. Sometimes my job just plain rocks - And so does this story!

Imagine ‘The Lion King’ but with all the sex and violence of a National Geographic special left intact. That’s oversimplifying it a bit, but the sense of drama in the former is balanced against the realism of the latter in this story – the tale of four lions who escape from the Baghdad Zoo during the opening battles of Operation: Iraqi Liberation. Confused by the battle around them, they struggle to make their way to someplace better, oblivious to the conflict of the “keepers” around them.

Brian K. Vaughn wrote this so that’s pretty much an assurance of quality right there. And the art by Niko Henrichon (perhaps best known for Barnum!) offers a realistic look at the world of animals while still seeming somewhat unreal and fantastic. I recommend it for all libraries, public or personal.

Grade: A




STAN LEE MEETS DOCTOR DOOM
Company Name: Marvel Comics
Writers: Stan Lee and Jeph Loeb
Art: Salvador Larroca and Ed McGuinness

When I first heard about the ‘Stan Lee Meets’ series, this was the one I was looking forward to the most. Simply put, having Stan the Man match his own bombastic attitude against the dramatic and powerful Dr. Doom – why, it practically writes itself! And in the case of the first story, in which Doctor Doom summons Stan Lee to him in order to find out how best to improve his image in the American Comic Book Industry, it almost does.

The second story by Jeph Loeb doesn’t do quite as well, with Stan barely having a presence in the story at all and a punch-line that is far too similar to some of the stories we have seen already. Still, the artwork is crisp and clear in both stories and you get a classic Stan Lee reprint in the bargain. Not a bad investment of your clams, at all.

Grade: B


Tune in next week. Same Matt time. Same Matt website.

Thursday, August 24, 2006

Looking To The Stars - The Week In Review



Quite a lot of news this week. And yet, I read more than a few comics this week. And it has been ever so long since Unca Stars has treated everyone with a batch full of reviews.

Lucky you. I’m Super-Sizing your column this week, free of charge!

Okay, it’s always free. But you’re getting more bang for the buck you aren’t giving me. Should anyone feel that I am worth a buck, please e-mail me for Paypal instructions. ;)

And now that I am done with my joking and likely pointless shilling, LET THE NEWS REVIEWING BEGIN!


Marvel reverses labeling policy for gay characters

I’d be more impressed with this most progressive news if…

a) Marvel had bothered to put out more than ONE title with a gay/lesbian/bi-sexual main character in all the time the MAX line has existed.
b) Marvel’s two main teen-books (Runaways and Young Avengers) didn’t have three openly gay members between them.
c) Joe weren’t quite so proud about declaring gay hero Freedom Ring the star of Marvel Team-Up… which is due for cancellation, so who cares if people complain about it before then?
d) Marvel weren’t desperate for any kind of good publicity in the wake of the massive delays on Civil War announced last week.


IMAGE PROVIDES RETAILERS WITH FREE COPIES OF “STRANGE GIRL” #10

Retailers drop free copies in Quarter-Bins to save time, make money faster.


TONY HARRIS ENTERS THE QUICKENING: AWARD-WINNING ARTIST NOW REGULAR HIGHLANDER COVER ARTIST

Matt Morrison enters state of bliss: Tony Harris Fanboy now giving Highlander a shot.


“DARKMAN VS. THE ARMY OF DARKNESS” RAGES ON

I’m going to have to start sending my paycheck to Dynamite Entertainment at this rate. Between this, Highlander and the Red Sonja and Xena comics my girlfriend collects, seems like half the books I actively collect are by DE.

Well, it may SEEM like it. But it’s not quite true, as this week’s batch of reviews will clearly show…



52 Week #16
Company Name: DC Comics
Writers: Geoff Johns, Grant Morrison, Greg Rucka and Mark Waid
Art: Various

This issue wasn’t bad but it didn’t thrill me as much as past issues of 52. After the bang-up ending last time (sorry…sorry), this issue just felt a little flat. The Question/Montoya doesn’t seem to be going anywhere and Black Adam’s whirlwind romance is coming off as being a bit rushed. Still, who am I to question the wisdom of gods? The sight of Mary Marvel being alive and well was an uplifting note, at least.

Grade: C



Birds of Prey #97
Writer: Gail Simone
Artists: Paulo Siqueira and Robin Riggs

Glad as I am to see that at least one writer has not abandoned the idea of The Society (being played for chumps by Luthor aside, it DID work really well for the villains) this issue came off a little forced. Emo-brat Black Alice was always shown as being a little more canny that she comes off here. And I am looking forward to seeing this new Batgirl storyline resolved even though I know we are being massively played on what we are supposed to expect.

Grade: B


Daredevil #88
Writer: Ed Brubaker
Artists:Michael Lark and Lee Bermejo

A one-off issue centering upon the now-in-hiding and thought dead by the world (and Matt Murdock) Foggy Nelson this one is a Brubaker bread-and-butter special. We get some nice factual information on what life is like for someone in the witness protection program. And ninjas fighting the Mafia. Everything goes better with ninjas!

Grade: B




Jack of Fables #2
Writers: Bill Willingham and Matthew Sturges
Artists: Tony Akins and Andrey Pepoy

Jack was my favorite character from the original Fables series, so no surprise me loving this one given that I’m also a sucker for any story with a trickster hero. Throw in the fact that the villain of this piece, who we meet in this issue, is a librarian dedicated to a most literal form of censorship (pretty much the epitome of evil for a librarian like myself, who believes that information is meant to be free) and you have one rollicking good read for a mythology librarian geek like myself. But I think that the rest of you will enjoy it too.

Grade: A


Justice League of America #1
Writers: Brad Meltzer
Art: Ed Benes and Sandra Hope

I’ve had a love/hate relationship with Brad Meltzer since Green Arrow: Archer’s Quest. I love most of his characterization and dialogue but I hate his plots and 11th Hour plot twists. Still, I will say two things about this book.

1. He made me care about Red Tornado.

Not an easy feat given I’ve never liked the Pinocchio Syndrome cliché and I think the old Avengers comics with Vision pretty much handled the subject definitively. But damn me if the parts featuring him in this issue didn’t make me start to give a damn about “John Smith”.

2. This is, by far, the most ethnically diverse Justice League ever.

Indeed, it is a Justice League made up entirely of minorities.

I know this is a minor point but given all the talk of racism and religious-bias in comics I’ve seen on this site and others of late, I thought this worth noting. And I expect this to be highly debated but consider the following.

Superman – Granting that he was raised WASP, the man is still the poster-boy Alien Immigrant. And with two female Kryptonian cousins, he is now a minority in a minority.

Batman – Okay. He’s a rich White guy. But given that most of his writers agreed that Batman is Catholic, Anglican or Episcopalian – all relatively small denominations in the USA – he’s a rich, religiously repressed White guy.

Wonder Woman – Greek Mythology pagan.

Green Lantern (Harold ‘Hal’ Jordan) – Hal’s never been portrayed as a spiritual character with a stated religion, but there is a belief by some fans that Hal is Jewish. Indeed, his appearance in 1959 was based on Jewish actor Paul Newman and he once wished Barry Allen a Happy Hanukkah.

Black Canary – Never stated any religious belief as far as I know. But she’s a woman so she still counts as a repressed minority regardless.

Arsenal – Roy was raised Navajo and has been shown to subscribe to their beliefs and to be considered one of the tribe. I think that’s enough to qualify him as Native American for tax purposes. :)

Black Lightning – do I really have to explain this one?

Vixen – African. Not African-American. African Tribal.

Hawkgirl – Half-Latina who may worship ancient Egyptian gods.

Red Tornado – If sentient robots with souls aren’t a minority group in the DCU, then Dr. Morrow and Dr. Magnus have been putting in some overtime.

All arguing of semantics aside, this book was enjoyable enough. I’ll be anxious to see how the first arc ends (Meltzer is weak on endings, IMHO) but so far, so good.

Grade: A



Red Sonja #13
Writer: Michael Oeming
Art: Mel Rubi

The artwork is gorgeous as ever and I do like this clearer retelling of Sonja’s origin that makes it clear, once and for all, if she was honestly blessed by a goddess or just hallucinating in the pain and confusion of what happened to herself and her family. I’m still a bit confused as to what the “mystery villain” who was brought back from the classic Sonja Marvel Comics has to do with the action right now but I am content to sit and find out.

Grade: B


Supergirl #9
Writer: Joe Kelly
Artists: Ian Churchill and Norm Rapmund

Blind optimism has kept me glancing at this book in the store hoping that it would finally achieve the potential it had when Jeph Loeb first brought back the classic Supergirl. Blind optimism finally paid off. Freed from trying to finish off whatever Greg Rucka abandoned during his brief tenure on the title, Kelly is starting to turn this book into his own creature, by setting Kara up on her own and having her talk about her displacement issues with the new Captain Boomerang – who also has some issues with his parents and his place in a world he is just now learning to be a part of. It’s quirky but it works. And the set-up on the last two pages seems a natural progression for two characters who should honestly have been put together as natural friends by now.

Grade: B



Ultimate Spider-Man #99

Writer: Brian Michael Bendis
Art: Mark Bagley

Well, this is better than the original Clone Saga. But if that’s not damning with faint praise, I don’t know what is. Honestly, this issue is crammed full of so many shocking twists that it isn’t the least bit shocking. Nearly everyone who was dead isn’t dead anymore and the only thing that’s for sure is that Peter is somehow going to get blamed for all of this. 10 to 1 Norman Osborne shows up in Issue #100 as the mastermind behind all of this. At least Bagley’s art is still ‘a might pretty.

Grade: D


Wonder Woman #2
Writer: Allan Heinberg
Art: Terry Dodson and Rachel Dodson

You know, I really would like to be able to care about this book. But I don’t. Much as I am glad to see Nemesis alive and well (and the in-joke about his Catwoman appearance where he ‘died” is priceless), I just can’t get all worked-up about this book. I can’t get excited about Wonder Woman as Lara Croft in her secret identity. I can’t get excited about Donna Troy’s appearance here given that we know Diana is alive and well and active. And I really can’t get excited about her doing the spin and change into costume thing at the end of the book. The Dodsons do their usual job where all the female characters looking buxom and all the male characters looking just plain weird. Seriously. Look at Robin. Weird.

Grade: D


Xena: Warrior Princess #2

Writer: John Layman
Art: Fabiano Neves

Dynamite seems intent on reviving a lot of forgotten movie and TV properties with comic-book tie-ins of late. The only thing saving them so far (apart from some cunning marketing) is the fact that as cheesy as some of the properties they’ve invested in are, they are fun. And whatever else may be said of Xena – it is a fun book that truly reads like one of the better episodes of the TV show.

The plot, such as it is, is that the Egyptian Gods and Greek Gods decide to settle their personal war by having two champions fight to the death. Through a bit of a fluke, Gabrielle winds up being chosen to be the representative for the Greeks. Thankfully, the rogue Autoylcus (played by the great Bruce Campbell) is able to convince the gods that having just one pair of mortals fight for their glory is a bit of an understatement. Unfortunately, they just open up the playfield drafting the incompetent Joxer and the psychotic Callisto for the Greek team along with Xena and the sneaky, but not a fighting-man Autoylcus.

The artwork captures the likenesses of all the characters from the show well and odds are that if you’re a fan of the show or comedic fantasy in general, you’ll enjoy this book as much as I did.

Grade: A

Tune in next week. Same Matt time. Same Matt website.

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