Showing posts with label Emma Rios. Show all posts
Showing posts with label Emma Rios. Show all posts

Wednesday, April 10, 2013

Daredevil, Vol. 2 - A No Flying, No Tights Review



The second volume of Daredevil continues the trend set when Mark Waid first took over the book and made it his own. Sick of the increasing amount of melodrama and tragedy in the life of lawyer/vigilante Matt Murdock, Waid only agreed to take over writing duties on the title if he was allowed to do the unthinkable: make Marvel Comics’ darkest superhero lighten-up, restoring the swashbuckling Man Without Fear that Stan Lee had envisioned fifty years ago.

The first chapter of this volume, which won the Eisner Award for Best Single Issue Story in 2012, illustrates just how much Waid has done to turn this title around. The usually dour Matt Murdock arrives at his law firm’s holiday party in grand style, wearing plastic devil’s horns and a red sweatshirt that reads “I’M NOT DAREDEVIL” in white print. His regular cane is replaced with an oversized red-and-white-striped candy cane with a bit of mistletoe tied on the handle. Even the cover of this chapter depicts Daredevil making a snow angel on the rooftops upon which he usually lurks menacingly. And all this occurs before the main plot begins, which involves Matt Murdock’s struggle for survival following a bus crash that leaves him and several blind children stranded in the wintery wilderness. Truly, this volume is worth the purchase just for that one story!

Before any long-time Daredevil fans get all huffy about this change in tone, let me reassure you that, while Matt Murdock may be sick of being miserable and the comedy quotient of the book has increased since Waid’s revamp started, the book still contains a good deal of drama. The main portion of the book is devoted to a team-up between Spider-Man, Daredevil, and the semi-reformed burglar turned hero, Black Cat, who must track down the crooks who framed Black Cat for the theft of a highly advanced holographic projector. The final chapters pit Daredevil against a blind supervillain – frequent Fantastic Four foe Mole Man – who has extended his criminal activities to grave-robbing and whose latest caper gives Matt Murdock a personal reason to see justice done.

Most of this collection is ably illustrated by the series’ regular art team of artist Paolo River and inker Joe Rivera. Their style is as fun as Waid’s script, being clearly penciled without seeming overly cartoonish in design. The inks are perfectly appropriate to each panel, with Joe Rivera seeming to know when to make the shadows thick or when to leave just enough light for the color to poke through the darkness. The Spider-Man/Daredevil/Black Cat team-up features artwork by artist Emma Rios and the artist Kano. There is also a brief story illustrated by Khoi Pham. All of it is good, though some of the poses Kano puts Black Cat in make my spine ache in sympathy.

In terms of content, there’s little to make parents or librarians nervous about this series. There are several moments of passionate kissing leading into something more intense between Daredevil and Black Cat, but there’s no nudity. Likewise, while the eventual reasons for Mole Man’s grave robbing are quite disturbing (i.e. finding the one woman who was ever nice to him and saying goodbye), Waid’s script keeps his intentions purely platonic and there’s no hint of anything else happening. The whole scenario is gross enough without THAT implication!

Daredevil, vol. 2
by Mark Waid
Art by Paolo Rivera, Joe Rivera, Emma Rios, Kano, and Khoi Pham
ISBN: 9780785152392
Marvel Comics, 2012
Publisher Age Rating: T+ (12 and Up)

Tuesday, November 6, 2012

Captain Marvel #4-6

I've held off on reviewing Captain Marvel for the past few months because I was, for a time, confused by its' storyline.  The book opened up simply enough, with Carol Danvers being quickly established as a tough, no-nonsense career soldier turned superhero.  Things became a little more complicated as Carol, in the midst of trying to top a flight record unofficially set by her childhood idol (pilot Helen Cobb) became lost in time and wound up partnering up with a group of all-female pilots in World War II against a group of Japanese soldiers equipped with alien technology.


Issue 4 continued the storyline, with Carol continuing to fight alongside the "Beautiful Banshees" until she had a vision of her plane overhead.  Her attempts to catch up with it sent her through time again, this time winding up in the United States at a time when Helen Cobb was fighting for the right of female pilots in the USAF to fly jets and get the experience needed to become astronauts.  Somehow, Carol is able to enlist in the same program and winds up befriending her idol, all while trying to learn the history of an alien artifact that Helen Cobb may have come into contact with.  This adventure makes up the action of Captain Marvel #5.


Captain Marvel #6 sends both women forward in time to the moment when Carol Danvers gained her super-powers.  Where it goes from here, I shall not say.  Suffice it to say, whatever confusion I experienced in the earlier issues was banished by the issue's end.  Kelly Sue DeConnick wrote a great story here, though the latter chapters scan far more easily in one sitting.  If you haven't picked this book up yet, you might wait for the inevitable TP collection.  I think it will be worth the wait. 


The artwork is primarily provided by two different but skillful artists.  Issue #4, whose main story was drawn by Dexter Soy, offers more of the stylized painted artwork that wowed me in the first issue.  Al Barrionuevo and Will Quintana produced the artwork for the flashback sequences at the issue's end, offering a more classic comic book style than Soy.  Issues 5 and 6, penciled by Emma Rios with inks by Rios and Alvaro Lopez, are more Mangaesque in appearance, looking not unlike some of the early Shojo created by the Fabulous 49ers.  It's a different choice for an American comic-book, but an effective one.

All in all, Captain Marvel's been an interesting read.  It might not be everybody's cup of tea but I appreciated the story, which proved quite accessible to someone like me who hears the name Captain Marvel and thinks Billy Batson.  Give it a shot once the trade comes out.