
Alas, this engaging bit of pulp fiction has fallen flat in its final chapter. The strength of Erik Mona's story has lain in the interactions between the heroes of different worlds, such as John Carter discussing religion with a priestess whose magics he cannot explain. Those interactions are tossed aside here, as we are introduced to a horde of public-domain jungle kings whose only purpose is to serve as canon fodder until Tarzan can be bothered to put in an appearance. The artwork by Jonathan Lau remains astonishing but this ending feels rushed and might have benefited from a few more issues to develop the larger cast.
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